Author: Brooke Erin Duffy
Publisher: University of Illinois Press
ISBN: 0252095227
Category : Social Science
Languages : en
Pages : 209
Book Description
What is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection. Remake, Remodel: Women's Magazines in the Digital Age offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, Brooke Erin Duffy chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. She draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.
Remake, Remodel
Author: Brooke Erin Duffy
Publisher: University of Illinois Press
ISBN: 0252095227
Category : Social Science
Languages : en
Pages : 209
Book Description
What is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection. Remake, Remodel: Women's Magazines in the Digital Age offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, Brooke Erin Duffy chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. She draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.
Publisher: University of Illinois Press
ISBN: 0252095227
Category : Social Science
Languages : en
Pages : 209
Book Description
What is a magazine? For decades, women's magazines were regularly published, print-bound guidebooks aimed at neatly defined segments of the female audience. Crisp pages, a well-composed visual aesthetic, an intimate tone, and a distinctive editorial voice were among the hallmarks of women's glossies up through the turn of this century. Yet amidst an era of convergent media technologies, participatory culture, and new demands from advertisers, questions about the identity of women's magazines have been cast up for reflection. Remake, Remodel: Women's Magazines in the Digital Age offers a unique glimpse inside the industry and reveals how executives and content creators are remaking their roles, their audiences, and their products at this critical historic juncture. Through in-depth interviews with women's magazine producers, an examination of hundreds of trade press reports, and in-person observations at industry summits, Brooke Erin Duffy chronicles a fascinating shift in print culture and technology from the magazine as object to the magazine as brand. She draws on these findings to contribute to timely debates about media producers' labor conditions, workplace hierarchies, and creative processes in light of transformed technologies and media economies.
Remakes and Remaking
Author: Rüdiger Heinze
Publisher: transcript Verlag
ISBN: 3839428947
Category : Social Science
Languages : en
Pages : 185
Book Description
From »Avatar« to danced versions of »Romeo and Juliet«, from Bollywood films to »Star Wars Uncut«: This book investigates film remakes as well as forms of remaking in other media, such as ballet and internet fan art. The case studies introduce readers to a variety of texts and remaking practices from different cultural spheres. The essays also discuss forms of remaking in relation to neighbouring phenomena like the sequel, prequel and (re-)adaptation. »Remakes and Remaking« thus provides a necessary and topical addition to the recent conceptual scholarship on intermediality, transmediality and adaptation.
Publisher: transcript Verlag
ISBN: 3839428947
Category : Social Science
Languages : en
Pages : 185
Book Description
From »Avatar« to danced versions of »Romeo and Juliet«, from Bollywood films to »Star Wars Uncut«: This book investigates film remakes as well as forms of remaking in other media, such as ballet and internet fan art. The case studies introduce readers to a variety of texts and remaking practices from different cultural spheres. The essays also discuss forms of remaking in relation to neighbouring phenomena like the sequel, prequel and (re-)adaptation. »Remakes and Remaking« thus provides a necessary and topical addition to the recent conceptual scholarship on intermediality, transmediality and adaptation.
Film Remakes, Adaptations and Fan Productions
Author: K. Loock
Publisher: Springer
ISBN: 1137263350
Category : Performing Arts
Languages : en
Pages : 396
Book Description
A dynamic investigation of processes of cultural reproduction – remaking and remodelling – which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.
Publisher: Springer
ISBN: 1137263350
Category : Performing Arts
Languages : en
Pages : 396
Book Description
A dynamic investigation of processes of cultural reproduction – remaking and remodelling – which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.
Film Remakes, Adaptations and Fan Productions
Author: K. Loock
Publisher: Springer
ISBN: 1137263350
Category : Performing Arts
Languages : en
Pages : 260
Book Description
A dynamic investigation of processes of cultural reproduction – remaking and remodelling – which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.
Publisher: Springer
ISBN: 1137263350
Category : Performing Arts
Languages : en
Pages : 260
Book Description
A dynamic investigation of processes of cultural reproduction – remaking and remodelling – which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.
Re-make/Re-model
Author: Michael Bracewell
Publisher: Da Capo Press
ISBN: 9780306814006
Category : Music
Languages : en
Pages : 0
Book Description
In 1972 an English rock band released its first album to instant critical acclaim: Roxy Music. Here was a group that looked as though it came not only from another era, but also from another planet-a band in which art, fashion, and music would combine to create, in Bryan Ferry's words, “above all, a state of mind.” Written with the assistance, for the first time, of all those involved, including Bryan Ferry, Brian Eno, Andy Mackay, and Phil Manzanera, Re-Make/Re-Model tells how Pop Art, the 1960s underground, and Swinging London were transformed into a unique sound and look-theatrical, arch, literate, clever, sexy, thrilling. In the tradition of Jean Stein and George Plimpton's Edie, Re-Make/Re-Model is the story of extraordinary individuals and exceptional creativity-and nothing less than the history of an era in music and pop culture.
Publisher: Da Capo Press
ISBN: 9780306814006
Category : Music
Languages : en
Pages : 0
Book Description
In 1972 an English rock band released its first album to instant critical acclaim: Roxy Music. Here was a group that looked as though it came not only from another era, but also from another planet-a band in which art, fashion, and music would combine to create, in Bryan Ferry's words, “above all, a state of mind.” Written with the assistance, for the first time, of all those involved, including Bryan Ferry, Brian Eno, Andy Mackay, and Phil Manzanera, Re-Make/Re-Model tells how Pop Art, the 1960s underground, and Swinging London were transformed into a unique sound and look-theatrical, arch, literate, clever, sexy, thrilling. In the tradition of Jean Stein and George Plimpton's Edie, Re-Make/Re-Model is the story of extraordinary individuals and exceptional creativity-and nothing less than the history of an era in music and pop culture.
Transnational Film Remakes
Author: Iain Robert Smith
Publisher: Edinburgh University Press
ISBN: 1474407269
Category : Social Science
Languages : en
Pages : 248
Book Description
What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bete Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings.
Publisher: Edinburgh University Press
ISBN: 1474407269
Category : Social Science
Languages : en
Pages : 248
Book Description
What happens when a film is remade in another national context? How do notions of translation, adaptation and localisation help us understand the cultural dynamics of these shifts, and in what ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing together a range of international scholars, Transnational Film Remakes is the first edited collection to specifically focus on the phenomenon of cross-cultural remakes. Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood remakes of Australian television, this book provides an analysis of cinematic remaking that moves beyond Hollywood to address the truly global nature of this phenomenon. Looking at iconic contemporary titles such as The Girl with the Dragon Tattoo and Oldboy, as well as classics like La Bete Humaine and La Chienne, this book interrogates the fluid and dynamic ways in which texts are adapted and reworked across national borders to provide a distinctive new model for understanding these global cultural borrowings.
Cycles, Sequels, Spin-offs, Remakes, and Reboots
Author: Amanda Ann Klein
Publisher: University of Texas Press
ISBN: 1477308172
Category : Performing Arts
Languages : en
Pages : 368
Book Description
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.
Publisher: University of Texas Press
ISBN: 1477308172
Category : Performing Arts
Languages : en
Pages : 368
Book Description
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.
Hollywood Remaking
Author: Kathleen Loock
Publisher: Univ of California Press
ISBN: 0520976223
Category : Performing Arts
Languages : en
Pages : 317
Book Description
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
Publisher: Univ of California Press
ISBN: 0520976223
Category : Performing Arts
Languages : en
Pages : 317
Book Description
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
Transnational Television Remakes
Author: Claire Perkins
Publisher: Routledge
ISBN: 1317213351
Category : Social Science
Languages : en
Pages : 231
Book Description
Providing a cross-cultural investigation of the current phenomenon of transnational television remakes, and assembling an international team of scholars, this book draws upon ideas from transnational media and cultural studies to offer an understanding of global cultural borrowings and format translation. While recognising the commercial logic of global television formats that animates these remakes, the collection describes the traffic in transnational television remakes not as a one-way process of cultural homogenisation, but rather as an interstitial process through which cultures borrow from and interact with one another. More specifically, the chapters attend to recent debates around the transnational flows of local and global media cultures to focus on questions in the televisual realm, where issues of serialisation and distribution are prevalent. What happens when a series is remade from one national television system to another? How is cultural translation handled across series and seasons of differing length and scope? What are the narrative and dramaturgical proximities and differences between local and other versions? How does the ready availability of original, foreign series shape an audience’s reception of a local remake? How does the rhetoric of ‘Quality TV’ impact on how these remakes are understood and valued? In answering these and other questions, this volume at once acknowledges both the historical antecedents to transnational trade in broadcast culture, and the global explosion in, and cultural significance of, transnational television remakes since the beginning of the twenty-first century. This book was originally published as a special issue of Continuum.
Publisher: Routledge
ISBN: 1317213351
Category : Social Science
Languages : en
Pages : 231
Book Description
Providing a cross-cultural investigation of the current phenomenon of transnational television remakes, and assembling an international team of scholars, this book draws upon ideas from transnational media and cultural studies to offer an understanding of global cultural borrowings and format translation. While recognising the commercial logic of global television formats that animates these remakes, the collection describes the traffic in transnational television remakes not as a one-way process of cultural homogenisation, but rather as an interstitial process through which cultures borrow from and interact with one another. More specifically, the chapters attend to recent debates around the transnational flows of local and global media cultures to focus on questions in the televisual realm, where issues of serialisation and distribution are prevalent. What happens when a series is remade from one national television system to another? How is cultural translation handled across series and seasons of differing length and scope? What are the narrative and dramaturgical proximities and differences between local and other versions? How does the ready availability of original, foreign series shape an audience’s reception of a local remake? How does the rhetoric of ‘Quality TV’ impact on how these remakes are understood and valued? In answering these and other questions, this volume at once acknowledges both the historical antecedents to transnational trade in broadcast culture, and the global explosion in, and cultural significance of, transnational television remakes since the beginning of the twenty-first century. This book was originally published as a special issue of Continuum.
Remaking Gender and the Family
Author: Sarah Woodland
Publisher: BRILL
ISBN: 9004363300
Category : Performing Arts
Languages : en
Pages : 167
Book Description
In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.
Publisher: BRILL
ISBN: 9004363300
Category : Performing Arts
Languages : en
Pages : 167
Book Description
In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.