Author: Joseph MoxonPublisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Regulae Trium Ordinum Literarum Typographicarum: Or The Rules of the Three Orders of Print Letters ... Shewing how They are Compounded of Geometrick Figures, and Mostly Made by Rule and Compass ... By Joseph Moxon ...
Inland Printer, American Lithographer
Author: Type Specimens
Author: Dori GriffinPublisher: Bloomsbury Publishing
ISBN: 1350116610
Category : Design
Languages : en
Pages : 257
Book Description
Type Specimens introduces readers to the history of typography and printing through a chronological visual tour of the books, posters, and ephemera designed to sell fonts to printers, publishers, and eventually graphic designers. This richly illustrated book guides design educators, advanced design students, design practitioners, and type aficionados through four centuries of visual and trade history, equipping them to contextualize the aesthetics and production of type in a way that is practical, engaging, and relevant to their practice. Fully illustrated throughout with 200 color images of type specimens and related ephemera, the book illuminates the broader history of typography and printing, showing how letterforms and their technologies have evolved over time, inspiring and guiding designers of today.
Catalogue of an Exhibition of Books, Broadsides, Proclamations, Portraits, Autographs, Etc
Author: International Association of Antiquarian BooksellersPublisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 244
Book Description
Contemporary Processes of Text Typeface Design
Author: Michael HarkinsPublisher: Routledge
ISBN: 1000059928
Category : Design
Languages : en
Pages : 165
Book Description
This book addresses the paucity of published research specifically dealing with knowledge of text typeface design processes. Dr Michael Harkins uses a Grounded Theory Methodology to render a tripartite theory resulting in explanation and description of the processes of text typeface design based upon the evidence of subject specific expert knowledge from world-leading practitioners, including Matthew Carter, Robin Nicholas, Erik Spiekermann, and Gerard Unger. The book will be of interest to scholars working in design research, design epistemology, design process, typography, type design, information design and graphic design.
The Evolution of Editorial Style in Early Modern England
Author: Jocelyn HargravePublisher: Springer Nature
ISBN: 3030202755
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
This book provides a historical study on the evolution of editorial style and its progress towards standardisation through an examination of early modern English style guides. The text considers the variety of ways authors, editors and printers directly implemented or uniquely interpreted and adapted the guidelines of these style guides as part of their inherently human editorial practice. Offering a critical mapping of early modern style guides, Jocelyn Hargrave explores when and how style guides originated, how they contributed to the evolution of editorial practice and how they impacted the overall publishing of content.
Doppelgänger Dilemmas
Author: Marjorie RubrightPublisher: University of Pennsylvania Press
ISBN: 0812290062
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
The Dutch were culturally ubiquitous in England during the early modern period and constituted London's largest alien population in the second half of the sixteenth century. While many sought temporary refuge from Spanish oppression in the Low Countries, others became part of a Dutch diaspora, developing their commercial, spiritual, and domestic lives in England. The category "Dutch" catalyzed questions about English self-definition that were engendered less by large-scale cultural distinctions than by uncanny similarities. Doppelgänger Dilemmas uncovers the ways England's real and imagined proximities with the Dutch played a crucial role in the making of English ethnicity. Marjorie Rubright explores the tensions of Anglo-Dutch relations that emerged in the form of puns, double entendres, cognates, homophones, copies, palimpsests, doppelgängers, and other doublings of character and kind. Through readings of London's stage plays and civic pageantry, English and Continental polyglot and bilingual dictionaries and grammars, and travel accounts of Anglo-Dutch rivalries and friendships in the Spice Islands, Rubright reveals how representations of Dutchness played a vital role in shaping Englishness in virtually every aspect of early modern social life. Her innovative book sheds new light on the literary and historical forces of similitude in an era that was so often preoccupied with ethnic and cultural difference.
A Draught of the South Land
Author: Paul MoonPublisher: BoD – Books on Demand
ISBN: 071889720X
Category : History
Languages : en
Pages : 242
Book Description
The story of how the map of New Zealand emerged is a fascinating one. The first full map of the islands was published in London in 1773, which might seem the natural starting point, but over the preceding 150 years, fragments of charts and intelligence about New Zealand ricocheted around various parts of the world. In A Draught of the South Land, Paul Moon provides the first comprehensive account of this piecemeal process. Moon’s investigation covers several continents over more than a century, and reveals the personalities, blunders, strategic miscalculations, scientific brilliance, and imperial power-plays that were involved. Above all, he examines the roles played by explorers and traders, Māori and European rulers, scientific societies and military groups, as well as specialist cartographers and publishers. At a time when maps as colonial tools, enablers of trade and objects of curiosity are being studied anew, his careful analysis and engaging narrative will be of interest to scholars everywhere.
Typographies of Performance in Early Modern England
Author: Claire M. L. BournePublisher: Oxford University Press
ISBN: 0192588524
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.
Art, Artisans and Apprentices
Author: James AyresPublisher: Oxbow Books
ISBN: 1782977430
Category : History
Languages : en
Pages : 537
Book Description
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ eighteenth century.