Author: Michael Veal
Publisher: Wesleyan University Press
ISBN: 0819574422
Category : Music
Languages : en
Pages : 353
Book Description
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
Dub
Author: Michael Veal
Publisher: Wesleyan University Press
ISBN: 0819574422
Category : Music
Languages : en
Pages : 353
Book Description
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
Publisher: Wesleyan University Press
ISBN: 0819574422
Category : Music
Languages : en
Pages : 353
Book Description
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
This is Reggae Music
Author: Lloyd Bradley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 608
Book Description
A history of Jamaica's contribution to world culture--reggae--traces the history of the form from African rhythms to the slums of Kingston and the international recording industry.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 608
Book Description
A history of Jamaica's contribution to world culture--reggae--traces the history of the form from African rhythms to the slums of Kingston and the international recording industry.
Reggae Routes
Author: Kevin O'Brien Chang
Publisher: Temple University Press
ISBN: 9781566396295
Category : History
Languages : en
Pages : 260
Book Description
Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.
Publisher: Temple University Press
ISBN: 9781566396295
Category : History
Languages : en
Pages : 260
Book Description
Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.
Jamming Reggae Together: Press and Listen!
Author: Cali's Books Publishing House
Publisher:
ISBN: 9781950648139
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Music on every page The six reggae jams in this book will have adults and children grooving along. Songs include: Jamming Could You Be Loved Three Little Birds One Love Get-up, Stand-up No Woman, No Cry About the Series Cali's Books is an interactive series dedicated to stimulating children's development through words and music. Using sound button technology, children press to listen to classics songs while developing fine motor skills and learning to love books. Each board book features six songs with lyrics and music on every page.
Publisher:
ISBN: 9781950648139
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Music on every page The six reggae jams in this book will have adults and children grooving along. Songs include: Jamming Could You Be Loved Three Little Birds One Love Get-up, Stand-up No Woman, No Cry About the Series Cali's Books is an interactive series dedicated to stimulating children's development through words and music. Using sound button technology, children press to listen to classics songs while developing fine motor skills and learning to love books. Each board book features six songs with lyrics and music on every page.
Rodigan
Author: David Rodigan
Publisher: Constable
ISBN: 1472125592
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
'THE BOOK THAT EVERY REGGAE FAN SHOULD READ' John Masouri, Echoes 'Rodigan can still claim a currency few presenters of his vintage can match. Perhaps it's because while his wider musical and professional milieu has been in constant change, his boundless enthusiasm has been constant. Reggae's been lucky to have him' Ian Harrison, MOJO 'Rodigan was a major part of my childhood, he played the hottest tunes and in a style that just resonated with me and millions like me. Being able to contribute anything to a man that filled my life with such joy is an honour, respect, David Rodigan' Ian Wright 'David is a pioneer in Reggae music. As a selector and radio personality, his vast knowledge of Jamaican music and its culture has helped to educate and fascinate music lovers around the world; he's an amazing son of the music, and an icon. We couldn't have made it this far without him' Shaggy This is the unlikely story of David Rodigan: an Army sergeant's son from the English countryside who has become the man who has taught the world about Reggae. As the sound of Jamaica has morphed over five decades through a succession of different genres - from Ska and Rock Steady, to Dub, Roots and Dancehall - Rodigan has remained its constant champion, winning the respect of generation after generation of Reggae followers across the globe. Today, at the age of 63, he is a headline performer at almost all the UK's big music festivals, as well as events across the world. Young people revere him and he is a leading presenter on the BBC's youth network 1Xtra as well as a regular fixture at leading nightclubs such as London's Fabric and at student unions throughout the land. And he continues to go into the heartlands of Reggae, to the downtown dancehalls of Kingston and Montego Bay in Jamaica to compete in tournaments against the greatest sound systems. And yet, for all of this, David Rodigan is the antithesis of the stereotype of an international dance music DJ. 'I look like an accountant or a dentist,' he admitted to The Independent a decade ago. A man of impeccable manners, Rodigan prepares for a big sound clash by retiring to his hotel bed with a Thomas Hardy novel before taking a nap and then a cup of espresso before heading to the club. Rodigan is the inside story of this apparent paradox. It tells how a boy from Kidlington has become an admired international ambassador for a music form that remains as proud as ever of its African roots, a sound that emanates from and fiercely represents the ghetto poor. He now reaches across the age groups, from teens through to those of his own vintage. At the pinnacle of his career, Rodigan has become the DJ for all generations. 'David Rodigan is a force of nature. His spirit and passion are a rare and wonderful thing. He has dedicated his life to carrying the torch for Reggae music and is hugely respected all over the world for his knowledge and talent as a broadcaster and a DJ. Long may he reign on our stages and on our airwaves' Annie Mac
Publisher: Constable
ISBN: 1472125592
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
'THE BOOK THAT EVERY REGGAE FAN SHOULD READ' John Masouri, Echoes 'Rodigan can still claim a currency few presenters of his vintage can match. Perhaps it's because while his wider musical and professional milieu has been in constant change, his boundless enthusiasm has been constant. Reggae's been lucky to have him' Ian Harrison, MOJO 'Rodigan was a major part of my childhood, he played the hottest tunes and in a style that just resonated with me and millions like me. Being able to contribute anything to a man that filled my life with such joy is an honour, respect, David Rodigan' Ian Wright 'David is a pioneer in Reggae music. As a selector and radio personality, his vast knowledge of Jamaican music and its culture has helped to educate and fascinate music lovers around the world; he's an amazing son of the music, and an icon. We couldn't have made it this far without him' Shaggy This is the unlikely story of David Rodigan: an Army sergeant's son from the English countryside who has become the man who has taught the world about Reggae. As the sound of Jamaica has morphed over five decades through a succession of different genres - from Ska and Rock Steady, to Dub, Roots and Dancehall - Rodigan has remained its constant champion, winning the respect of generation after generation of Reggae followers across the globe. Today, at the age of 63, he is a headline performer at almost all the UK's big music festivals, as well as events across the world. Young people revere him and he is a leading presenter on the BBC's youth network 1Xtra as well as a regular fixture at leading nightclubs such as London's Fabric and at student unions throughout the land. And he continues to go into the heartlands of Reggae, to the downtown dancehalls of Kingston and Montego Bay in Jamaica to compete in tournaments against the greatest sound systems. And yet, for all of this, David Rodigan is the antithesis of the stereotype of an international dance music DJ. 'I look like an accountant or a dentist,' he admitted to The Independent a decade ago. A man of impeccable manners, Rodigan prepares for a big sound clash by retiring to his hotel bed with a Thomas Hardy novel before taking a nap and then a cup of espresso before heading to the club. Rodigan is the inside story of this apparent paradox. It tells how a boy from Kidlington has become an admired international ambassador for a music form that remains as proud as ever of its African roots, a sound that emanates from and fiercely represents the ghetto poor. He now reaches across the age groups, from teens through to those of his own vintage. At the pinnacle of his career, Rodigan has become the DJ for all generations. 'David Rodigan is a force of nature. His spirit and passion are a rare and wonderful thing. He has dedicated his life to carrying the torch for Reggae music and is hugely respected all over the world for his knowledge and talent as a broadcaster and a DJ. Long may he reign on our stages and on our airwaves' Annie Mac
Miss Pat: My Reggae Music Journey
Author: MISS. PAT
Publisher: Gingko Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
"This memoir will go down as required reading in years to come." - Flea Market Funk, DJ Prestige "A remarkable, and still ongoing, journey." - The Daily Beast, Pat Meschino VP Records co-founder, and one of the reigning matriarchs of Reggae music, Patricia "Miss Pat" Chin, continues to lead the largest independent label and distributor of Caribbean music. Her energetic and engaging autobiography covers her family history, her relationship with her late husband Vincent Chin - and to Jamaica overall - her arrival in New York City in the late 70s, and of course her crucial role in the founding of VP Records. The book is packed with fantastic archival images spanning the emergence of Jamaican music as a cultural force in the 1950s up until today, bringing Miss Pat's revelatory memoir to life. Perspectives from business people, politicians, and musicians including Chris Blackwell (founder of Island Records), Edward Seaga (Former prime minister of Jamaica), singer Marcia Griffiths, and Lee "Scratch" Perry further light up the amazing story of Miss Pat's life and experiences.
Publisher: Gingko Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
"This memoir will go down as required reading in years to come." - Flea Market Funk, DJ Prestige "A remarkable, and still ongoing, journey." - The Daily Beast, Pat Meschino VP Records co-founder, and one of the reigning matriarchs of Reggae music, Patricia "Miss Pat" Chin, continues to lead the largest independent label and distributor of Caribbean music. Her energetic and engaging autobiography covers her family history, her relationship with her late husband Vincent Chin - and to Jamaica overall - her arrival in New York City in the late 70s, and of course her crucial role in the founding of VP Records. The book is packed with fantastic archival images spanning the emergence of Jamaican music as a cultural force in the 1950s up until today, bringing Miss Pat's revelatory memoir to life. Perspectives from business people, politicians, and musicians including Chris Blackwell (founder of Island Records), Edward Seaga (Former prime minister of Jamaica), singer Marcia Griffiths, and Lee "Scratch" Perry further light up the amazing story of Miss Pat's life and experiences.
Bass Culture
Author: Lloyd Bradley
Publisher: Viking Canada
ISBN:
Category : Music
Languages : en
Pages : 612
Book Description
This history of reggae music covers from the Jamaican R and B and Calypso of the post-war years, to the surge of interest in the 1990s. As well as tracing the musical history, this book explains the historical and social background which are crucial to the understanding of its development. There are four main centres, in chronological order - Jamaica, London, New York and Toronto.
Publisher: Viking Canada
ISBN:
Category : Music
Languages : en
Pages : 612
Book Description
This history of reggae music covers from the Jamaican R and B and Calypso of the post-war years, to the surge of interest in the 1990s. As well as tracing the musical history, this book explains the historical and social background which are crucial to the understanding of its development. There are four main centres, in chronological order - Jamaica, London, New York and Toronto.
Reggae, Rastafari, and the Rhetoric of Social Control
Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 1496800397
Category : Music
Languages : en
Pages : 204
Book Description
Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Publisher: Univ. Press of Mississippi
ISBN: 1496800397
Category : Music
Languages : en
Pages : 204
Book Description
Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Roots, Rock, Reggae
Author: Chuck Foster
Publisher: Billboard Books
ISBN:
Category : Music
Languages : en
Pages : 366
Book Description
Told in the voices of reggae's major participants, these authoritative accounts chart the history, characteristics, and broad appeal of the music that originated in Jamaica, but has spread like wildfire throughout the world over the years to rise up in Africa and South America as well as England and America.
Publisher: Billboard Books
ISBN:
Category : Music
Languages : en
Pages : 366
Book Description
Told in the voices of reggae's major participants, these authoritative accounts chart the history, characteristics, and broad appeal of the music that originated in Jamaica, but has spread like wildfire throughout the world over the years to rise up in Africa and South America as well as England and America.
Global Reggae
Author: Carolyn Cooper
Publisher: Canoe Press (IL)
ISBN: 9789768125965
Category : Popular music
Languages : en
Pages : 0
Book Description
"This distinctive collection on reggae music in trans/national perspective comprises the fourteen plenary lectures that were delivered at the historic conference "Global reggae" convened at the University of the West Indies, Mona, Jamaica in February 2008"--Page 1.
Publisher: Canoe Press (IL)
ISBN: 9789768125965
Category : Popular music
Languages : en
Pages : 0
Book Description
"This distinctive collection on reggae music in trans/national perspective comprises the fourteen plenary lectures that were delivered at the historic conference "Global reggae" convened at the University of the West Indies, Mona, Jamaica in February 2008"--Page 1.