Author: Donny Cates
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"TALL TALES," Part One Who is Demus, the first vampire?! How did the Human-Vampire War begin?! And just where in the hell did these vampires come from anyway?
Redneck #25
Author: Donny Cates
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"TALL TALES," Part One Who is Demus, the first vampire?! How did the Human-Vampire War begin?! And just where in the hell did these vampires come from anyway?
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"TALL TALES," Part One Who is Demus, the first vampire?! How did the Human-Vampire War begin?! And just where in the hell did these vampires come from anyway?
All-American Redneck
Author: Matthew J. Ferrence
Publisher: Univ. of Tennessee Press
ISBN: 162190007X
Category : Literary Collections
Languages : en
Pages : 209
Book Description
Examining the icon's foundations in James Fenimore Cooper's Natty Bumppo--'an ideal white man, free of the boundaries of civilization'--and the degraded rural poor of Erskine Caldwell's Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and '80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool--reductive, confining, and (sometimes, almost) liberating--by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril.
Publisher: Univ. of Tennessee Press
ISBN: 162190007X
Category : Literary Collections
Languages : en
Pages : 209
Book Description
Examining the icon's foundations in James Fenimore Cooper's Natty Bumppo--'an ideal white man, free of the boundaries of civilization'--and the degraded rural poor of Erskine Caldwell's Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and '80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool--reductive, confining, and (sometimes, almost) liberating--by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril.
Rednecks, Queers, and Country Music
Author: Nadine Hubbs
Publisher: Univ of California Press
ISBN: 0520280652
Category : Music
Languages : en
Pages : 240
Book Description
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of AmericaÕs most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In HubbsÕs view, the popular phrase ÒIÕll listen to anything but countryÓ allows middle-class Americans to declare inclusive ÒomnivoreÓ musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue countryÕs manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
Publisher: Univ of California Press
ISBN: 0520280652
Category : Music
Languages : en
Pages : 240
Book Description
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of AmericaÕs most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In HubbsÕs view, the popular phrase ÒIÕll listen to anything but countryÓ allows middle-class Americans to declare inclusive ÒomnivoreÓ musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue countryÕs manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
Redneck Liberation
Author: David Fillingim
Publisher: Mercer University Press
ISBN: 9780865548411
Category : Juvenile Nonfiction
Languages : en
Pages : 196
Book Description
In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.
Publisher: Mercer University Press
ISBN: 9780865548411
Category : Juvenile Nonfiction
Languages : en
Pages : 196
Book Description
In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.
Redneck Vol. 5: Tall Tales
Author: Donny Cates
Publisher: Image Comics
ISBN: 1534320687
Category : Comics & Graphic Novels
Languages : en
Pages : 132
Book Description
The Bowmans are vampires who have quietly run the local barbecue joint in their small town for years, living off cow's blood. Their peaceful coexistence ends as generations of hate, fear, and bad blood bubble to the surface making it impossible to separate man from monster! By superstar writer DONNY CATES (Venom, CROSSOVER) and artist LISANDRO ESTHERREN. Who is Demus, the first vampire? How did the Human-Vampire War begin? And just where in the hell did these vampires come from anyway?! Join us for TALL TALES to find out! Collects REDNECK #25-30
Publisher: Image Comics
ISBN: 1534320687
Category : Comics & Graphic Novels
Languages : en
Pages : 132
Book Description
The Bowmans are vampires who have quietly run the local barbecue joint in their small town for years, living off cow's blood. Their peaceful coexistence ends as generations of hate, fear, and bad blood bubble to the surface making it impossible to separate man from monster! By superstar writer DONNY CATES (Venom, CROSSOVER) and artist LISANDRO ESTHERREN. Who is Demus, the first vampire? How did the Human-Vampire War begin? And just where in the hell did these vampires come from anyway?! Join us for TALL TALES to find out! Collects REDNECK #25-30
Redneck #26
Author: Donny Cates
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"TALL TALES," Part Two "TALL TALES" continues as we unravel the secrets of the first vampire, Demus! Plus, the origin of the one we know as Granpa!
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
"TALL TALES," Part Two "TALL TALES" continues as we unravel the secrets of the first vampire, Demus! Plus, the origin of the one we know as Granpa!
The Liberal Redneck Manifesto
Author: Trae Crowder
Publisher: Simon and Schuster
ISBN: 1501160400
Category : Humor
Languages : en
Pages : 352
Book Description
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
Publisher: Simon and Schuster
ISBN: 1501160400
Category : Humor
Languages : en
Pages : 352
Book Description
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
Death of a Country Fried Redneck
Author: Lee Hollis
Publisher: Kensington Books
ISBN: 075826738X
Category : Fiction
Languages : en
Pages : 319
Book Description
Local food and drink writer Haley Powell thinks she's done solving murders in scenic Bar Harbor, Maine. But when a taste of the South comes to New England, Haley's following another recipe for disaster. . . As a single mom, Hayley Powell already has a full plate--she's got deadlines to make and a teenage daughter with eyes for an aspiring singer-songwriter. But when country music superstar Wade Springer rolls into town, Hayley spies an irresistible side gig: personal chef to her all-American idol. After he tries her home cooking, Wade's so impressed that he hires her on the spot--and invites her to dine with him alone. Hayley and Wade are hitting all the right notes. . .until a body turns up. Wade's tour bus was torched overnight and a roadie named Mickey Pritchett came out well-done. But the real cause of death isn't barbecue: Mickey was shot, his mouth stuffed with one of Hayley's trademark chicken legs. An ornery drunk, Mickey had already made plenty of enemies in town, but Wade's reputation is on the rocks. Hayley reckons it's up to her to settle this mess--a charbroiled mystery with all the fixin's. Includes seven delectable recipes from Hayley's kitchen! Praise for Death of a Kitchen Diva "Delicious and satisfying. Another course, please." --Carolyn Hart "Readers will be calling for a second round from author Lee Hollis." --Leslie Meier, author of Chocolate Covered Murder
Publisher: Kensington Books
ISBN: 075826738X
Category : Fiction
Languages : en
Pages : 319
Book Description
Local food and drink writer Haley Powell thinks she's done solving murders in scenic Bar Harbor, Maine. But when a taste of the South comes to New England, Haley's following another recipe for disaster. . . As a single mom, Hayley Powell already has a full plate--she's got deadlines to make and a teenage daughter with eyes for an aspiring singer-songwriter. But when country music superstar Wade Springer rolls into town, Hayley spies an irresistible side gig: personal chef to her all-American idol. After he tries her home cooking, Wade's so impressed that he hires her on the spot--and invites her to dine with him alone. Hayley and Wade are hitting all the right notes. . .until a body turns up. Wade's tour bus was torched overnight and a roadie named Mickey Pritchett came out well-done. But the real cause of death isn't barbecue: Mickey was shot, his mouth stuffed with one of Hayley's trademark chicken legs. An ornery drunk, Mickey had already made plenty of enemies in town, but Wade's reputation is on the rocks. Hayley reckons it's up to her to settle this mess--a charbroiled mystery with all the fixin's. Includes seven delectable recipes from Hayley's kitchen! Praise for Death of a Kitchen Diva "Delicious and satisfying. Another course, please." --Carolyn Hart "Readers will be calling for a second round from author Lee Hollis." --Leslie Meier, author of Chocolate Covered Murder
The Improbable Rise of Redneck Rock
Author: Jan Reid
Publisher: University of Texas Press
ISBN: 0292787766
Category : Music
Languages : en
Pages : 408
Book Description
Musical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds—Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene—progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin. Four new chapters and an epilogue show how the creative burst of the seventies directly spawned a new generation of talents who carry on the tradition—Lyle Lovett, Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Earl Keen, Steve Earle, Jimmy LaFave, Kelly Willis, Joe Ely, Bruce and Charlie Robison, and The Dixie Chicks.
Publisher: University of Texas Press
ISBN: 0292787766
Category : Music
Languages : en
Pages : 408
Book Description
Musical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds—Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene—progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin. Four new chapters and an epilogue show how the creative burst of the seventies directly spawned a new generation of talents who carry on the tradition—Lyle Lovett, Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Earl Keen, Steve Earle, Jimmy LaFave, Kelly Willis, Joe Ely, Bruce and Charlie Robison, and The Dixie Chicks.
Redneck Liberal
Author: Chester M. Morgan
Publisher: LSU Press
ISBN: 9780807124321
Category : History
Languages : en
Pages : 296
Book Description
“Theodore Glimore Bilbo was, is, and evermore shall be God or Satan. He dwelled—dwells— in heaven or hell, but never in limbo.” So wrote A. Wigfall Green almost a quarter of a century ago, and so remains the popular perception of this colorful and controversial symbol of a faded era, though current opinion would tip the scales heavily in favor of the satanic and hellish. Theodore Bilbo is remembered almost exclusively as the archangel of white supremacy. His reputation as perhaps the vilest purveyor of racist rhetoric is richly deserved in light of his vehement opposition to the black civil rights movement that emerged during the last years of his career as United States senator from Mississippi. Yet, as Chester Morgan demonstrates in Redneck Liberal, the conventional image of Bilbo as merely a racist demagogue paints only half the picture. Bilbo served a full term in the Senate (1934-1940) before his political career was consumed by racism, and it is that period that is the focus of this study by Morgan. Bilbo’s first term in the Senate coincided with Franklin Roosevelt’s New Deal. Morgan provides a thorough treatment of Bilbo’s activities in Washington and his large role in Mississippi politics. In the Senate Bilbo consistently gave strong support to virtually all New Deal social and economic programs, such as relief for the unemployed, social security, public housing, and fair labor standards, while at the same time championing the cause of the nation’s small farmers in every way he could. His crude and often repulsive style may have antagonized the more sophisticated liberal academics and bureaucrats of the time, but his first-term voting record would have been the envy of any urban New Dealer. Morgan’s early chapters provide background on Bilbo’s long career prior to his election to the Senate (he served twice as governor of Mississippi, for instance) and also on the main trends in Mississippi politics from Reconstruction to the 1930s. An epilogue seeks to explain the well-known, virulently racist attitude of his final years. Throughout the book Morgan manages to capture the flamboyance of Bilbo’s personality and the vitality and intricacy of Mississippi politics. Redneck Liberal—only the second book on Bilbo ever to be published—draws heavily on Bilbo’s personal correspondence, the papers of Franklin Roosevelt, and other primary sources.
Publisher: LSU Press
ISBN: 9780807124321
Category : History
Languages : en
Pages : 296
Book Description
“Theodore Glimore Bilbo was, is, and evermore shall be God or Satan. He dwelled—dwells— in heaven or hell, but never in limbo.” So wrote A. Wigfall Green almost a quarter of a century ago, and so remains the popular perception of this colorful and controversial symbol of a faded era, though current opinion would tip the scales heavily in favor of the satanic and hellish. Theodore Bilbo is remembered almost exclusively as the archangel of white supremacy. His reputation as perhaps the vilest purveyor of racist rhetoric is richly deserved in light of his vehement opposition to the black civil rights movement that emerged during the last years of his career as United States senator from Mississippi. Yet, as Chester Morgan demonstrates in Redneck Liberal, the conventional image of Bilbo as merely a racist demagogue paints only half the picture. Bilbo served a full term in the Senate (1934-1940) before his political career was consumed by racism, and it is that period that is the focus of this study by Morgan. Bilbo’s first term in the Senate coincided with Franklin Roosevelt’s New Deal. Morgan provides a thorough treatment of Bilbo’s activities in Washington and his large role in Mississippi politics. In the Senate Bilbo consistently gave strong support to virtually all New Deal social and economic programs, such as relief for the unemployed, social security, public housing, and fair labor standards, while at the same time championing the cause of the nation’s small farmers in every way he could. His crude and often repulsive style may have antagonized the more sophisticated liberal academics and bureaucrats of the time, but his first-term voting record would have been the envy of any urban New Dealer. Morgan’s early chapters provide background on Bilbo’s long career prior to his election to the Senate (he served twice as governor of Mississippi, for instance) and also on the main trends in Mississippi politics from Reconstruction to the 1930s. An epilogue seeks to explain the well-known, virulently racist attitude of his final years. Throughout the book Morgan manages to capture the flamboyance of Bilbo’s personality and the vitality and intricacy of Mississippi politics. Redneck Liberal—only the second book on Bilbo ever to be published—draws heavily on Bilbo’s personal correspondence, the papers of Franklin Roosevelt, and other primary sources.