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Author: Jennifer Montagu Publisher: Yale University Press ISBN: 9780300053661 Category : Art Languages : en Pages : 262
Book Description
Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.
Author: Jennifer Montagu Publisher: Yale University Press ISBN: 9780300053661 Category : Art Languages : en Pages : 262
Book Description
Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.
Author: Publisher: Stichting Winkel de Nieuwe Kerk ISBN: 9789078653271 Category : Amsterdam (Netherlands) Languages : en Pages : 256
Book Description
This book gives an excellent overview of Flemish art from the Hermitage in St Petersburg. A large proportion was acquired in the eighteenth century by Catherine the Great, from superb collections such as those of Crozat and Brühl, which she bought up in their entirety. Many of these paintings originally hung in churches and monasteries in Antwerp and other European cities. Most attention focuses on the 'big three': Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens. Rubens was the most important, the most talented, and the most influential seventeenth-century Flemish painter. He was also a phenomenon in his day, a true homo universalis. The portraits produced by Van Dyck for the court of King Charles I of England also share the limelight, along with impressive history paintings by Jordaens, exuding the vibrant atmosphere in which he excelled. Exhibition: De Nieuwe Kerk - Hermitage, Amsterdam, 17.9.2011 to 16.3.2012.
Author: Lena Bjerregaard Publisher: Lulu.com ISBN: 1609621662 Category : Art Languages : en Pages : 110
Book Description
Along the coast of Peru is one of the driest deserts in the world. Here, under the sand, the ancient Peruvians buried their dead wrapped in gorgeous textiles. As organic material keeps almost forever when stored without humidity, light and oxygen, many of the mummies excavated in the last hundred years are in excellent conditions. And so are the textiles wrapped around them. Their clear colors are still dazzling and the textile fibers in good condition. Textiles were highly valued objects in ancient Peru - used for expressing status and diverse messages in these non-literate but highly organized and very developed cultures. Much energy, innovation and aesthetic sensibility were invested in the textiles. The preColumbian peoples had access to exquisite materials: the local fibers were camelid fibers (alpaca and vicuña), cotton and plant fibers (agave, for instance). The camelid fibers have very little scales compared to sheep fibers, and are long, soft and lustrous. The Peruvian cotton grew in 5 different colors. The ancient Peruvians were also master dyers and have for thousands of years dyed their yarn with indigo blue, madder red, cochineal red, sea snail purple and yellow from many kinds of plants. And so they produced some of the finest, most beautiful and most interesting textiles in the world. Instead of writing, they kept the order in their world encoded in textile fibers. The Roemer- and Pelizaeus-Museum in Hildesheim houses a collection of 405 preColumbian textiles. Most of them are fragments, but a few complete pieces are present. I have chosen 133 pieces for this publication, to represent the collection at its best.
Author: Lena Bjerregaard Publisher: Lulu.com ISBN: 1609621085 Category : Art Languages : en Pages : 242
Book Description
The Ethnological Museum in Berlin, Germany, houses Europe's largest collection of PreColumbian textiles-around 9000 well-preserved examples. Lena Bjerregaard was conservator of these materials 2000-2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays on the museum's holdings - by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. Its second part is a 177-page catalogue of 273 selected representative items, arranged by period and style. There are more than 380 photographs. Styles or cultures shown include Paracas, Nasca, Sican/Lambayeque, Ychsma, Chavin, Siguas, Tiwanaku, Wari, Chimu, Central Coast, Chancay, South Coast, Inca, and Colonial. Items pictured include tunics, clothing, tapestry, hats, belts, headbands, samplers, borders, and khipus. Materials include camelid fibers, feathers, hair, cotton, reed, straw, and other plant fibers.
Author: Elena Phipps Publisher: University of Washington Press ISBN: Category : Art Languages : en Pages : 108
Book Description
"The tradition of weaving textiles with four finished edges—selvages—characterizes the creative process of the ancient weavers of Peru, known for their mastery of color, technique, and design. Without cutting a thread, each textile was woven to be what it was intended, whether a daily garment, royal mantle, or ritual cloth. This approach to weaving required the highest level of skill—even for the simplest of plain undecorated cloth—and reflects a cultural value in the integrity of cloth, not only in its design and function but in the way in which it was made. This exhibition highlights selections from the Fowler Museum’s noteworthy collection of Precolumbian textiles and includes masterworks that demonstrate the high level of artistic achievement of Peruvian weavers. These range from the ancient ritual textiles from the early Chavin and Paracas cultures (500–100 B.C.E.) to the extraordinary garments of the Inca empire (1485–1532). While exploring the origins and development of this approach to weaving, the exhibition will also examine its influence on three contemporary artists―Shelia Hicks, James Bassler, and John Cohen—each of whom through his or her own artistic path has considered and transformed ancient weavers’ knowledge and processes into new directions."--
Author: Lena Bjerregaard Publisher: Aarhus University Press ISBN: 9788789384917 Category : Incas Languages : en Pages : 0
Book Description
Pizarro's conquest of Peru in 1532 and his subsequent introduction of the Catholic Church obliterated Incan civilisation. One great loss was textile traditions that had been evolving for millennia during the rise and fall of numerous cultures. Fortunately for textile historians, the region's prehistoric peoples left thousands of mummies buried in the desert, some of them wrapped in more than a hundred pieces of cloth. These mummy bundles show that pre-Columbian Peruvians had mastered all the textile technologies known to preindustrial Europe, as well as others unknown there, such as discontinuous warp and double wrap techniques. This volume examines the items in the National Museum's collection of pre-Columbian textiles, some of them dating back to 500 BCE. Bjerregaard provides a brief but intriguing history of these finds, which were recovered from graves about a century ago by archaeologists, amateurs and thieves. A technical analysis of the various weaving techniques follows, accompanied by helpful illustrations. Most of the book, however, is devoted to the finds themselves, which feature figurative and mythic as well as abstract patterns. For each item, there is a detailed description, a fibre analysis and at least one photograph. A number of colour photos attest to the surprising vibrancy that many dyes have retained over the intervening centuries.
Author: Jennifer Montagu
Author: Jennifer Montagu
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Author: Lena Bjerregaard
Author: Lena Bjerregaard
Author: Ann Pollard Rowe
Author: Ina VanStan
Author: Elena Phipps
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Author: Lena Bjerregaard
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