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Author: Antonia Lant
Publisher: New Left Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 910

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Book Description
A compendious anthology of women's writing on film.

Author: Antonia Lant
Publisher: Verso
ISBN:
Category : Business & Economics
Languages : en
Pages : 904

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Book Description
A compendious anthology of women's writing on film.

Author: Melanie Bell
Publisher: Bloomsbury Publishing
ISBN: 0857712632
Category : Performing Arts
Languages : en
Pages : 241

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Book Description
It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including "The Perfect Woman", "Young Wives' Tale", "The Weak and the Wicked" and "A Town Like Alice", to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not until now been recognised.

Author: Annie Berke
Publisher: Univ of California Press
ISBN: 0520300785
Category : History
Languages : en
Pages : 301

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Book Description
A rich account that combines media-industry history and cultural studies, Their Own Best Creations looks at women writers' contributions to some of the most popular genres of postwar TV: comedy-variety, family sitcom, daytime soap, and suspense anthology. During the 1950s, when the commercial medium of television was still being defined, women writers navigated pressures at work, constructed public personas that reconciled traditional and progressive femininity, and asserted that a woman's point of view was essential to television as an art form. The shows they authored allegorize these professional and personal pressures and articulate a nascent second-wave feminist consciousness. Annie Berke brings to light the long-forgotten and under-studied stories of these women writers and crucially places them in the historical and contemporary record.

Author: Laura Frost
Publisher: Columbia University Press
ISBN: 0231526466
Category : Literary Criticism
Languages : en
Pages : 305

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Book Description
Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss. In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture.

Author: Sarah Maslin Nir
Publisher: Abrams
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 131

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Book Description
From Pulitzer Prize–nominated New York Times reporter Sarah Maslin Nir, the author of the memoir Horse Crazy: The Story of a Woman in Love with an Animal, comes the third book in her Once Upon a Horse series of middle-grade novels inspired by real horses and the people who love them Lights . . . Camera . . . Giddyap? Billy is a Norwegian Fjord horse—short as horses go, but with the natural star power of a Hollywood celebrity. Lori Allegria is a horse-loving seventh grader as awkward as she is tall for her age, who finds refuge from her shyness on her family farm with her best friend: Billy, the Fjord. Their peace is shattered when Billy is “discovered” by Marlowe Narang, superstar kid actor, and given the opportunity of a horsey lifetime—to star in a film! And with that, the chance for Lori and her mom to save their struggling stables. Lori tearfully agrees to send her horse to a new life across the country on the set of Marlowe’s newest Hollywood production, a Western set in a real ghost town. But Billy’s star turn is cut short when a mountain lion stalks the desert set and sends him fleeing into the Mojave. When word gets back to Lori, she runs away too—to find her Billy! Lost in the endless desert, as horse and girl make their way to each other, Lori and Billy both find they are not alone. Joined in their search by a cast of characters including wild donkeys, a sassy teenage cowgirl, a plucky service dog, and even the world’s biggest kid actor himself, The Star Horse is a story about finding your herd—human and horse—and along the way, finding your voice. Once Upon a Horse series The Flying Horse (#1) The Jockey & Her Horse (#2), written with Raymond White Jr. The Star Horse (#3)

Author: Phyllis Bottome
Publisher:
ISBN:
Category :
Languages : en
Pages : 360

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Book Description

Author: Mark Whalan
Publisher: Edinburgh University Press
ISBN: 0748634258
Category : Social Science
Languages : en
Pages : 256

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Book Description
This book provides a fresh account of the major cultural and intellectual trends of the United State in the 1910s, a decade characterised by war, the flowering of modernism, the birth of Hollywood, and Progressive interpretations of culture and society. Chapters on fiction and poetry, art and photography, film and vaudeville, and music, theatre, and dance explore these developments, linking detailed commentary with focused case studies of influential texts and events. These range from Tarzan of the Apes to The Birth of a Nation, from the radical modernism of Gertrude Stein and the Provincetown Players to the earliest jazz recordings. A final chapter explores the huge impact of the First World War on cultural understandings of nationalism, citizenship, and propaganda.Key Features*three case studies per chapter featuring key texts, genres, writers and artists*Detailed chronology of 1910s American Culture*Bibliographies for each chapter*Fifteen black and white illustrations

Author: Vicki Callahan
Publisher: Wayne State University Press
ISBN: 0814336876
Category : Performing Arts
Languages : en
Pages : 470

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Book Description
Scholars of film history and feminist studies will appreciate the breadth of work in this volume.

Author: Alison Adburgham
Publisher: Taylor & Francis
ISBN: 1000831515
Category : History
Languages : en
Pages : 277

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Book Description
First published in 1966, View of Fashion is a collection of articles on fashions shows, parties and people in London, Paris, Italy and New York, including a section looking back to the surprising sportswomen of Victorian and Edwardian times. Lady M.P.s are observed from the Press Gallery of the House of Commons, the Headmistress and the Board of Governors are studied from the School Hall on Speech Day, tennis champions in the Players’ Tearoom at Wimbledon. Fuller figures descend upon Woburn Abbey by helicopter, model girls weather a stormy crossing on the Queen Elizabeth, fancy goods are reviewed at Brighton, costume exhibitions at the Victoria and Albert Museum, corsetry in the River Room at the Savoy. There are profiles of well-known personalities on the fashion scene and a section on men’s fashions and male models. Alison Adburgham’s view of fashion is both accurate and acute; often unexpected, never distorted. It picks out the essential, mocks the meaningless and notes significance in the nuance. It is view with which Haro is in sensitive accord, and which he here brilliantly illustrates with ten full pages and many incidental drawings. This book will be of interest to students of fashion, journalism and social history.