Author: Enza De Francisci
Publisher:
ISBN: 9781781887837
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This book investigates the transposition of short stories to drama in the works of two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), focussing specifically on their representation of women. De Francisci argues that, once the female characters are transposed into the dramatic genre, they gain a voice of their own and thus become 'new' women whose antecedents can be traced to Henrik Ibsen's A Doll's House (1879). In uncovering the voices of the 'new' women, the book draws attention to the early actresses, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988), who were instrumental in transforming the female characters from their fictional existence on the page to their physical enactment on the stage, and were key influences on Verga and Pirandello respectively. By revealing the evolution of the female voice in the two authors' works and the added enrichment of this voice as a result of its transposition to the dramatic genre, the book offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism. Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow.
A 'New' Woman in Verga and Pirandello
Author: Enza De Francisci
Publisher:
ISBN: 9781781887837
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This book investigates the transposition of short stories to drama in the works of two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), focussing specifically on their representation of women. De Francisci argues that, once the female characters are transposed into the dramatic genre, they gain a voice of their own and thus become 'new' women whose antecedents can be traced to Henrik Ibsen's A Doll's House (1879). In uncovering the voices of the 'new' women, the book draws attention to the early actresses, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988), who were instrumental in transforming the female characters from their fictional existence on the page to their physical enactment on the stage, and were key influences on Verga and Pirandello respectively. By revealing the evolution of the female voice in the two authors' works and the added enrichment of this voice as a result of its transposition to the dramatic genre, the book offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism. Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow.
Publisher:
ISBN: 9781781887837
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This book investigates the transposition of short stories to drama in the works of two leading Sicilian authors, Giovanni Verga (1840-1922) and Luigi Pirandello (1867-1936), focussing specifically on their representation of women. De Francisci argues that, once the female characters are transposed into the dramatic genre, they gain a voice of their own and thus become 'new' women whose antecedents can be traced to Henrik Ibsen's A Doll's House (1879). In uncovering the voices of the 'new' women, the book draws attention to the early actresses, namely Eleonora Duse (1858-1924) and Marta Abba (1900-1988), who were instrumental in transforming the female characters from their fictional existence on the page to their physical enactment on the stage, and were key influences on Verga and Pirandello respectively. By revealing the evolution of the female voice in the two authors' works and the added enrichment of this voice as a result of its transposition to the dramatic genre, the book offers new insights into why the narrative genre is so well suited to Verga's preoccupations, why the theatrical form is more effective in articulating Pirandello's umorismo, and what Pirandello's adaptations reveal about the way in which he comes to negotiate the transition from Realism (or verismo) to Modernism. Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow.
Pirandello and the Modern Theatre
Author: Antonio Alessio
Publisher: Biblioteca di Quaderni d’italianistica
ISBN: 9780969197997
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Publisher: Biblioteca di Quaderni d’italianistica
ISBN: 9780969197997
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Luigi Pirandello in the Theatre
Author: Luigi Pirandello
Publisher: Routledge
ISBN: 9783718653768
Category : Performing Arts
Languages : en
Pages : 203
Book Description
A collection of much previously unpublished archive material, including documents from Luigi Pirandello's theoretical essays and reviews. Emphasizing Pirandello as a multi-faceted man of the theatre, this text follows the rise and fall of his theatre company, and his work in the years of Fascism.
Publisher: Routledge
ISBN: 9783718653768
Category : Performing Arts
Languages : en
Pages : 203
Book Description
A collection of much previously unpublished archive material, including documents from Luigi Pirandello's theoretical essays and reviews. Emphasizing Pirandello as a multi-faceted man of the theatre, this text follows the rise and fall of his theatre company, and his work in the years of Fascism.
A Study Guide for Luigi Pirandello's "A Day Goes By"
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410343790
Category : Literary Criticism
Languages : en
Pages : 27
Book Description
Publisher: Gale, Cengage Learning
ISBN: 1410343790
Category : Literary Criticism
Languages : en
Pages : 27
Book Description
Shoot!
Author: Luigi Pirandello
Publisher: London : Chatto & Windus
ISBN:
Category : Italy
Languages : en
Pages : 392
Book Description
Publisher: London : Chatto & Windus
ISBN:
Category : Italy
Languages : en
Pages : 392
Book Description
Characters and Authors in Luigi Pirandello
Author: Ann Caesar
Publisher: Oxford University Press
ISBN: 9780198151760
Category : Drama
Languages : en
Pages : 298
Book Description
Luigi Pirandello is best known in the English-speaking world for his radical challenge to traditional Western theatre with plays such as Six Characters in Search of an Author. But theatre is just one manifestation of his experiments with language which led to a remarkable collection of novels,short stories, and essays as well as his work for a film industry then in its infancy. This study, which is based on the view that Pirandello's writings are most fruitfully discussed in a European context, takes as its starting-point the author's belief in the primacy of the literary character in acreative process which is necessarily conflictual.The book argues that all Pirandello's characters are engaged in a continual performance which transcends the genre distinction between narrative and dramatic forms. In this performance it is the spoken word in which the characters invest most heavily as they struggle to sustain an identity of theirown, tell their life-stories, and assert themselves before their most prominent antagonist, the author himself.
Publisher: Oxford University Press
ISBN: 9780198151760
Category : Drama
Languages : en
Pages : 298
Book Description
Luigi Pirandello is best known in the English-speaking world for his radical challenge to traditional Western theatre with plays such as Six Characters in Search of an Author. But theatre is just one manifestation of his experiments with language which led to a remarkable collection of novels,short stories, and essays as well as his work for a film industry then in its infancy. This study, which is based on the view that Pirandello's writings are most fruitfully discussed in a European context, takes as its starting-point the author's belief in the primacy of the literary character in acreative process which is necessarily conflictual.The book argues that all Pirandello's characters are engaged in a continual performance which transcends the genre distinction between narrative and dramatic forms. In this performance it is the spoken word in which the characters invest most heavily as they struggle to sustain an identity of theirown, tell their life-stories, and assert themselves before their most prominent antagonist, the author himself.
Pirandello and the French Theater
Author: Tom Bishop
Publisher: New York, New York U. P
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Publisher: New York, New York U. P
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Right You are
Author: Luigi Pirandello
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 204
Book Description
Love Letters to Marta Abba
Author: Luigi Pirandello
Publisher:
ISBN: 9780691034997
Category : Biography & Autobiography
Languages : en
Pages : 371
Book Description
In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse, artistic collaborator and co-reformer of Italian theater. 32 halftones.
Publisher:
ISBN: 9780691034997
Category : Biography & Autobiography
Languages : en
Pages : 371
Book Description
In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse, artistic collaborator and co-reformer of Italian theater. 32 halftones.