Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 70
Book Description
Recueil factice d'articles de presse concernant Enrico Caruso
Recueil factice d'articles de presse concernant la mort de Enrico Caruso
Author: Recueil factice d'articles de presse concernant diverses confidences de Caruso, avec une lettre s. du 29 nov. 1906
Author: Recueil factice d'articles de presse concernant Enrico Toselli
Author: Recueil factice d'articles de presse concernant Enrico Corradini et son oeuvre
Author: Recueil factice d'articles de presse sur l'année 1926 à l'Opéra
Author: Recueil factice d'articles de presse concernant l'illusionniste Enrico Ricci
Author: French Opera at the Fin de Siècle
Author: Steven HuebnerPublisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552
Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
The Prima Donna and Opera, 1815-1930
Author: Susan RutherfordPublisher: Cambridge University Press
ISBN: 052185167X
Category : Music
Languages : en
Pages : 26
Book Description
An examination of the female opera singer during the nineteenth and twentieth centuries.
Opera Acts
Author: Karen HensonPublisher: Cambridge University Press
ISBN: 1107004268
Category : Music
Languages : en
Pages : 281
Book Description
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.