Author: Publisher:
ISBN:
Category :
Languages : fr
Pages : 38
Book Description
Recueil factice d'art. de presse sur Lamartine et sa famille
Author: Recueil factice d'art. de presse sur Lamartine et son oeuvre
Author: Recueil factice d'art. de presse et cartes sur Lamartine
Author: Recueil factice d'art. de presse sur l'oeuvre poétique de Lamartine
Author: La Nationalisation de la maison de Lamartine à Milly 1924. Recueil factice d'art. de presse
Author: Lamartine député de Bergues 1933. Recueil factice d'art. de presse
Author: Anniversaires et cérémonies diverses en l'honneur de Lamartine. Recueil factice d'art. de presse
Author: Recueil factice d'art. de presse sur le Premier Centenaire des Harmonies de Lamartine à Mâçon 21 et 22 sept. 1930
Author: Recueil factice de lettres de Lamartine parues dans la presse
Author: Erik Satie: Music, Art and Literature
Author: Caroline PotterPublisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368
Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.