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Languages : fr
Pages : 2
Book Description
Recueil factice d'art. de presse et progr. sur "Paris la nuit" (1931) film, scenario de F. Carco
Author: Recueil factice de progr. et d'art. de presse sur le film tiré de "Attaque nocturne", scenario d'A. de Lorde (1931)
Author: Recueil factice d'art. de presse et progr. sur le film "La Ronde de nuit", scénario de Pierre Benoît, (1925)
Author: Recueil factice d'art. de presse et progr. sur "Un soir de rafles" film-Scénario d'H. Decoin (mai 1931)
Author: Le Tumulte Noir
Author: Jody BlakePublisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
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