Author: Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 476
Book Description
Bibliographisch repertorium van de wijsbegeerte
Author: Revista Veritas
Author: The Problem of Context
Author: Roy DilleyPublisher: Berghahn Books
ISBN: 9781571817006
Category : Social Science
Languages : en
Pages : 264
Book Description
The apparently simple notion that it is contextualization and invocation of context that give form to our interpretations raises important questions about context definition. Moreover, different disciplines involved in the elucidation and interpretation of meanings construe context indifferent ways. How do these ways differ? And what analytical strategies are adopted in order to suggest that the relevant context is "self-evident"? The notion of context has received less attention than is due such a central, key concept in social anthropology, as well as in other related disciplines. This collection of contributions from a group of leading social anthropologists and anthropological linguists addresses the question of how the idea of context is constructed, invoked, and deployed in the interpretations put forward by social anthropologists. The ethnographic focus embraces peoples from regions such as Bali, Europe, Malawi, and Zaire. Primarily theoretical in its aims, the work also draws on expertise from anthropological linguistics and philosophy in order to set the issue as much in a comparative disciplinary perspective as in a comparative cross-cultural one. R.M. Dilley is Senior Lecturer in Social Anthropology at the University of St Andrews.
Intellectual Journey
Author: John V. ApczynskiPublisher:
ISBN: 9780536014054
Category :
Languages : en
Pages : 466
Book Description
Weak Thought
Author: Gianni VattimoPublisher: SUNY Press
ISBN: 1438444273
Category : Philosophy
Languages : en
Pages : 280
Book Description
Heralding the beginning of the philosophical dialogue on the concept for which Gianni Vattimo would become best known (and coining its name), this groundbreaking 1983 collection includes foundational essays by Vattimo and Pier Aldo Rovatti, along with original contributions by nine other Italian philosophers influenced by and working within the authors framework. Dissatisfied with the responses to nineteenth- and twentieth-century European philosophy offered by Marxism, deconstruction, and poststructuralism, Vattimo found in the nihilism of Friedrich Nietzsche an important context within which to take up the hermeneutics of Martin Heidegger and Hans-Georg Gadamer. The idea of weak thought sketched by Vattimo and Rovatti emphasizes a way of understanding the role of philosophy based on language, interpretation, and limits rather than on metaphysical and epistemological certaintieswithout falling into relativism. To the first English-language edition of this volume, translator Peter Carravetta adds an extensive critical introduction, providing an overview of weak thought and taking stock of its philosophical trajectory over more than a quarter century.
Guatemala, Never Again!
Author: Catholic Institute for International RelationsPublisher:
ISBN:
Category : History
Languages : en
Pages : 392
Book Description
"As a church, we collectively and responsibly assumed the task of breaking the silence that thousands of war victims have kept for years. We opened up the possibility for them to talk, to have their say, to tell their stories of suffering and pain, so they might feel liberated from the burden that has been weighing down on them for so many years."
On Art, Artists, Latin America, and Other Utopias
Author: Luis CamnitzerPublisher: University of Texas Press
ISBN: 0292783493
Category : Art
Languages : en
Pages : 273
Book Description
Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture. This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.
The Emergent Decade
Author: Thomas M. MesserPublisher: Ithaca, N.Y. : Cornell University Press
ISBN:
Category : Painters
Languages : en
Pages : 196
Book Description
This catalogue accompanied the first American museum retrospective of the English artist Francis Bacon. In his essay, Senior Curator Lawrence Alloway explores the essence of Bacon's painting beyond the usual associations with the grotesque. Instead, he offers a different argument: Bacon was a realist painter of his time, closely tied into the Grand Manner and painters such as Manet, Van Gogh, Velasquez, and Titian. Bacon continued and evolved the central tradition of European figure painting at a time when abstraction was dominating the art world. Also included are an exhibition checklist, 64 color and black-and-white reproductions, and a bibliography.
The New York Graphic Workshop, 1964-1970
Author: Gabriel Pérez-BarreiroPublisher: Blanton Museum of Art
ISBN: 9780981573823
Category : Art
Languages : en
Pages : 0
Book Description
Published on the occasion of an exhibition held at the Blanton Museum of Art, the University of Texas at Austin, Sept. 28, 2008-Jan. 18, 2009.
Conceptualism in Latin American Art
Author: Luis CamnitzerPublisher: University of Texas Press
ISBN: 9780292716292
Category : Art
Languages : en
Pages : 368
Book Description
Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Símon Rodríguez, Símon Bolívar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucumán arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is known as "political art."