![Reception and Representation [microform] : the Western Vision of Native American Performance on the Northwest Coast PDF](https://books.google.com/books/content/images/frontcover/iPcinQEACAAJ?fife=w150-h200)
Author: Mary Elizabeth FullertonPublisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category : Indians in literature
Languages : en
Pages : 436
Book Description
Reception and Representation [microform] : the Western Vision of Native American Performance on the Northwest Coast
![Reception and Representation [microform] : the Western Vision of Native American Performance on the Northwest Coast PDF](https://books.google.com/books/content/images/frontcover/iPcinQEACAAJ?fife=w80-h100)
Author: Mary Elizabeth FullertonPublisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category : Indians in literature
Languages : en
Pages : 436
Book Description
Native Visions
Author: Steven C. BrownPublisher: University of Washington Press
ISBN: 9780295976570
Category : Art
Languages : en
Pages : 216
Book Description
Featuring over two hundred illustrations of Northwest Coast Native American art, examines the chronology shown by changes in design forms and traces style developments from the prehistoric era to the present day.
Canadiana
Author: Visions of the North
Author: Don McQuistonPublisher: Chronicle Books
ISBN: 9780811808590
Category : Photography
Languages : en
Pages : 0
Book Description
Compelling photographs of Northwest Indian art—and images of the stunning landscape vistas that have shaped it—fill this gorgeous new volume for fans of these increasingly popular, collectable artifacts, as well as for the many travelers to the Pacific Northwest. Throughout Northern California, Oregon, and Washington, and as far north as Glacier Bay, Alaska, the totem poles, ceremonial masks, decorative blankets, canoes, and other elaborate items crafted by Native Americans reflect the resources and geological diversity of their abundant environment. Over 130 full-color photographs and a fascinating text reveal the details of this strikingly beautiful region and the rich artistic heritage of its inhabitants. An exciting companion to Spirit Faces: Contemporary Native American Masks from the Northwest (Chronicle Books, Spring 1995), this evocative book will be both an essential acquisition and a memorable souvenir.
Native Visions
Author: Dissertation Abstracts International
Author: Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 520
Book Description
American Indian Religious Traditions
Author: Suzanne J. Crawford O'BrienPublisher: ABC-CLIO
ISBN:
Category : Social Science
Languages : en
Pages : 496
Book Description
Publisher Description
Playing Indian
Author: Philip J. DeloriaPublisher: Yale University Press
ISBN: 0300153600
Category : History
Languages : en
Pages : 271
Book Description
The Boston Tea Party, the Order of Red Men, Camp Fire Girls, Boy Scouts, Grateful Dead concerts: just a few examples of white Americans' tendency to appropriate Indian dress and act out Indian roles "A valuable contribution to Native American studies."—Kirkus Reviews This provocative book explores how white Americans have used their ideas about Native Americans to shape national identity in different eras—and how Indian people have reacted to these imitations of their native dress, language, and ritual. At the Boston Tea Party, colonial rebels played Indian in order to claim an aboriginal American identity. In the nineteenth century, Indian fraternal orders allowed men to rethink the idea of revolution, consolidate national power, and write nationalist literary epics. By the twentieth century, playing Indian helped nervous city dwellers deal with modernist concerns about nature, authenticity, Cold War anxiety, and various forms of relativism. Deloria points out, however, that throughout American history the creative uses of Indianness have been interwoven with conquest and dispossession of the Indians. Indian play has thus been fraught with ambivalence—for white Americans who idealized and villainized the Indian, and for Indians who were both humiliated and empowered by these cultural exercises. Deloria suggests that imagining Indians has helped generations of white Americans define, mask, and evade paradoxes stemming from simultaneous construction and destruction of these native peoples. In the process, Americans have created powerful identities that have never been fully secure.
The Indian Craze
Author: Elizabeth HutchinsonPublisher: Duke University Press
ISBN: 0822392097
Category : Art
Languages : en
Pages : 304
Book Description
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
The Cambridge History of America and the World: Volume 4, 1945 to the Present
Author: David C. EngermanPublisher: Cambridge University Press
ISBN: 1108317855
Category : History
Languages : en
Pages : 903
Book Description
The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.