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Author: Ilona Sontag Publisher: GRIN Verlag ISBN: 3640559258 Category : Language Arts & Disciplines Languages : en Pages : 29
Book Description
Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,7, RWTH Aachen University (Institut für Anglistik I), course: Hauptseminar "American Drama", language: English, abstract: Tennessee Williams, born Thomas Lanier Williams, is not only known for being a "talented, perceptive and influential American playwright" (Day 1987, vii), but also for his frequent use of symbols. "A Streetcar Named Desire" (1947), the work which will be dealt with in this paper, is a good example for of usage, since it contains a lot of different kinds of symbolism, for example concerning colours, names, music and many more. Numerous works will be found, if anyone searches for essays about symbolism in Williams' works. Moreover, it is common knowledge that Streetcar is a play which deals not only superficially with a woman going insane, but a play which "bring[s] into violent contrast a neurotic woman's dream world and the animalistic realism of her brother-in-law" (back of the book in the Diesterweg edition). But since there does not seem to be any work which deals with the question of how exactly Williams drew this contrast by use of symbolism, it will be my aim in this paper to analyse this question. Consequently, I will try to point out the main symbols with which Williams underlined the contrast between realism and illusion, especially considering names, colours, clothes, light, music and certain rituals of the main characters. In the second part of this paper, I will deal with the question to what degree the main characters Stanley and Blanche are strictly opposed to each other or may have something in common. I will also deal with the meaning of the ending concerning realism and illusion. Therefore, what will be discussed are the most striking antinomies and similes in the main characters' attitudes. A general conclusion about the topic of symbolism in Tennessee Williams' Streetcar will be given in the end. To introduce the reader to the topic an
Author: Ilona Sontag Publisher: GRIN Verlag ISBN: 3640559258 Category : Language Arts & Disciplines Languages : en Pages : 29
Book Description
Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,7, RWTH Aachen University (Institut für Anglistik I), course: Hauptseminar "American Drama", language: English, abstract: Tennessee Williams, born Thomas Lanier Williams, is not only known for being a "talented, perceptive and influential American playwright" (Day 1987, vii), but also for his frequent use of symbols. "A Streetcar Named Desire" (1947), the work which will be dealt with in this paper, is a good example for of usage, since it contains a lot of different kinds of symbolism, for example concerning colours, names, music and many more. Numerous works will be found, if anyone searches for essays about symbolism in Williams' works. Moreover, it is common knowledge that Streetcar is a play which deals not only superficially with a woman going insane, but a play which "bring[s] into violent contrast a neurotic woman's dream world and the animalistic realism of her brother-in-law" (back of the book in the Diesterweg edition). But since there does not seem to be any work which deals with the question of how exactly Williams drew this contrast by use of symbolism, it will be my aim in this paper to analyse this question. Consequently, I will try to point out the main symbols with which Williams underlined the contrast between realism and illusion, especially considering names, colours, clothes, light, music and certain rituals of the main characters. In the second part of this paper, I will deal with the question to what degree the main characters Stanley and Blanche are strictly opposed to each other or may have something in common. I will also deal with the meaning of the ending concerning realism and illusion. Therefore, what will be discussed are the most striking antinomies and similes in the main characters' attitudes. A general conclusion about the topic of symbolism in Tennessee Williams' Streetcar will be given in the end. To introduce the reader to the topic an
Author: Ilona Sontag Publisher: GRIN Verlag ISBN: 364055955X Category : Foreign Language Study Languages : en Pages : 22
Book Description
Seminar paper from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, RWTH Aachen University (Institut für Anglistik I), course: Hauptseminar "American Drama", language: English, abstract: Tennessee Williams, born Thomas Lanier Williams, is not only known for being a “talented, perceptive and influential American playwright” (Day 1987, vii), but also for his frequent use of symbols. “A Streetcar Named Desire” (1947), the work which will be dealt with in this paper, is a good example for of usage, since it contains a lot of different kinds of symbolism, for example concerning colours, names, music and many more. Numerous works will be found, if anyone searches for essays about symbolism in Williams’ works. Moreover, it is common knowledge that Streetcar is a play which deals not only superficially with a woman going insane, but a play which “bring[s] into violent contrast a neurotic woman’s dream world and the animalistic realism of her brother-in-law” (back of the book in the Diesterweg edition). But since there does not seem to be any work which deals with the question of how exactly Williams drew this contrast by use of symbolism, it will be my aim in this paper to analyse this question. Consequently, I will try to point out the main symbols with which Williams underlined the contrast between realism and illusion, especially considering names, colours, clothes, light, music and certain rituals of the main characters. In the second part of this paper, I will deal with the question to what degree the main characters Stanley and Blanche are strictly opposed to each other or may have something in common. I will also deal with the meaning of the ending concerning realism and illusion. Therefore, what will be discussed are the most striking antinomies and similes in the main characters’ attitudes. A general conclusion about the topic of symbolism in Tennessee Williams’ Streetcar will be given in the end. To introduce the reader to the topic and also to justify my choice of symbols, a definition of the notion of symbolism will be given right at the beginning of this paper. This will be done by including different approaches, so that a broader definition can be given. Furthermore, for this paper is based on symbolism in Streetcar by Tennessee Williams, it may also be very interesting for the reader to have a look at Williams’ attitude towards symbols which will be done at the end of the second chapter. One last point to mention in this introduction is that due to space restrictions not all symbols concerning the topic of illusion and realism can be discussed in this paper. Nevertheless, it is my aim to present the most striking ones.
Author: Harold Bloom Publisher: Infobase Publishing ISBN: 143812628X Category : New Orleans (La.) Languages : en Pages : 189
Book Description
Presents a collection of ten critical essays on Williams's play "A Streetcar Named Desire" arranged in chronological order of publication.
Author: Lynn Nottage Publisher: ISBN: Category : Abused wives Languages : en Pages : 20
Book Description
When a housewife comes to the end of her rope with her abusive husband, she doesn't expect him to spontaneously combust. Now she has a pile of ashes on the floor, and a life to reclaim.
Author: Joanne Jay Meyerowitz Publisher: Temple University Press ISBN: 9781592132034 Category : History Languages : en Pages : 292
Book Description
This collection of essays sets the attacks on the United States in historical perspective. It rejects the notion of an age-old 'clash of civilizations' and instead examines the histories of American nationalism, anti-Americanism, US foreign policy and Islamic fundamentalism amongst other topics.
Author: Alice Walker Publisher: Rutgers University Press ISBN: 9780813520766 Category : Fiction Languages : en Pages : 240
Book Description
Presents the text of Alice Walker's story "Everyday Use"; contains background essays that provide insight into the story; and features a selection of critical response. Includes a chronology and an interview with the author.
Author: Faulkner William Publisher: ISBN: 9789356300149 Category : Languages : en Pages : 0
Book Description
The short tale A Rose for Emily was first published on April 30, 1930, by American author William Faulkner. This narrative is set in Faulkner's fictional city of Jefferson, Mississippi, in his fictional county of Yoknapatawpha County. It was the first time Faulkner's short tale had been published in a national magazine. Emily Grierson, an eccentric spinster, is the subject of A Rose for Emily. The peculiar circumstances of Emily's existence are described by a nameless narrator, as are her strange interactions with her father and her lover, Yankee road worker Homer Barron.
Author: Ilona Sontag
Author: Ilona Sontag
Author: Ilona Sontag
Author: Mathieu Guiglielmi
Author: Harold Bloom
Author: Lynn Nottage
Author: Joanne Jay Meyerowitz
Author: Alice Walker
Author: Brenda Murphy
Author: Faulkner William
Author: Nicholas Grene