Author: Maria M. Scott Publisher: Routledge ISBN: 1351150189 Category : Literary Criticism Languages : en Pages : 182
Book Description
Re-Presenting 'Jane' Shore analyzes the representation of the mistress of Edward IV of England, known to us as 'Jane' Shore (c. 1445-c. 1527). The daughter of a well-to-do merchant, she left her merchant husband to become the king's concubine. After Edward's death, his brother, later Richard III, charged her with witchcraft and harlotry, prompting Thomas More to include her in his exposition of Richard's perfidies in The History of Richard III. Since then, Jane Shore has been a frequent subject of, among others, poets (Thomas Churchyard and Thomas Deloney), playwrights (Shakespeare and Nicholas Rowe), and novelists (Guy Padget and Jean Plaidy). Scott examines the anxiety in Anglo-American culture generated when sex and politics intersect, using the case of 'Jane' Shore to show how history is compromised and complicated by context. In doing so, she reveals how women continue to be deployed as symbols rather than as actors on the larger stage of the drama that is politics.
Author: Stephen Bernard Publisher: Routledge ISBN: 1134981635 Category : Drama Languages : en Pages : 219
Book Description
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this third volume the late plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey are presented, along with a newly written explanatory introduction by Claudine van Hensbergen which precedes the full edited text. Appendices covering performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.
Author: D. Hawkes Publisher: Springer ISBN: 0230107664 Category : Literary Criticism Languages : en Pages : 206
Book Description
This book examines the ways in which usury was perceived and portrayed as it rose to popularity in Renaissance England, taking into account the works of key literary figures of this period, including Milton and Shakespeare.
Author: Janice North Publisher: Springer ISBN: 3319687719 Category : History Languages : en Pages : 360
Book Description
Pop culture portrayals of medieval and early modern monarchs are rife with tension between authenticity and modern mores, producing anachronisms such as a feminist Queen Isabel (in RTVE’s Isabel) and a lesbian Queen Christina (in The Girl King). This book examines these anachronisms as a dialogue between premodern and postmodern ideas about gender and sexuality, raising questions of intertemporality, the interpretation of history, and the dangers of presentism. Covering a range of famous and lesser-known European monarchs on screen, from Elizabeth I to Muhammad XII of Granada, this book addresses how the lives of powerful women and men have been mythologized in order to appeal to today’s audiences. The contributors interrogate exactly what is at stake in these portrayals; namely, our understanding of premodern rulers, the gender and sexual ideologies they navigated, and those that we navigate today.
Author: Duncan Salkeld Publisher: Routledge ISBN: 1317056671 Category : Literary Criticism Languages : en Pages : 261
Book Description
Courtesans - women who achieve wealth, status, or power through sexual transgression - have played both a central and contradictory role in literature: they have been admired, celebrated, feared, and vilified. This study of the courtesan in Renaissance English drama focuses not only on the moral ambivalence of these women, but with special attention to Anglo-Italian relations, illuminates little known aspects of their lives. It traces the courtesan from a wry comedic character in the plays of Terence and Plautus to its literary exhaustion in the seventeenth-century dramatic works of Dekker, Marston, Webster, Middleton, Shirley and Brome. The author focuses especially on the presentation of the courtesan in the sixteenth century - dramas by Shakespeare, Marlowe, and Lyly view the courtesan as a symbol of social disease and decay, transforming classical conventions into English prejudices. Renaissance Anglo-Italian cultural and sexual relations are also investigated through comparisons of travel narratives, original source materials, and analysis of Aretino's representations of celebrated Italian courtesans. Amid these fascinating tales of aspiration, desire and despair lingers the intriguing question of who was the 'dark lady' of Shakespeare's sonnets.
Author: Stephen Bernard Publisher: Routledge ISBN: 1134980728 Category : Literary Collections Languages : en Pages : 1546
Book Description
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. The first three volumes arrange his plays chronologically with the first volume presenting the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent; the second volume the middle plays, The Biter, Ulysses, and The Royal Convert; and the third volume his late period plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey. The subsequent volumes cover his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, and his own original poetry — which was often composed for specific occasions. Each volume contains a newly written explanatory introduction which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.
Author: Stephen Bernard Publisher: Taylor & Francis ISBN: 1134982194 Category : Drama Languages : en Pages : 316
Book Description
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this final volume the second part of his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented along with some his own original poetry. A newly written explanatory introduction to the Pharsalia by Stephen Bernard precedes the full edited text in volume IV. Appendices covering the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.
Author: Catharine Arnold Publisher: Simon and Schuster ISBN: 0857200259 Category : History Languages : en Pages : 425
Book Description
If Paris is the city of love, then London is the city of lust. For over a thousand years, England's capital has been associated with desire, avarice and the sins of the flesh. Richard of Devises, a monk writing in 1180, warned that 'every quarter [of the city] abounds in great obscenities'. As early as the second century AD, London was notorious for its raucous festivities and disorderly houses, and throughout the centuries the bawdy side of life has taken easy root and flourished. In the third book of her fascinating London trilogy, award-winning popular historian Catharine Arnold turns her gaze to the city's relationship with vice through the ages. From the bath houses and brothels of Roman Londinium, to the stews and Molly houses of the 17thand 18thcenturies, London has always traded in the currency of sex. Whether pornographic publishers on Fleet Street, or fancy courtesans parading in Haymarket, its streets have long been witness to colourful sexual behaviour. In her usual accessible and entertaining style, Arnold takes us on a journey through the fleshpots of London from earliest times to present day. Here are buxom strumpets, louche aristocrats, popinjay politicians and Victorian flagellants - all vying for their place in London's league of licentiousness. From sexual exuberance to moral panic, the city has seen the pendulum swing from Puritanism to hedonism and back again. With latter chapters looking at Victorian London and the sexual underground of the 20thcentury and beyond, this is a fascinating and vibrant chronicle of London at its most raw and ribald.
Author: Timothy Venning Publisher: Pen and Sword History ISBN: 1526780526 Category : True Crime Languages : en Pages : 280
Book Description
An in-depth look at the true crime tales surrounding the British royal family during the eleventh to fifteenth centuries. Royal murder mysteries never fail to intrigue readers and TV viewers. Here are some of the Middle Ages’ most haunting and horrific episodes. Based on the latest historical research and historiography, and authentic and rare sources, including archaeology and DNA evidence, these are wonderful tales of pathos, tragedy, suffering, and romance. This is history for specialists and general readers—and sceptics. The famous and also less well-known mysteries, which may be new to readers, surrounding British Royalty, are included from around the 11th to the 15th centuries. The murder mysteries show personal and individual tragedy but are also a vehicle for historical analysis. William II—William Rufus—was he murdered or killed accidentally by a “stray arrow,” allowing brother Henry to seize the throne, or was it God’s punishment for William’s irreligious living and persecution of the church? Or was Edward II murdered at the instigation of Queen Isabella—“she-wolf of France”—and her lover, Roger Mortimer, who assumed the throne? Did he survive to live peaceably in Italy? Richard II resembled Edward II, as a rather inadequate figure, and was deposed by his rival, Henry IV. Did he die, and if so, was it murder or suicide? Was Edward IV a bigamist? Mystery, if not murder, but wrapped in dynastic rivalry and sex scandal, and usurpation of the throne. The “Princes in the Tower” and who killed them if anyone? A beguiling mystery for over 500 years with their usurping uncle Richard III’s guilt contested by “Ricardians.”
Author: John E. Curran Jr Publisher: Routledge ISBN: 1317124030 Category : Literary Criticism Languages : en Pages : 279
Book Description
Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.
Author: Maria M. Scott
Author: Stephen Bernard
Author: D. Hawkes
Author: Janice North
Author: Duncan Salkeld
Author: Stephen Bernard
Author: Stephen Bernard
Author: Catharine Arnold
Author: Timothy Venning
Author: John E. Curran Jr