Author: Steve Getzwiller
Publisher: Ray Manley Publishing
ISBN: 9780931418082
Category : Crafts & Hobbies
Languages : en
Pages : 52
Book Description
Full-color photographs accompanied by descriptions of styles, locations and histories of Navajo rugs.
Ray Manley's The Fine Art of Navajo Weaving
Author: Steve Getzwiller
Publisher: Ray Manley Publishing
ISBN: 9780931418082
Category : Crafts & Hobbies
Languages : en
Pages : 52
Book Description
Full-color photographs accompanied by descriptions of styles, locations and histories of Navajo rugs.
Publisher: Ray Manley Publishing
ISBN: 9780931418082
Category : Crafts & Hobbies
Languages : en
Pages : 52
Book Description
Full-color photographs accompanied by descriptions of styles, locations and histories of Navajo rugs.
Navajo Weaving Way
Author: Noel Bennett
Publisher: Interweave
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This revision of the authors' Working with the wool, with much Navajo tradition and many photos added, is a guide to Navajo rug weaving, from carding & spinning through set up and weaving.
Publisher: Interweave
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This revision of the authors' Working with the wool, with much Navajo tradition and many photos added, is a guide to Navajo rug weaving, from carding & spinning through set up and weaving.
Navajo and Hopi Weaving Techniques
Author: Mary Pendleton
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 174
Book Description
"Provides clear, step-by-step instructions, along with illustrations, for weaving Navajo rugs and Hopi ceremonial sashes in exactly the same way as the craftsmen of these two neighboring tribes have woven them for generations"--Cover.
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 174
Book Description
"Provides clear, step-by-step instructions, along with illustrations, for weaving Navajo rugs and Hopi ceremonial sashes in exactly the same way as the craftsmen of these two neighboring tribes have woven them for generations"--Cover.
Navajo Weaving in the Late Twentieth Century
Author: Ann Lane Hedlund
Publisher: University of Arizona Press
ISBN: 0816549141
Category : Art
Languages : en
Pages : 164
Book Description
According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beauty—a rich tradition that continues to the present day. In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of styles—revival, sandpainting, pictorial, miniature, sampler—and a number of major regional variations, from Ganado to Teec Nos Pos. Textile authority Ann Hedlund provides an introductory narrative about the development of Navajo textile collecting—including the shift of attention from artifacts to art—and a brief review of the history of Navajo weaving. She then comments on the shaping of the particular collection represented in the book, offering a rich source of knowledge and insight for other collectors. Explaining themes in Navajo weaving over the quarter-century represented by the Santa Fe Collection, Hedlund focuses on the development of modern rug designs and the influence on weavers of family, community, artistic identity, and the marketplace. She also introduces each section of plates with a description of the representative style, its significance, and the weavers who perpetuate and deviate from it. In addition to the textile plates, Hedlund’s color photographs show the families, landscapes, livestock, hogans, and looms that surround today’s Navajo weavers. Navajo Weaving in the Late Twentieth Century explores many of the important connections that exist today among weavers through their families and neighbors, and the significant role that collectors play in perpetuating this dynamic art form. For all who appreciate American Indian art and culture, this book provides invaluable guidance to the fine points of collecting and a rich visual feast.
Publisher: University of Arizona Press
ISBN: 0816549141
Category : Art
Languages : en
Pages : 164
Book Description
According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beauty—a rich tradition that continues to the present day. In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of styles—revival, sandpainting, pictorial, miniature, sampler—and a number of major regional variations, from Ganado to Teec Nos Pos. Textile authority Ann Hedlund provides an introductory narrative about the development of Navajo textile collecting—including the shift of attention from artifacts to art—and a brief review of the history of Navajo weaving. She then comments on the shaping of the particular collection represented in the book, offering a rich source of knowledge and insight for other collectors. Explaining themes in Navajo weaving over the quarter-century represented by the Santa Fe Collection, Hedlund focuses on the development of modern rug designs and the influence on weavers of family, community, artistic identity, and the marketplace. She also introduces each section of plates with a description of the representative style, its significance, and the weavers who perpetuate and deviate from it. In addition to the textile plates, Hedlund’s color photographs show the families, landscapes, livestock, hogans, and looms that surround today’s Navajo weavers. Navajo Weaving in the Late Twentieth Century explores many of the important connections that exist today among weavers through their families and neighbors, and the significant role that collectors play in perpetuating this dynamic art form. For all who appreciate American Indian art and culture, this book provides invaluable guidance to the fine points of collecting and a rich visual feast.
Diné
Author: Peter Iverson
Publisher: UNM Press
ISBN: 9780826327154
Category : History
Languages : en
Pages : 436
Book Description
The most complete and current history of the largest American Indian nation in the U.S., based on extensive new archival research, traditional histories, interviews, and personal observation.
Publisher: UNM Press
ISBN: 9780826327154
Category : History
Languages : en
Pages : 436
Book Description
The most complete and current history of the largest American Indian nation in the U.S., based on extensive new archival research, traditional histories, interviews, and personal observation.
The Navajo Weaving Tradition
Author: Alice Kaufman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Navajo textiles have been avidly sought after and collected for more than two hundred years and provide examples of both historic and contemporary primitive art. Navajo Weaving Tradition is a detailed history and appreciation of these wonderful textiles.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Navajo textiles have been avidly sought after and collected for more than two hundred years and provide examples of both historic and contemporary primitive art. Navajo Weaving Tradition is a detailed history and appreciation of these wonderful textiles.
Collecting the Weaver's Art
Author: Laurie D. Webster
Publisher: Harvard University Press
ISBN: 0873654005
Category : Crafts & Hobbies
Languages : en
Pages : 160
Book Description
This is the first publication on a remarkable collection of 66 outstanding Pueblo and Navajo textiles donated to the Peabody Museum in the 1980s by William Claflin, Jr. Claflin also bequeathed to the museum his detailed accounts of their collection histories, included here.
Publisher: Harvard University Press
ISBN: 0873654005
Category : Crafts & Hobbies
Languages : en
Pages : 160
Book Description
This is the first publication on a remarkable collection of 66 outstanding Pueblo and Navajo textiles donated to the Peabody Museum in the 1980s by William Claflin, Jr. Claflin also bequeathed to the museum his detailed accounts of their collection histories, included here.
Southwest Weaving
Author: Stefani Salkeld
Publisher: Kiva Publishing
ISBN: 9780937808658
Category : Architecture
Languages : en
Pages : 86
Book Description
A catalog for a traveling exhibition of Native American folk art presents and describes hand-woven textiles from the Pueblo, Navajo, and New Mexico Hispanic village cultures
Publisher: Kiva Publishing
ISBN: 9780937808658
Category : Architecture
Languages : en
Pages : 86
Book Description
A catalog for a traveling exhibition of Native American folk art presents and describes hand-woven textiles from the Pueblo, Navajo, and New Mexico Hispanic village cultures
Interior Textiles
Author: Karla J. Nielson
Publisher: John Wiley & Sons
ISBN: 0471606405
Category : Architecture
Languages : en
Pages : 514
Book Description
When it comes to both the technical and aesthetic considerations of using textiles in interior design, this book gives working professionals what they need to know. You'll receive expert guidance to the process of textile specifications, selection, installation and maintenance, as well as an understanding of the properties of fabric types and a historical context of styles. Sustainable design and code issues are also considered. More than 500 illustrations and photographs elucidate key ideas. This survey of textiles for interior design is divided into three main parts: Fabrics: The interior design textile industry and marketplace. A study of fibers, yarns, constructions, and finishes. Codes and "green" design. Applications: Textile specifications and coordination of upholstery and wall coverings, window treatments, linens and accessories, and rugs and carpeting. Period Style: Oriental styles, Renaissance and Formal styles, Medieval, Colonial, Country and Provence styles, Regional and Ethnic styles, and Modern styles. Order your copy today!
Publisher: John Wiley & Sons
ISBN: 0471606405
Category : Architecture
Languages : en
Pages : 514
Book Description
When it comes to both the technical and aesthetic considerations of using textiles in interior design, this book gives working professionals what they need to know. You'll receive expert guidance to the process of textile specifications, selection, installation and maintenance, as well as an understanding of the properties of fabric types and a historical context of styles. Sustainable design and code issues are also considered. More than 500 illustrations and photographs elucidate key ideas. This survey of textiles for interior design is divided into three main parts: Fabrics: The interior design textile industry and marketplace. A study of fibers, yarns, constructions, and finishes. Codes and "green" design. Applications: Textile specifications and coordination of upholstery and wall coverings, window treatments, linens and accessories, and rugs and carpeting. Period Style: Oriental styles, Renaissance and Formal styles, Medieval, Colonial, Country and Provence styles, Regional and Ethnic styles, and Modern styles. Order your copy today!
Blanket Weaving in the Southwest
Author: Joe Ben Wheat
Publisher: University of Arizona Press
ISBN: 0816549818
Category : Art
Languages : en
Pages : 473
Book Description
Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure archives to research the material and documentary basis for textile development. His goal was to establish a key for southwestern textile identification based on the traits that distinguish the Pueblo, Navajo, and Spanish American blanket weaving traditions—and thereby provide a better way of identifying and dating pieces of unknown origin. Wheat's years of research resulted in a masterful classification scheme for southwestern textiles—and a book that establishes an essential baseline for understanding craft production. Nearly completed before Wheat's death, Blanket Weaving in the Southwest describes the evolution of southwestern textiles from the early historic period to the late nineteenth century, establishes a revised chronology for its development, and traces significant changes in materials, techniques, and designs. Wheat first relates what Spanish observers learned about the state of native weaving in the region—a historical review that reveals the impact of new technologies and economies on a traditional craft. Subsequent chapters deal with fibers, yarns, dyes, and fabric structures—including an unprecedented examination of the nature, variety, and origins of bayeta yarns—and with tools, weaves, and finishing techniques. A final chapter, constructed by editor Ann Hedlund from Wheat's notes, provides clues to his evolving ideas about the development of textile design. Hedlund—herself a respected textile scholar and a protégée of Wheat's—is uniquely qualified to interpret the many notes he left behind and brings her own understanding of weaving to every facet of the text. She has ensured that Wheat's research is applicable to the needs of scholars, collectors, and general readers alike. Throughout the text, Wheat discusses and evaluates the distinct traits of the three textile traditions. More than 200 photos demonstrate these features, including 191 color plates depicting a vast array of chief blankets, shoulder blankets, ponchos, sarapes, diyugi, mantas, and dresses from museum collections nationwide. In addition, dozens of line drawings demonstrate the fine points of technique concerning weaves, edge finishes, and corner tassels. Through his groundbreaking and painstaking research, Wheat created a new view of southwestern textile history that goes beyond any other book on the subject. Blanket Weaving in the Southwest addresses a host of unresolved issues in textile research and provides critical tools for resolving them. It is an essential resource for anyone who appreciates the intricacy of these outstanding creations.
Publisher: University of Arizona Press
ISBN: 0816549818
Category : Art
Languages : en
Pages : 473
Book Description
Exquisite blankets, sarapes and ponchos handwoven by southwestern peoples are admired throughout the world. Despite many popularized accounts, serious gaps have existed in our understanding of these textiles—gaps that one man devoted years of scholarly attention to address. During much of his career, anthropologist Joe Ben Wheat (1916-1997) earned a reputation as a preeminent authority on southwestern and plains prehistory. Beginning in 1972, he turned his scientific methods and considerable talents to historical questions as well. He visited dozens of museums to study thousands of nineteenth-century textiles, oversaw chemical tests of dyes from hundreds of yarns, and sought out obscure archives to research the material and documentary basis for textile development. His goal was to establish a key for southwestern textile identification based on the traits that distinguish the Pueblo, Navajo, and Spanish American blanket weaving traditions—and thereby provide a better way of identifying and dating pieces of unknown origin. Wheat's years of research resulted in a masterful classification scheme for southwestern textiles—and a book that establishes an essential baseline for understanding craft production. Nearly completed before Wheat's death, Blanket Weaving in the Southwest describes the evolution of southwestern textiles from the early historic period to the late nineteenth century, establishes a revised chronology for its development, and traces significant changes in materials, techniques, and designs. Wheat first relates what Spanish observers learned about the state of native weaving in the region—a historical review that reveals the impact of new technologies and economies on a traditional craft. Subsequent chapters deal with fibers, yarns, dyes, and fabric structures—including an unprecedented examination of the nature, variety, and origins of bayeta yarns—and with tools, weaves, and finishing techniques. A final chapter, constructed by editor Ann Hedlund from Wheat's notes, provides clues to his evolving ideas about the development of textile design. Hedlund—herself a respected textile scholar and a protégée of Wheat's—is uniquely qualified to interpret the many notes he left behind and brings her own understanding of weaving to every facet of the text. She has ensured that Wheat's research is applicable to the needs of scholars, collectors, and general readers alike. Throughout the text, Wheat discusses and evaluates the distinct traits of the three textile traditions. More than 200 photos demonstrate these features, including 191 color plates depicting a vast array of chief blankets, shoulder blankets, ponchos, sarapes, diyugi, mantas, and dresses from museum collections nationwide. In addition, dozens of line drawings demonstrate the fine points of technique concerning weaves, edge finishes, and corner tassels. Through his groundbreaking and painstaking research, Wheat created a new view of southwestern textile history that goes beyond any other book on the subject. Blanket Weaving in the Southwest addresses a host of unresolved issues in textile research and provides critical tools for resolving them. It is an essential resource for anyone who appreciates the intricacy of these outstanding creations.