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Author: Robert Williams Publisher: Cambridge University Press ISBN: 1108146147 Category : Art Languages : en Pages : 976
Book Description
Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.
Author: Arthur J. DiFuria Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1501513451 Category : Art Languages : en Pages : 435
Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Author: Edward J. Olszewski Publisher: Cambridge Scholars Publishing ISBN: 1527512843 Category : Art Languages : en Pages : 221
Book Description
This study employs cognitive theory as a heuristic framework to interrogate the agency of female types in select Italian Renaissance paintings, with emphasis on Venus, Medusa, the Amazon, Boccaccio's Lady Fiammetta/Cleopatra, Susanna, the Magdalene, and the Madonna. The study disrupts assumptions about the identity of sitters and readings of paintings as it challenges paradigms of female representation. It interrogates why certain paintings were crafted, by whom and for whom. Works are placed in the context of meta-painting, with stress on the cognitive decisions negotiated between patron and artist. The ludic aspects of several paintings are examined with a fine grain semiotic approach to expand their iconographies. Psychoanalytic readings are unpacked, based on the flawed mythological metaphors and incomplete clinical studies of Sigmund Freud's theorizing. The rubric of female agency is deliberately selected to unify popular but enigmatic master paintings of disparate subjects.
Author: Paul Joannides Publisher: Thames & Hudson ISBN: 0500776865 Category : Art Languages : en Pages : 479
Book Description
An authoritative introduction to Raphael, one of the most influential painters in the history of art, written by the preeminent authority on the subject and informed by the latest research. For centuries, Raphael has been recognized as the supreme High Renaissance painter, with many considering him more versatile than Michelangelo and more prolific than his older contemporary Leonardo da Vinci. Though he died young at thirty-seven, Raphael’s example as a paragon of classicism dominated the academic tradition of European painting until the mid-nineteenth century. This comprehensive survey looks at the different social and regional contexts of Raphael’s work and all aspects of his artistic production. From early training in Urbino to travels across central Italy, particularly Florence, where he became a noted portraitist and painter of Madonnas, to engagement by the papal court, this volume covers all areas of the artist’s practice. Focus is also devoted to the second half of Raphael’s career, when he became the dominant artist in Rome—even ahead of Michelangelo—and as a sophisticate entrepreneur, was able to extend the range of his activities to that of architect, designer, pioneer archaeologist, and theoretician. A beautifully illustrated study with over 150 full-color reproductions of Raphael’s work, ranging from major masterpieces to lesser-known paintings and drawings from all periods; art historian Paul Joannides, one of the world’s leading experts on Raphael’s drawings, sheds new light on this seminal artist.
Author: Scott Samuelson Publisher: University of Chicago Press ISBN: 022678004X Category : Art Languages : en Pages : 281
Book Description
"The Eternal City, Rome offers endless insights through its millennia of history, its centrality to European art and religion, and the generations of travelers that have sought it out. This book from philosopher Scott Samuelson offers readers a thinker's tour of Rome. Samuelson shows how people have made sense of Rome as a scene of human nature and then envisioned the good life-philosophers such as Lucretius and Seneca, but also poets and artists such as Horace and Caravaggio, filmmakers like Fellini, and adventurers like Rosa Bathurst. He roots these explorations and visions in the city of Rome itself: Samuelson introduces us to some of the most famous sites in Rome (such as the Colosseum, the Forum, and the Campo de Fiori) by sharing illuminating moments in their histories; and he discusses great works of art to be found in Rome (such as Caravaggio's David with the Head of Goliath) by getting to the heart of the knotty ethical and emotional questions they pose. And, practicing philosophy in place, he tackles head-on the profound questions that most tours of Rome only bracket: What does it mean to see the Forum through the eyes of Cicero? Does all this art about God really signify anything? Should visitors really be impressed by these incredible sites built on the slaughter and domination of others? What does all this history tell us about who we are? And, most important, how can an afternoon Negroni help us find the good life? Samuelson's aim is to provide an eclectic guide to Rome and happiness-a portable approach, blending history and philosophy, for tourists and dreaming readers alike"--
Author: Eugène Müntz Publisher: Parkstone Press ISBN: 9781783101375 Category : Languages : en Pages : 0
Book Description
Raphael (1483-1520), the Italian painter and architect of the High Renaissance, was a genius in and ahead of his time. Together with Michelangelo and Leonardo da Vinci, he formed the classical trinity of this era and elaborated a rich style of harmony and geometry. As one of the great masters of the Renaissance and artist to European royalty and the Papal court in Rome, his works comprise various themes of theology and philosophy, including but not limited to famous illustrations of the Madonna. His surroundings and experience gave rise to his propensity to combine the ideals of humanism with those of religion, and firmly established in him a conviction that art is a necessary medium to reveal the beauty of nature.
Author: James Symonds Publisher: Bloomsbury Publishing ISBN: 1350226645 Category : History Languages : en Pages : 297
Book Description
A Cultural History of Objects in the Renaissance covers the period 1400 to 1600. The Renaissance was a cultural movement, a time of re-awakening when classical knowledge was rediscovered, leading to an efflorescence in philosophy, art, and literature. The period fostered an emerging sense of individualism across European cultures. This sense was expressed through a fascination with materiality and the natural world, and a growing attachment to things. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. James Symonds is Professor at the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte
Author: Steven J. Cody Publisher: BRILL ISBN: 9004431934 Category : Art Languages : en Pages : 312
Book Description
Andrea del Sarto (1486–1530) created altarpieces of startling beauty. Steven J. Cody analyzes those remarkable paintings as a means of illuminating the artist’s career-long engagement with Christian theology.