![Railway Travelling and the Toll Question. [Subscribed: I.] From no. LXXVII. of the Westminster Review, etc PDF](https://books.google.com/books/content/images/frontcover/JalVAAAAcAAJ?fife=w80-h100)
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 20
Book Description
Railway Travelling and the Toll Question. [Subscribed: I.] From no. LXXVII. of the Westminster Review, etc
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author: Railway Adventures and Anecdotes
Author: Richard PikePublisher:
ISBN:
Category : Railroads
Languages : en
Pages : 318
Book Description
The Essays of "George Eliot."
Author: George EliotPopular Science
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 258
Book Description
Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
Chronicles of Wasted Time
Author: Malcolm MuggeridgePublisher: London : Collins
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
This first volume of the autobiography of an inveterate journalist and communicator ends in 1933 when the author was 30.
English Mechanic and Mirror of Science
Author: English Mechanic and World of Science
Author: Years of adventure, 1874-1920
Author: Herbert HooverPublisher:
ISBN:
Category : Presidents
Languages : en
Pages : 536
Book Description
Why Have There Been No Great Women Artists?: 50th anniversary edition
Author: Linda NochlinPublisher: Thames & Hudson
ISBN: 0500776628
Category : Art
Languages : en
Pages : 84
Book Description
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”