Author: Cedric CliffePublisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Racine's 'Athalie', Act II, Scene V
Author: Cedric CliffeThe Book of All Books
Author: Roberto CalassoPublisher: Farrar, Straus and Giroux
ISBN: 0374601909
Category : Religion
Languages : en
Pages : 272
Book Description
A book that begins before Adam and ends after us. In this magisterial work by the Italian intellectual superstar Roberto Calasso, figures of the Bible and its whole outline emerge in a new light: one that is often astonishing and disquieting, as indeed—more than any other—is the book from which they originate Roberto Calasso’s The Book of All Books is a narration that moves through the Bible as if through a forest, where every branch—every verse—may offer some revelation. Where a man named Saul becomes the first king of a people because his father sent him off to search for some donkeys that had gone astray. Where, in answer to an invitation from Jerusalem’s king, the queen of a remote African realm spends three years leading a long caravan of young men, girls dressed in purple, and animals, and with large quantities of spices, to ask the king certain questions. And where a man named Abraham hears these words from a divine voice: “Go away from your land, from your country and from the house of your father toward the land that I will show you”—words that reverberate throughout the Bible, a story about a separation and a promise followed by many other separations and promises. The Book of All Books, the tenth part of a series, parallels in many ways the second part, The Marriage of Cadmus and Harmony. There, gods and heroes of the Greek myths revealed new physiognomies, whereas here many figures of the Bible and its whole outline emerge in a new light: one that is often astonishing and disquieting, as indeed is the book—more so than any other—from which they originate.
Greek Verse
Author: Gaisford prizeRacine's Athalie
Author: Jean RacineRacine
Author: David MaskellPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
This original and innovative study is the first systematic exploration of Racine's theatricality. Based on a close examination of all Racine's plays and on evidence for performances of them from the seventeenth century to the present day, it is intended to guide the reader towards a better understanding of Racine as a man of the theater. Using illustrations from editions of Racine to highlight the visual elements implicit in his text, this study challenges many long-established views of Racine and lays the foundation for a reassessment of his work in relation to French drama.
Educational Systems of the Chief Crown Colonies and Possessions of the British Empire
Author: Great Britain. Board of EducationPublisher:
ISBN:
Category : Education
Languages : en
Pages : 408
Book Description
The Literary Movement in France During the Nineteenth Century
Author: Georges PellissierPublisher: New York G.P. Putnam's sons 1897.
ISBN:
Category : French literature
Languages : en
Pages : 572
Book Description
Gaisford prize Greek verse
Author: My Life
Author: Sofia Andreevna TolstayaPublisher: University of Ottawa Press
ISBN: 0776619217
Category : Biography & Autobiography
Languages : en
Pages : 2110
Book Description
The Modern Language Association (MLA) awarded the Lois Roth Award to John Woodsworth and Arkadi Klioutchanski of the University of Ottawa’s Slavic Research Group for their translation of Sofia Andreevna Tolstaya’s My Life memoirs. My Life was selected among the top 100 non-fiction works of 2010 by The Globe and Mail. It has also won an honourable mention in the Biography and Autobiography category of the 2010 American Publishers Awards for the Professional and Scholarly Excellence (PROSE) awards. And, finally, it made it into the Association of American University Presses' 2011 Book, Jacket and Journal Show. One hundred years after his death, Leo Tolstoy continues to be regarded as one of the world’s most accomplished writers. Historically, little attention has been paid to his wife Sofia Andreevna Tolstaya. Acting in the capacity of literary assistant, translator, transcriber, and editor, she played an important role in the development of her husband’s career. Her memoirs – which she titled My Life – lay dormant for almost a century. Now their first-time-ever appearance in Russia is complemented by an unabridged and annotated English translation. Tolstaya’s story takes us from her childhood through the early years of her marriage, the writing of War and Peace and Anna Karenina and into the first year of the twentieth century. She paints an intimate and honest portrait of her husband’s character, providing new details about his life to which she alone was privy. She offers a better understanding of Tolstoy’s character, his qualities and failings as a husband and a father, and forms a picture of the quintessential Tolstoyan character which underlies his fiction. My Life also reveals that Tolstaya was an accomplished author in her own right—as well as a translator, amateur artist, musician, photographer, and businesswoman—a rarity in the largely male-dominated world of the time. She was actively involved in the relief efforts for the 1891–92 famine and the emigration of the Doukhobors in 1899. She was a prolific correspondent, in touch with many prominent figures in Russian and Western society. Guests in her home ranged from peasants to princes, from anarchists to artists, from composers to philosophers. Her descriptions of these personalities read as a chronicle of the times, affording a unique portrait of late-19th- and early-20th-century Russian society, ranging from peasants to the Tsar himself. My Life is the most important primary document about Tolstoy to be published in many years and a unique and intimate portrait of one of the greatest literary minds of all time.
Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Author: Blair HoxbyPublisher: University of Toronto Press
ISBN: 1487518099
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Since the nineteenth century, some of the most influential historians have portrayed opera and tragedy as wholly distinct cultural phenomena. These historians have denied a meaningful connection between the tragedy of the ancients and the efforts of early modern composers to arrive at styles that were intensely dramatic. Drawing on a series of case studies, Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi traces the productive, if at times rivalrous, relationship between opera and tragedy from the institution of French regular tragedy under Richelieu in the 1630s to the reform of opera championed by Calzabigi and Gluck in the late eighteenth century. Blair Hoxby and his fellow contributors shed light on “neighbouring forms” of theatre, including pastoral drama, tragédie en machines, tragédie en musique, and Goldoni’s dramma giocoso. Their analysis includes famous masterpieces by Corneille, Voltaire, Metastasio, Goldoni, Calzabigi, Handel, and Gluck, as well as lesser-known artists such as Luisa Bergalli, the first female librettist to write for the public theatre in Italy. Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi delves into a series of quarrels and debates in order to illuminate the history of seventeenth- and eighteenth-century theatre.