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Author: Johan Verberckmoes Publisher: Springer ISBN: 1349271764 Category : History Languages : en Pages : 224
Book Description
Prior to the modern age laughter raised passions and activated the body to sweat and shake. Derision was not distinguished from joy. Deceiving the senses by tricks or funny stories made all people laugh loudly, regardless of class. Johan Verberckmoes describes, in this innovating book, the hotchpotch of comic images and stories in 'Flandes' during the rule of the Spanish Habsburgs, from 1500 to 1700. It challenges the Bakhtinian idea of a caesura in the history of laughter around 1600.
Author: Johan Verberckmoes Publisher: Springer ISBN: 1349271764 Category : History Languages : en Pages : 224
Book Description
Prior to the modern age laughter raised passions and activated the body to sweat and shake. Derision was not distinguished from joy. Deceiving the senses by tricks or funny stories made all people laugh loudly, regardless of class. Johan Verberckmoes describes, in this innovating book, the hotchpotch of comic images and stories in 'Flandes' during the rule of the Spanish Habsburgs, from 1500 to 1700. It challenges the Bakhtinian idea of a caesura in the history of laughter around 1600.
Author: Barbara C. Bowen Publisher: Vanderbilt University Press ISBN: 9780826513069 Category : Fiction Languages : en Pages : 264
Book Description
Francois Rabelais (1483?-1553) is a difficult and often misunderstood author, whose reputation for coarse "Rabelaisian" jesting and "Gargantuan" indulgence in food, drink, and sex is highly misleading. He was in fact a committed humanist who expressed strong views on religion, good government, education, and much more through the mock-heroic adventures of his giants. While most books about Rabelais have relatively little to say about his comedic genius, Enter Rabelais, Laughing analyses the many sides of Rabelais's humor, focusing on why his writing was so hilariously funny to sixteenth-century readers. The author begins by discussing how the Renaissance defined laughter and situates Rabelais in a long tradition of literary laughter. Subsequent chapters examine specific contexts relevant to Gargantua and Pantagruel, beginning with the comic aspects of epic, chronicle, mock-epic, and farce, and proceeding to Renaissance and Reformation humanist satire, rhetoric, medicine, and law. All of these chapters combine information, much of it new, on the humanist message Rabelais wanted to convey to his readers, with an analysis of how he used his wit to reinforce his message. Rarely is a writer's work treated in such illuminating detail. On a broad level, Enter Rabelais, Laughing serves as an excellent introduction to French Renaissance literature and exhibits a remarkably charming and lucid writing style, free of jargon. To Rabelais scholars in particular it offers a thorough and innovative analysis that corrects misconceptions and questions commonly held views.
Author: Laurent Joubert Publisher: University of Alabama Press ISBN: 0817300260 Category : History Languages : en Pages : 173
Book Description
Translation from French of an essay on the nature and character of human laughter Until its translation, Treatise on Laughter remained accessible solely to readers of French for nearly four centuries. Joubert’s treatise offers a curious and stimulating experience: the sensation of moving through another epistemology. His theory was composed during a period of great turmoil in the history of France when the human race was becoming much more aware of the organic structure of man and nature. He begins with the immediately observable phenomena before penetrating into the more hidden aspects of one of the most admirable of human acts, amirables accions de l’homme, laughter. Joubert is keenly aware of the difficulty of his subject matter. Rather than discouraging him, however, this becomes an incentive, making the study of such a formidable mystery more enticing. His ideas can appear quaint, and many of his beliefs can make us smile. Yet our smile may well disappear when we wonder which of today’s accepted ideas might seem laughable half a millennium hence.
Author: Albrecht Classen Publisher: Walter de Gruyter ISBN: 3110245485 Category : Literary Criticism Languages : en Pages : 864
Book Description
Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.
Author: Ian W. Archer Publisher: Cambridge University Press ISBN: 1107019311 Category : History Languages : en Pages : 273
Book Description
A collection of major articles representing some of the best historical research by some of the world's most distinguished historians.
Author: Colin Jones CBE Publisher: OUP Oxford ISBN: 0191024856 Category : History Languages : en Pages : 318
Book Description
You could be forgiven for thinking that the smile has no history; it has always been the same. However, just as different cultures in our own day have different rules about smiling, so did different societies in the past. In fact, amazing as it might seem, it was only in late eighteenth century France that western civilization discovered the art of the smile. In the 'Old Regime of Teeth' which prevailed in western Europe until then, smiling was quite literally frowned upon. Individuals were fatalistic about tooth loss, and their open mouths would often have been visually repulsive. Rules of conduct dating back to Antiquity disapproved of the opening of the mouth to express feelings in most social situations. Open and unrestrained smiling was associated with the impolite lower orders. In late eighteenth-century Paris, however, these age-old conventions changed, reflecting broader transformations in the way people expressed their feelings. This allowed the emergence of the modern smile par excellence: the open-mouthed smile which, while highlighting physical beauty and expressing individual identity, revealed white teeth. It was a transformation linked to changing patterns of politeness, new ideals of sensibility, shifts in styles of self-presentation - and, not least, the emergence of scientific dentistry. These changes seemed to usher in a revolution, a revolution in smiling. Yet if the French revolutionaries initially went about their business with a smile on their faces, the Reign of Terror soon wiped it off. Only in the twentieth century would the white-tooth smile re-emerge as an accepted model of self-presentation. In this entertaining, absorbing, and highly original work of cultural history, Colin Jones ranges from the history of art, literature, and culture to the history of science, medicine, and dentistry, to tell a unique and untold story about a facial expression at the heart of western civilization.
Author: Laurent Joubert Publisher: University of Alabama Press ISBN: 0817352899 Category : History Languages : en Pages : 375
Book Description
Laurent Joubert was an important figure in the medical world of the French Renaissance. Born in 1529, he became a doctor at age 29 and shortly thereafter was appointed personal physician to Catherine de Medici and later became physician to three French monarchs. Joubert was an educator as well as a physician, and he wrote several works of medical literature, including his most controversial work, Erreurs populaires. While the work focuses on popular misconceptions concerning medicine and physicians in France in the 1500s, it also represents a wealth of information on the social, economic, political, and religious worldviews that framed and thus supported the development and conduct of medical science. Gregory de Rocher’s skill as a translator brings this highly readable and very funny book to life. Many topics central to Joubert’s thesis in the 1500s remain contemporary themes in the popular and scholarly literature of the 1980s.
Author: Barbara C. Bowen Publisher: Taylor & Francis ISBN: 1000948412 Category : History Languages : en Pages : 261
Book Description
Of the articles in this volume, eight concern a world-famous author (François Rabelais); the others are studies of little-known authors (Cortesi, Corrozet, Mercier) or genres (the joke, the apophthegm). The common theme, in all but one, is humour: how it was defined, and how used, by orators and humanists but also by court jesters, princes, peasants and housewives. Though neglected by historians, this subject was of crucial importance to writers as different as Luther, Erasmus, Thomas More and François Rabelais. The book is divided into four sections. 'Humanist Wit' concerns the large and multi-lingual corpus of Renaissance facetiae. The second and third parts focus on French humanist humour, Rabelais in particular, while the last section is titled '"Serious" Humanists' because humour is by no means absent from it. For the Renaissance, as Erasmus and Rabelais amply demonstrate, and as the 'minor' authors studied here confirm, wit, whether affectionate or bitingly satirical, can coexist with, and indeed be inseparable from, serious purpose. Rabelais, as so often, said it best: 'Rire est le propre de l'homme.'
Author: Ted Lars Lennard Bergman Publisher: Tamesis Books ISBN: 9781855660960 Category : Drama Languages : en Pages : 262
Book Description
Frantic and popular characters and situations from the entremes tradition, thought by many as opposing the comedias' main features, are instead shown to join and often dominate these features through the introduction of absurd figuras, slapstick, and burlas."--BOOK JACKET.
Author: Johan Verberckmoes
Author: Johan Verberckmoes
Author: Barbara C. Bowen
Author: Laurent Joubert
Author: Albrecht Classen
Author: Ian W. Archer
Author: Gregory de Rocher
Author: Colin Jones CBE
Author: Laurent Joubert
Author: Barbara C. Bowen
Author: Ted Lars Lennard Bergman