Author: Franz DanziPublisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 56
Book Description
Quintet, D minor, op. 68, no. 3
Author: Franz DanziPublisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 56
Book Description
Quintet, D Minor, Op. 68, No. 3, for Flute, Oboe, Clarinet, Horn & Bassoon
Author: Franz DanziPublisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages :
Book Description
Quintet, D minor, for flute, oboe, clarinet, horn & bassoon, op. 68, no. 3
Author: Franz DanziPublisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 48
Book Description
Quintet
Author: Franz DanziQuintet
Author: Franz DanziQuintet, D Minor, Opus 68, No. 3, for Flute, Oboe, Clarinet, Horn and Bassoon
Author: Franz DanziThe Classical Style: Haydn, Mozart, Beethoven
Author: Charles RosenPublisher: W. W. Norton & Company
ISBN: 9780393006537
Category : Music
Languages : en
Pages : 484
Book Description
The National Book Award-winning masterpiece by a world-class pianist and writer on music.
A Player's Guide to Chamber Music
Author: Paul JefferyPublisher: The Crowood Press
ISBN: 0719825075
Category : Music
Languages : en
Pages : 291
Book Description
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.
Elements of Sonata Theory
Author: James HepokoskiPublisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Expressive Forms in Brahms's Instrumental Music
Author: Peter H. SmithPublisher: Indiana University Press
ISBN: 0253023556
Category : Music
Languages : en
Pages : 337
Book Description
"This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer's technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." —Patrick McCreless Expressive Forms in Brahms's Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms's approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart. Musical Meaning and Interpretation—Robert S. Hatten, editor