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Author: T. Baldwin Publisher: Springer ISBN: 1137309148 Category : History Languages : en Pages : 339
Book Description
This collection engages with questions of influence, a vexed and problematic concept whose intellectual history is both ancient and vast. It examines a range of texts written in French, sometimes in dialogue with visual/musical works, drawn mainly from the eighteenth century onwards. Connections are made with related work in a range of disciplines.
Author: T. Baldwin Publisher: Springer ISBN: 1137309148 Category : History Languages : en Pages : 339
Book Description
This collection engages with questions of influence, a vexed and problematic concept whose intellectual history is both ancient and vast. It examines a range of texts written in French, sometimes in dialogue with visual/musical works, drawn mainly from the eighteenth century onwards. Connections are made with related work in a range of disciplines.
Author: Andre Morize Publisher: ISBN: 9781619520592 Category : Languages : en Pages : 300
Book Description
The aim of the book is, first, to give to the novice in literary history a clear idea of the field he is entering¿to define its characteristics and limits, its relations with the two neighboring provinces of literary criticism and history; next, to familiarize him with the indispensable implements and tools; lastly, to introduce him to the principal problems that may arise and to help him to find the solutions.The book answers many persistent problems of the subject which have hampered the complete understanding of the subject. These problems, after all, are not endlessly varied: they fall under a certain number of headings, corresponding to different stages in the creation of a literary work and to its varying fortunes with the public; for instance, questions of linguistic or grammatical commentary and interpretation, questions of sources or of influence, questions of chronology or of authenticity, of biography or of bibliography, of language, style, or versification. The student is never the first person who has had to deal with them: others before him have made the attempt; others have solved them. Their researches, considered particularly from the point of view of method, form a treasure of accumulated experience on which the present volume invites the newcomer to draw as often as he can. ¿To be useful to students has been my constant thought¿
Author: Susanna Phillippo Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783034308519 Category : French drama Languages : en Pages : 0
Book Description
This book builds a picture of how Greek literature was reworked by the authors of seventeenth-century French tragedy. The text explores the complex interactions surrounding these adaptations, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing.
Author: C. White Publisher: Springer ISBN: 1137373075 Category : Fiction Languages : en Pages : 259
Book Description
In this engaging new study, Claire White reveals how representations of work and leisure became the vehicle for anxieties and fantasies about class and alienation, affecting, in turn, the ways in which writers and artists understood their own cultural work.
Author: Scott M. Powers Publisher: Purdue University Press ISBN: 1612494536 Category : Literary Criticism Languages : en Pages : 274
Book Description
Confronting Evil: The Psychology of Secularization in Modern French Literature holds that the concept of evil is central to the psychology of secularism. Drawing on notions of secularization as a phenomenon of ambivalence or dualism in which religion continues to exist alongside secularity in exerting influence on modern French thought, author Scott M. Powers enlists psychoanalytic theory on mourning and sublimation, the philosophical concept of the sublime, Charles Taylor's theory of religious and secular "cross-pressures," and William James's psychology of conversion to account for the survival of religious themes in Baudelaire, Zola, Huysmans, and Céline. For Powers, Baudelaire's prose poems, Zola's experimental novels, and Huysmans's and Céline's early narratives attempt to account for evil by redefining the traditionally religious concept along secular lines. However, when unmitigated by the mechanisms of irony and sublimation, secular confrontation with the dark and seemingly absurd dimension of man leads modern writers such as Huysmans and Céline, paradoxically, to embrace a religious or quasi-religious understanding of good and evil. In the end, Powers finds that how authors cope with the reality of suffering and human wickedness has a direct bearing on the ability to sustain a secular vision.
Author: Ben Hutchinson Publisher: Oxford University Press ISBN: 0198767692 Category : Literary Criticism Languages : en Pages : 403
Book Description
Modern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as 'new'. In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is 'late'. Exploring the ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors--from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Val ry, Djuna Barnes, and Adorno--he combines close readings of canonical texts with historical and theoretical comparisons of numerous national contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, Lateness and Modern European Literature offers a significant new model for understanding literary modernity.
Author: Publisher: BRILL ISBN: 9004455981 Category : Social Science Languages : en Pages : 251
Book Description
What can we currently make of ‘the subject'? Under the sway of structuralism and poststructuralism, critical thinking took a distinctly negative turn, effectively disqualifying any form of subjectivity as a reference point in discussions of textual or literary meaning. Since the mid-1970s, however, throughout the human sciences, human agency has been restored as both a methodological principle and an ethical value: a phenomenon broadly designated as ‘the return of the subject'. Yet the returning subject bears the traces of its problematization... The present collection of essays explores the ways in which the subject now ‘matters', both in principle and in the variety of critical approaches in authorizes. Essays, which are both literary and theoretical in character, cover authors, texts and issues in French literature from Descartes to the present. A wide range of types of writing is examined, from established forms such as the novel to relatively marginal and generically unsystematized discursive practices such as automatic writing and the ‘récit de rêve'. Though it shuns ‘closure' in a matter which remains ultimately elusive, this book offers some account of the types of answer which remain open and of those we have learned to leave behind.