Author: HaydnPublisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Quartet No. 65 in Eb Major, Op. 76, No. 6 (Violin 1).
Quartet No. 65 in Eb Major, Op. 76, No. 6 (Violin 2).
Author: HaydnQuartet No. 65. B♭ Major for 2 Violins, Viola and Violoncello
Author: Joseph HaydnPublisher:
ISBN:
Category : String quartets
Languages : en
Pages : 32
Book Description
String quartet no. 3, op. 65 for two violins, viola and cello, 1969
Author: Brian BoydellString Quartet No. 3, Op. 65 for Two Violins, Viola and Cello, 1969
Author: Brian BoydellQuartet No. 65 B♭ Major
Author: Joseph HaydnQuartet no. 64 [i.e. 65]
![Quartet no. 64 [i.e. 65] PDF](https://books.google.com/books/content/images/frontcover/bBURAQAAMAAJ?fife=w80-h100)
Author: Joseph HaydnPublisher:
ISBN:
Category : String quartets
Languages : en
Pages : 30
Book Description
String quartet
Author: Peter SculthorpeQuartet No. 65
Author: Joseph HaydnBartók and the Grotesque
Author: Julie BrownPublisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.