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Author: Nat Brandt
Publisher: iUniverse
ISBN: 0595010113
Category :
Languages : en
Pages : 310

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Author: Laurie E. Jasinski
Publisher: Texas A&M University Press
ISBN: 0876112971
Category : Music
Languages : en
Pages : 2008

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Book Description
The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z!

Author: Kip Lornell
Publisher: University Press of Kentucky
ISBN: 0813194180
Category : Music
Languages : en
Pages : 253

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Book Description
During the years before World War II, hundreds of traditional musicians were sought out by commercial record companies, brought to New York or into local—often makeshift—studios, to cut recordings that would be marketed as "race" and "hillbilly" music. Virginia was home to scores of these performers, several of whom were to become internationally known. Among them were the Carter Family, the Golden Gate Quartet, Charlie Poole, and the Stoneman Family, whose music has touched millions of listeners far beyond the confines of the Old Dominion. It is this historically important body of recordings from this unique period that forms the focus of Kip Lornell's study. In it he combines biographical sketches and bibliographies of the artists and groups with comprehensive discographies of each, covering not only the original 78-rpm issues but also American and foreign long-play releases. The entries incorporate new primary research and contemporary interviews with veterans of early recording sessions. Numerous vintage photographs are also included, some reproduced here for the first time.

Author: William Lee Golden
Publisher:
ISBN: 9780998636788
Category : Country musicians
Languages : en
Pages : 0

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Book Description
The wait is over! And it was worth the wait. William Lee Golden finally tells all! William's new autobiography "Behind the Beard" is an amusing, poignant and brutally honest memoir. "When you write your life story, and you decide to bare everything, it's kind of scary. It feels a lot like getting naked ... in front of the entire world. Now that I've committed to it, there is one thing going through my mind...if I was going to get naked in front of everyone, I probably shouldn't have waited until I was 82 years old!" - William Lee Golden. This deluxe, hard cover book includes over 200 rare, never-before-seen photos from William's personal collection! Told in William's own words, "Behind the Beard" includes: William's memories of his childhood and teenage years; and how he went from the cotton fields of Alabama to singing on stage with his favorite musical group. William's vision of turning a gospel group into one of the biggest acts in country music history. His first wife's one-of-kind reaction when she learned he had been unfaithful. William's stories of 50 years on the road with the Oak Ridge Boys. The real reason he was away from the group for 9 years. How he made his "Prodigal Son" return to the Oaks. What the future holds for William Lee and the Oak Ridge Boys.

Author: Neil V. Rosenberg
Publisher: University of Illinois Press
ISBN: 9780252072451
Category : Music
Languages : en
Pages : 516

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Book Description
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.

Author: Stephen Miller
Publisher: Omnibus Press
ISBN: 0857128566
Category : Music
Languages : en
Pages : 270

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Book Description
Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.

Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
ISBN: 9780879306274
Category : Music
Languages : en
Pages : 1508

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Book Description
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.

Author: Mara Parker
Publisher: Routledge
ISBN: 1135848343
Category : Music
Languages : en
Pages : 514

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Book Description
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.

Author: Bill Dahl
Publisher: Penguin
ISBN: 1440225575
Category : Music
Languages : en
Pages : 616

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Book Description
This is the book for lovers of Motown! Author and Motown historian Bill Dahl has expertly compiled this comprehensive guide to the musical combination of pop and gospel, known as Motown. This new compilation features an A-to-Z listing and biography of nearly every Motown group since its beginning in 1959. Also included are never-before-published photos from former Motown promotions guru Weldon A. McDougal III. Enthusiasts will now have a chance to own a complete encyclopedia of groups and artists, along with information about their music, including a discography and price guide. • 32-page color section containing many never-before-published photos • Complete encyclopedia of groups, artists, plus discography and price guide for all Motown acts

Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 0812201124
Category : History
Languages : en
Pages : 262

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Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.