Pulp Fiction of the 1920s and 1930s PDF Download

Author: Gary Hoppenstand
Publisher: Salem Press
ISBN: 9781429838276
Category : Fantasy fiction, American
Languages : en
Pages : 0

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Book Description
Explores the ""weird"" and diverse fiction of popular pulp writers such as H. P. Lovecraft, Robert E. Howard, and Clark Ashton Smith, as well as pulp magazines such as Weird Tales. This volume in the Critical Insights series presents a variety of new essays on the topic of popular pulp fiction and writers of the 1920s and 1930s, focusing on those major contributors to the Weird Tales school.

Author: Lee Server
Publisher: Infobase Publishing
ISBN: 1438109121
Category : Literary Collections
Languages : en
Pages : 321

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Book Description
Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

Author: Lisa Yaszek
Publisher: Wesleyan University Press
ISBN: 0819576255
Category : Literary Criticism
Languages : en
Pages : 423

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Book Description
Anthology of stories, essays, poems, and illustrations by the women of early science fiction For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about "boys and their toys," pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp's critical annotation and author biographies link women's work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.

Author: Susan Stryker
Publisher: Chronicle Books
ISBN: 9780811830201
Category : Literary Criticism
Languages : en
Pages : 136

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Book Description
From homicidal homos to locked-up lesbians, and almost every sexually dangerous combination in between, Queer Pulp: Perverted Passions from the Golden Age of the Paperback is the first complete expose of queer sexuality in mid-twentieth century paperbacks. Compellingly written by historian Susan Stryker, Queer Pulp gives a complete overview of the cultural, political, and economic factors involved in the boom of queer paperbacks. With chapters covering gay, lesbian, transgender, and bisexually oriented books, a lively overview of the genres, and loads of scorching paperback covers, Queer Pulp reveals the complicated and fascinating history of alternative sexual literature and book publishing. Featuring the work of well-known authors such as W. Somerset Maugham and Truman Capote to the low-brow and no-brow scribes who worked under several names, Queer Pulp is the entertaining and informative introduction to these lost, salacious literary genres.

Author: Paul S. Powers
Publisher: U of Nebraska Press
ISBN: 0803206674
Category : Language Arts & Disciplines
Languages : en
Pages : 287

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Book Description
A master of driving pace, exotic setting, and complex plotting, Harold Lamb was one of Robert E. Howard's favorite writers. Here at last is every pulse-pounding, action-packed story of Lamb's greatest hero, Khlit the Cossack, the "wolf of the steppes.

Author: Otto Penzler
Publisher: Vintage Crime/Black Lizard
ISBN: 0307494160
Category : Fiction
Languages : en
Pages : 1170

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Book Description
The biggest, the boldest, the most comprehensive collection of Pulp writing ever assembled. Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train—a bullet couldn’t pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best. Including: • Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett. • Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form. • A never before published Dashiell Hammett story. • Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many many more of whom you’ve probably never heard. • Three deadly sections–The Crimefighters, The Villains, and Dames–with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura Lippman Featuring: • Plenty of reasons for murder, all of them good. • A kid so smart–he’ll die of it. • A soft-hearted loan shark’s legman learning–the hard way–never to buy a strange blonde a hamburger. • The uncanny “Moon Man” and his mad-money victims.

Author: Ed Hulse
Publisher: National Geographic Books
ISBN: 168405799X
Category : Antiques & Collectibles
Languages : en
Pages : 0

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Book Description
Judge these books by their covers! Get immersed in the definitive visual history of pulp fiction paperbacks from 1940 to 1970. The Art of Pulp Fiction: An Illustrated History of Vintage Paperbacks chronicles the history of pocket-sized paperbound books designed for mass-market consumption, specifically concentrating on the period from 1940 to 1970. These three decades saw paperbacks eclipse cheap pulp magazines and expensive clothbound books as the most popular delivery vehicle for escapist fiction. To catch the eyes of potential buyers they were adorned with covers that were invariably vibrant, frequently garish, and occasionally lurid. Today the early paperbacks--like the earlier pulps, inexpensively produced and considered disposable by casual readers--are treasured collector's items. Award-winning editor Ed Hulse (The Art of the Pulps and The Blood 'n' Thunder Guide to Pulp Fiction) comprehensively covers the pulp-fiction paperback's heyday. Hulse writes the individual chapter introductions and the captions, while a team of genre specialists and art aficionados contribute the special features included in each chapter. These focus on particularly important authors, artists, publishers, and sub-genres. Illustrated with more than 500 memorable covers and original cover paintings. Hulse's extensive captions, meanwhile, offer a running commentary on this significant genre, and also contain many obscure but entertaining factoids. Images used in The Art of Pulp Fiction have been sourced from the largest American paperback collections in private hands, and have been curated with rarity in mind, as well as graphic appeal. Consequently, many covers are reproduced here for the first time since the books were first issued. With an overall Introduction by Richard A. Lupoff, novelist, essayist, pop-culture historian, and author of The Great American Paperback (2001).

Author: Edward Gorman
Publisher: Carroll & Graf Pub
ISBN: 9780786707003
Category : Fiction
Languages : en
Pages : 565

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Book Description
Celebrates American pulp fiction in this volume which anthologizes 1920s and 1930s innovators such as John Jakes and Robert Bloch alongside later masters of the form, including Mickey Spillane, Ed McBain, and Donald Westlake

Author: Sean McCann
Publisher: Duke University Press
ISBN: 9780822325949
Category : Fiction
Languages : en
Pages : 388

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Book Description
DIVSees hard-boiled crime fiction in relation to a changing literary marketplace and as an arena for conflicts about citizenship, class culture, and democracy during the New Deal./div

Author: Raymond Gallun
Publisher: eStar Books
ISBN: 1612103561
Category : Fiction
Languages : en
Pages : 22

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Book Description
It's a funny thing, but most monsters seem to be of the opinion that it's men who are the monsters. You know, they have a point.ExcerptTen minutes after the crackup, somebody phoned for the Army. That meant us. The black smoke of the fire, and the oily residues, which were later analyzed, proved the presence of a probable petroleum derivative. The oil was heavily tainted with radioactivity. Most likely it was fuel from the odd, conchlike reaction-motors, the exact principles of which died, as far as we were concerned, with the crash.The craft was mainly of aluminum, magnesium and a kind of stainless steel, proving that, confronted with problems similar to ones we had encountered, aliens might solve them in similar ways. From the crumpled-up wreckage which we dug out of that Missouri hillside, Klein even noticed a familiar method of making girders and braces lighter. Circular holes were punched out of them at spaced intervals.I kept hunting conviction by telling myself that, for the first time in all remembered history, we were peeking behind the veil of another planet. This should be the beginning of a new era, one of immensely widened horizons, and of high romance--but with a dark side, too. The sky was no longer a limit. There were things beyond it that would have to be reckoned with. And how does unknown meet unknown? Suppose one has no hand to shake?The mass of that wreck reeked like a hot cinder-pile and a burning garbage dump combined. It oozed blackened goo. There were crushed pieces of calcined material that looked like cuttlebone. The thin plates of charred stuff might almost have been pressed cardboard. Foot-long tubes of thin, tin-coated iron contained combined chemicals identifiable as proteins, carbohydrates and fats. Food, we decided.