Modern Painters: pt.6. Of leaf beauty. pt.7. Of cloud beauty. pt. 8-9. Of ideas of relation PDF Download

Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 440

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Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 428

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Book Description

Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 552

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Book Description

Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 918

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Book Description
Ruskin, a Victorian-era British writer whose work had a profound influence on artists, art historians, and writers both during his life and after, wrote Modern Painters in five separate volumes originally published in London between 1843 and 1860, substantially revising the volumes over the years. It is, among other things, an evaluation of individual painters, a religious statement, a discourse on nature, and a splendid example of Victorian prose style.

Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 420

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Book Description

Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 426

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Author: John Ruskin
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 484

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Author: Katherine Ann Wildt
Publisher: University Press of America
ISBN: 9780761813453
Category : Literary Criticism
Languages : en
Pages : 176

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Elizabeth Gaskell's Use of Color in Her Industrial Novels and Short Stories presents Gaskell's incorporation of Ruskin's moral theory of color to set the tone in her tales as she illustrates the dreary, monotonous existence of nineteenth century industrial workers. Wildt demonstrates the use of various shades, tints, and hues of color to set moral tone, express character feelings, and to foreshadow events as Gaskell establishes and sustains mood in her short stories, and to a greater extent, in her industrial novels. She points out the use of color for foreshadowing events, expressing character's feelings in defining character in Mary Barton, North and South, and Ruth. Focusing on Gaskell's repeated use of the storm cloud motif, Wildt notes its presence on physical and emotional levels to illustrate the bleakness of the trapped condition of working women in the mid-nineteenth century, and that it anticipates Ruskin's future use of "The Storm Cloud."

Author: Barbara Novak
Publisher: Oxford University Press
ISBN: 0195305868
Category : Art
Languages : en
Pages : 327

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In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling.Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form."An impressive achievement."--Barbara Rose, The New York Times Book Review"An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole."--Robert Hughes, Time Magazine

Author:
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 370

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