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Author: Sarah Spence Publisher: Princeton University Press ISBN: 0691227160 Category : Literary Criticism Languages : en Pages : 232
Book Description
Sicily and the strategies of empire in the poetic imagination of classical and medieval Europe In the first century BC, Cicero praised Sicily as Rome’s first overseas province and confirmed it as the mythic location for the abduction of Proserpina, known to the Greeks as Persephone, by the god of the underworld. The Return of Proserpina takes readers from Roman antiquity to the late Middle Ages to explore how the Mediterranean island offered authors a setting for forces resistant to empire and a location for displaying and reclaiming what has been destroyed. Using the myth of Proserpina as a through line, Sarah Spence charts the relationship Western empire held with its myths and its own past. She takes an in-depth, panoramic look at a diverse range of texts set on Sicily, demonstrating how the myth of Proserpina enables a discussion of empire in terms of balance, loss, and negotiation. Providing new readings of authors as separated in time and culture as Vergil, Claudian, and Dante, Spence shows how the shape of Proserpina’s tale and perceptions of the island change from a myth of loss to one of redemption, with the volcanic Mt. Etna playing an increasingly central role. Delving into the ways that myth and geography affect politics and poetics, The Return of Proserpina explores the power of language and the written word during a period of tremendous cultural turbulence.
Author: Sarah Spence Publisher: Princeton University Press ISBN: 0691227160 Category : Literary Criticism Languages : en Pages : 232
Book Description
Sicily and the strategies of empire in the poetic imagination of classical and medieval Europe In the first century BC, Cicero praised Sicily as Rome’s first overseas province and confirmed it as the mythic location for the abduction of Proserpina, known to the Greeks as Persephone, by the god of the underworld. The Return of Proserpina takes readers from Roman antiquity to the late Middle Ages to explore how the Mediterranean island offered authors a setting for forces resistant to empire and a location for displaying and reclaiming what has been destroyed. Using the myth of Proserpina as a through line, Sarah Spence charts the relationship Western empire held with its myths and its own past. She takes an in-depth, panoramic look at a diverse range of texts set on Sicily, demonstrating how the myth of Proserpina enables a discussion of empire in terms of balance, loss, and negotiation. Providing new readings of authors as separated in time and culture as Vergil, Claudian, and Dante, Spence shows how the shape of Proserpina’s tale and perceptions of the island change from a myth of loss to one of redemption, with the volcanic Mt. Etna playing an increasingly central role. Delving into the ways that myth and geography affect politics and poetics, The Return of Proserpina explores the power of language and the written word during a period of tremendous cultural turbulence.
Author: Janice Valls-Russell Publisher: Bloomsbury Publishing ISBN: 1350125881 Category : Literary Criticism Languages : en Pages : 488
Book Description
Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.
Author: H. David Brumble Publisher: Routledge ISBN: 1136797378 Category : History Languages : en Pages : 315
Book Description
While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth a
Author: Anthony Welch Publisher: Yale University Press ISBN: 0300188994 Category : Literary Criticism Languages : en Pages : 347
Book Description
This book offers a close survey of the changing audiences, modes of reading, and cultural expectations that shaped epic writing in the sixteenth and seventeenth centuries. According to Anthony Welch, the theory and practice of epic poetry in this period—including little-known attempts by many epic poets to have their work orally recited or set to music—must be understood in the context of Renaissance musical humanism. Welch’s approach leads to a fresh perspective on a literary culture that stood on the brink of a new relationship with antiquity and on the history of music in the early modern era.
Author: Constance Jordan Publisher: Associated University Presses ISBN: 9780918016898 Category : History Languages : en Pages : 232
Book Description
Places II Morgante Magiore, the great Italian Renaissance epic by Luigi Pulci, in the context of contemporary Florentine polities. This volume also analyzes the poem's narrative structure and demonstrates the poet's understanding of issues that were to become vital to Florentine historiography a generation later.
Author: Sarah Spence
Author: Sarah Spence
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Author: Claudius Claudianus
Author: Janice Valls-Russell
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Author: H. David Brumble
Author: Anthony Welch
Author: Jacqueline De Weever
Author: Constance Jordan
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