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Author: Seth C. Hawkins Publisher: Cambridge Scholars Publishing ISBN: 1527537994 Category : Literary Criticism Languages : en Pages : 299
Book Description
Perhaps the most important, difficult, and unresolved issue in Shakespeare studies is the question of Lear’s last lines; the whole meaning of Shakespeare’s greatest and most controversial tragedy depends upon it. In the 1608 Quarto, it is “O,o,o,o”—that zero to which the Fool compares Lear himself. In the 1623 Folio, the King’s last words are “Look on her! Look, her lips! Look there, look there!” No one but Lear sees what he points us to envision. Is it epiphany or delusion? Is Lear’s tragedy nihilistic or redemptive? In search of an answer, Hawkins deploys a wide spectrum of critical approaches: close scrutiny of the rival texts and comparison with the play’s sources, the unique double structure of Lear, its symbols and imagery, its visual and verbal scriptural allusions, even its numerology. The book enlists its readers in a quest for final meaning, not unlike the movement of the play itself towards Dover and the extreme verge of its imagined cliff, that high place where life borders upon death and earth meets sky and sea.
Author: Seth C. Hawkins Publisher: Cambridge Scholars Publishing ISBN: 1527537994 Category : Literary Criticism Languages : en Pages : 299
Book Description
Perhaps the most important, difficult, and unresolved issue in Shakespeare studies is the question of Lear’s last lines; the whole meaning of Shakespeare’s greatest and most controversial tragedy depends upon it. In the 1608 Quarto, it is “O,o,o,o”—that zero to which the Fool compares Lear himself. In the 1623 Folio, the King’s last words are “Look on her! Look, her lips! Look there, look there!” No one but Lear sees what he points us to envision. Is it epiphany or delusion? Is Lear’s tragedy nihilistic or redemptive? In search of an answer, Hawkins deploys a wide spectrum of critical approaches: close scrutiny of the rival texts and comparison with the play’s sources, the unique double structure of Lear, its symbols and imagery, its visual and verbal scriptural allusions, even its numerology. The book enlists its readers in a quest for final meaning, not unlike the movement of the play itself towards Dover and the extreme verge of its imagined cliff, that high place where life borders upon death and earth meets sky and sea.
Author: Peter Mercer Publisher: Austin Macauley Publishers ISBN: 1528957113 Category : Literary Criticism Languages : en Pages : 135
Book Description
The Promised End explores how the endings of Shakespeare’s tragedies work – how, in effect, they resist conventional closure. It looks back from the endings of five plays – Romeo and Juliet, Hamlet, Othello, Macbeth, and King Lear – to explore how their structures of action, imagery and the interaction of different genres – comedy, tragedy and romance – bring them to conclusions that are both inevitable and yet strangely incongruous, beyond explanation and moral understanding, almost too terrible to bear.
Author: William Shakespeare Publisher: Classic Books Company ISBN: 0742652866 Category : Languages : en Pages : 510
Book Description
King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy.
Author: Publisher: BRILL ISBN: 9004282289 Category : Art Languages : en Pages : 407
Book Description
Modernism, Christianity and Apocalypse stages an encounter between the fields of ‘Modernism and Christianity’ and ‘Apocalypse Studies’. The modernist impulse to ‘make it new’, to transform and reform culture, is an incipiently apocalyptic one, poised between imaginative representations of an Old Era or civilization and the experimental promise of the New. Christianity figures in formative tension with the ‘new’, but its apocalyptic paradigms continued to impact modernist visions of cultural revitalization. In three sections tracing a rough chronology from the late nineteenth century fin de siècle, via interwar conflicts and the rise of ‘political religions’, to post-1945 anxieties such as the Bomb, this thematic is explored in nineteen far-ranging scholarly contributions, outlining a distinctive and fresh interdisciplinary field of study.
Author: Nicholas Ansell Publisher: Authentic Media Inc ISBN: 1780783183 Category : Religion Languages : en Pages : 715
Book Description
This work analyses and evaluates Jurgen Moltmann's model of universal salvation and its relation to his understanding of the redemption, or eschatological fulfilment, of time. For Jurgen Moltmann, Hell is the nemesis of Hope. The 'Annihilation of Hell' thus refers both to Hell's annihilative power in history and to the overcoming of that power as envisioned by Moltmann's distinctive theology of the cross in which God becomes 'all in all' through Christ's descent into Godforsakenness. The negation of Hell and the fulfilment of history are inseparable. Attentive to the overall contours and dynamics of Moltmann's thinking, especially his zimzum doctrine of creation, his eschatologically oriented philosophy of time, and his expanded understanding of the nature-grace relationship, this study asks whether the universal salvation that he proposes can honour human freedom, promise vindication for those who suffer, and do justice to biblical revelation. As well as providing an in-depth exposition of Moltmann's ideas, The Annihilation of Hell also explores how a 'covenantal universalism' might revitalise our web of beliefs in a way that is attuned to the authorising of Scripture and the spirituality of existence. If divine and human freedom are to be reconciled, as Moltmann believes, the confrontation between Hell and hope will entail rethinking issues that are not only at the centre of theology but at the heart of life itself.
Author: Melissa Croteau Publisher: McFarland ISBN: 0786453516 Category : Literary Criticism Languages : en Pages : 245
Book Description
This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.
Author: David Wills Publisher: Stanford University Press ISBN: 9780804741361 Category : Philosophy Languages : en Pages : 248
Book Description
Matchbook consists of nine essays written around, or in response to, work published by Jacques Derrida since 1980. The focal point of the essays is the "Envois," which forms part of Derrida's Post Card. Particular attention is paid to how that text articulates with the ethical and political emphases of Derrida's more recent work, but also to its autobiographical conceit. The "incendiary" reference of the book's title underscores deconstruction's engagement with questions of reading: relations between (slow) reading and the speed of technology, and the political effects of an internationalized deconstruction in a globalized culture. It is in terms of what deconstruction can have us think about the speed of technology and technologies of reading that Derrida's work has made one of its most important contributions to philosophy and literary and cultural studies. The book concentrates on that as proof of the continued relevance of such work.
Author: Seth C. Hawkins
Author: Seth C. Hawkins
Author: Peter Mercer
Author: William Shakespeare
Author: Paul S. Fiddes
Author: 
Author: Nicholas Ansell
Author: Melissa Croteau
Author: David Wills
Author: John Monck Mason (Right Hon.)
Author: John Monck Mason