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Mechanistic Images in Geometric Form

Mechanistic Images in Geometric Form PDF Author: Jesper Lützen
Publisher: OUP Oxford
ISBN: 0191524344
Category : Science
Languages : en
Pages : 334

Book Description
This book gives an analysis of Hertz's posthumously published Principles of Mechanics in its philosophical, physical and mathematical context. In a period of heated debates about the true foundation of physical sciences, Hertz's book was conceived and highly regarded as an original and rigorous foundation for a mechanistic research program. Insisting that a law-like account of nature would require hypothetical unobservables, Hertz viewed physical theories as (mental) images of the world rather than the true design behind the phenomena. This paved the way for the modern conception of a model. Rejecting the concept of force as a coherent basic notion of physics he built his mechanics on hidden masses (the ether) and rigid connections, and formulated it as a new differential geometric language. Recently many philosophers have studied Hertz's image theory and historians of physics have discussed his forceless mechanics. The present book shows how these aspects, as well as the hitherto overlooked mathematical aspects, form an integrated whole which is closely connected to the mechanistic world view of the time and which is a natural continuation of Hertz's earlier research on electromagnetism. Therefore it is also a case study of the strong interactions between philosophy, physics and mathematics. Moreover, the book presents an analysis of the genesis of many of the central elements of Hertz's mechanics based on his manuscripts and drafts. Hertz's research program was cut short by the advent of relativity theory but its image theory influenced many philosophers as well as some physicists and mathematicians and its geometric form had a lasting influence on advanced expositions of mechanics.

Mechanistic Images in Geometric Form

Mechanistic Images in Geometric Form PDF Author: Jesper Lützen
Publisher: OUP Oxford
ISBN: 0191524344
Category : Science
Languages : en
Pages : 334

Book Description
This book gives an analysis of Hertz's posthumously published Principles of Mechanics in its philosophical, physical and mathematical context. In a period of heated debates about the true foundation of physical sciences, Hertz's book was conceived and highly regarded as an original and rigorous foundation for a mechanistic research program. Insisting that a law-like account of nature would require hypothetical unobservables, Hertz viewed physical theories as (mental) images of the world rather than the true design behind the phenomena. This paved the way for the modern conception of a model. Rejecting the concept of force as a coherent basic notion of physics he built his mechanics on hidden masses (the ether) and rigid connections, and formulated it as a new differential geometric language. Recently many philosophers have studied Hertz's image theory and historians of physics have discussed his forceless mechanics. The present book shows how these aspects, as well as the hitherto overlooked mathematical aspects, form an integrated whole which is closely connected to the mechanistic world view of the time and which is a natural continuation of Hertz's earlier research on electromagnetism. Therefore it is also a case study of the strong interactions between philosophy, physics and mathematics. Moreover, the book presents an analysis of the genesis of many of the central elements of Hertz's mechanics based on his manuscripts and drafts. Hertz's research program was cut short by the advent of relativity theory but its image theory influenced many philosophers as well as some physicists and mathematicians and its geometric form had a lasting influence on advanced expositions of mechanics.

Proceedings, American Philosophical Society (vol. 90, no. 3)

Proceedings, American Philosophical Society (vol. 90, no. 3) PDF Author:
Publisher: American Philosophical Society
ISBN: 9781422380994
Category :
Languages : en
Pages : 178

Book Description


Classical Influences on Western Thought A.D. 1650-1870

Classical Influences on Western Thought A.D. 1650-1870 PDF Author: R. R. Bolgar
Publisher: Cambridge University Press
ISBN: 9780521142434
Category : History
Languages : en
Pages : 418

Book Description
This volume examines the progress of classical studies to the general history of ideas from 1650 to 1870.

Publisher and Bookseller

Publisher and Bookseller PDF Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1322

Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

The Bookseller

The Bookseller PDF Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1742

Book Description
Official organ of the book trade of the United Kingdom.

American Book Publishing Record Cumulative, 1876-1949

American Book Publishing Record Cumulative, 1876-1949 PDF Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 864

Book Description


Books in Series, 1876-1949

Books in Series, 1876-1949 PDF Author: R.R. Bowker Company
Publisher: New York : R.R. Bowker
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1390

Book Description


General Catalogue of Printed Books to 1955

General Catalogue of Printed Books to 1955 PDF Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1308

Book Description


The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

Book Description


How Art Works

How Art Works PDF Author: Ellen Winner
Publisher:
ISBN: 0190863358
Category : Art
Languages : en
Pages : 321

Book Description
"How Art Works explores puzzles that have preoccupied philosophers as well as the general public: Can art be defined? How do we decide what is good art? Why do we gravitate to sadness in art? Why do we devalue a perfect fake? Could 'my kid have done that'? Does reading fiction enhance empathy? Drawing on careful observations, probing interviews, and clever experiments, Ellen Winner reveals surprising answers to these and other artistic mysteries. We may come away with a new understanding of how art works on us."--Jacket.