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Author: Max Lehrs Publisher: ISBN: Category : Engraving, German Languages : en Pages : 386
Book Description
Martin Schongauer (ca. 1450?1491) was the greatest Northern European printmaker of his time. A painter by training, he elevated engraving from a minor off-shoot of the goldsmith?s craft to a popular and prestigious art. His technical and artistic achievements opened the way to many followers, first and foremost Albrecht Durer. Max Lehrs?s authoritative catalogue of Schongauer?s prints was first published in 1925, as part of his encyclopedic treatise on the early engravers of northern Europe, and has long been out of print. For each engraving in Schongauer?s oeuvre, the catalogue provides a detailed description of the engraving, its variant states (if any), lists of impressions and watermarks, a discussion and bibliography of previous research, and a listing of engraved copies and other artwork inspired by the engraving. The catalogue distinguishes several grades of quality among the impressions, and notes the different watermarks represented by each grade, a major aide in the dating of the prints, and an invaluable tool to the art historian and collector.This volume presents the first English edition of the catalogue, adding reproductions of all the engravings and of their major variant states. Introductions by AlanShestack (1969) and Charles Minott (1971) are included, which present advances in Schongauer scholarship since Lehrs.The catalogue is followed by an illustrated list of watermarks, a list of copies and forgeries misattributed to Schongauer by earlier scholars, a list of collections mentioned in the text, and an index of the engravings.
Author: Max Lehrs Publisher: ISBN: Category : Engraving, German Languages : en Pages : 386
Book Description
Martin Schongauer (ca. 1450?1491) was the greatest Northern European printmaker of his time. A painter by training, he elevated engraving from a minor off-shoot of the goldsmith?s craft to a popular and prestigious art. His technical and artistic achievements opened the way to many followers, first and foremost Albrecht Durer. Max Lehrs?s authoritative catalogue of Schongauer?s prints was first published in 1925, as part of his encyclopedic treatise on the early engravers of northern Europe, and has long been out of print. For each engraving in Schongauer?s oeuvre, the catalogue provides a detailed description of the engraving, its variant states (if any), lists of impressions and watermarks, a discussion and bibliography of previous research, and a listing of engraved copies and other artwork inspired by the engraving. The catalogue distinguishes several grades of quality among the impressions, and notes the different watermarks represented by each grade, a major aide in the dating of the prints, and an invaluable tool to the art historian and collector.This volume presents the first English edition of the catalogue, adding reproductions of all the engravings and of their major variant states. Introductions by AlanShestack (1969) and Charles Minott (1971) are included, which present advances in Schongauer scholarship since Lehrs.The catalogue is followed by an illustrated list of watermarks, a list of copies and forgeries misattributed to Schongauer by earlier scholars, a list of collections mentioned in the text, and an index of the engravings.
Author: Martin Schongauer Publisher: New York : Dover Publications ISBN: Category : Art Languages : en Pages : 118
Book Description
"Painter and printmaker who was the finest German engraver before Albrecht Durer."--Britannica.com. Includes an essay about the artist.
Author: Andrea Bayer Publisher: Metropolitan Museum of Art ISBN: 1588397092 Category : Art Languages : en Pages : 291
Book Description
Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.
Author: Shira Brisman Publisher: University of Chicago Press ISBN: 022635489X Category : Art Languages : en Pages : 232
Book Description
Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
Author: Max Schweidler Publisher: Getty Publications ISBN: 9780892368358 Category : Antiques & Collectibles Languages : en Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author: Sharon Gregory Publisher: Ashgate Publishing, Ltd. ISBN: 9781409429265 Category : Art Languages : en Pages : 464
Book Description
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
Author: Linda C. Hults Publisher: ISBN: Category : Art Languages : en Pages : 978
Book Description
Giving detailed treatment to the work of five master printmakers - Albrecht Durer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns - the book also discusses in depth numerous other artists such as Martin Schongauer, Andrea Mantegna, Hendrik Goltzius, Jacques Callot, Giovanni Battista Piranesi, William Hogarth, Honore Daumier, Edouard Manet, Paul Gaugin, Edvard Munch, Kathe Kollwitz, Max Ernst, and Andy Warhol.
Author: Max Lehrs
Author: Max Lehrs
Author: Martin Schongauer
Author: Alpheus Hyatt Mayor
Author: Martin Schongauer
Author: Richard Verdi
Author: Andrea Bayer
Author: Shira Brisman
Author: Max Schweidler
Author: Sharon Gregory
Author: Linda C. Hults