Author: David Como
Publisher: Routledge
ISBN: 1351958062
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Unfamiliar today, The saints legacies... by Anne Fenwick (pseudonym Anne Phoenix) was a modest but unquestionable best seller. First published in 1629, it went through no fewer than thirteen editions between then and 1688. Most of the many thousands of Stuart readers would not have known that it was such a rare specimen: a work of godly practical divinity written by a woman. Anne Fenwick was a charismatic puritan, known for her zealous and radical non-conformist activities. She was arrested and tried before the Durham High Commission, after being targeted by the notoriously anti-puritan Bishop Neile, escaped from house arrest by May 1624 and became a noted author of religious writings. In 1629 one of her manuscripts, A collection of certaine promises out of the word of God, was published without her knowledge by the printer Robert Swayne, but the more definitive edition reproduced here was published by Michael Sparke in 1631. This edition was published with her consent and includes her prefatory letter, in which she explains the circumstances of the initial publication, and notes that she passed her own 'perfect copy' of the book to Swayne. It is reasonable to assume that this edition represents the version most faithful to the author's own manuscript and intentions. The knowledge that there was space for such a woman within the early Stuart puritan community - simultaneously prophetess, scriptual exegete and published writer - offers insight into the dramatic explosion of women's preaching and writing in the 1640s and 1650s.
Printed Writings, 1500-1640
Anne Phoenix
Author: David Como
Publisher: Routledge
ISBN: 1351958062
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Unfamiliar today, The saints legacies... by Anne Fenwick (pseudonym Anne Phoenix) was a modest but unquestionable best seller. First published in 1629, it went through no fewer than thirteen editions between then and 1688. Most of the many thousands of Stuart readers would not have known that it was such a rare specimen: a work of godly practical divinity written by a woman. Anne Fenwick was a charismatic puritan, known for her zealous and radical non-conformist activities. She was arrested and tried before the Durham High Commission, after being targeted by the notoriously anti-puritan Bishop Neile, escaped from house arrest by May 1624 and became a noted author of religious writings. In 1629 one of her manuscripts, A collection of certaine promises out of the word of God, was published without her knowledge by the printer Robert Swayne, but the more definitive edition reproduced here was published by Michael Sparke in 1631. This edition was published with her consent and includes her prefatory letter, in which she explains the circumstances of the initial publication, and notes that she passed her own 'perfect copy' of the book to Swayne. It is reasonable to assume that this edition represents the version most faithful to the author's own manuscript and intentions. The knowledge that there was space for such a woman within the early Stuart puritan community - simultaneously prophetess, scriptual exegete and published writer - offers insight into the dramatic explosion of women's preaching and writing in the 1640s and 1650s.
Publisher: Routledge
ISBN: 1351958062
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Unfamiliar today, The saints legacies... by Anne Fenwick (pseudonym Anne Phoenix) was a modest but unquestionable best seller. First published in 1629, it went through no fewer than thirteen editions between then and 1688. Most of the many thousands of Stuart readers would not have known that it was such a rare specimen: a work of godly practical divinity written by a woman. Anne Fenwick was a charismatic puritan, known for her zealous and radical non-conformist activities. She was arrested and tried before the Durham High Commission, after being targeted by the notoriously anti-puritan Bishop Neile, escaped from house arrest by May 1624 and became a noted author of religious writings. In 1629 one of her manuscripts, A collection of certaine promises out of the word of God, was published without her knowledge by the printer Robert Swayne, but the more definitive edition reproduced here was published by Michael Sparke in 1631. This edition was published with her consent and includes her prefatory letter, in which she explains the circumstances of the initial publication, and notes that she passed her own 'perfect copy' of the book to Swayne. It is reasonable to assume that this edition represents the version most faithful to the author's own manuscript and intentions. The knowledge that there was space for such a woman within the early Stuart puritan community - simultaneously prophetess, scriptual exegete and published writer - offers insight into the dramatic explosion of women's preaching and writing in the 1640s and 1650s.
Katherine Philips (1631/2–1664): Printed Poems 1667
Author: Paula Loscocco
Publisher: Routledge
ISBN: 1351924192
Category : Literary Criticism
Languages : en
Pages : 695
Book Description
Katherine Philips was a major seventeenth-century poet and playwright who became widely known for her innovative use of Donnean poetics to express passionate female friendship, her occasional verses on private friends and public figures, and her moral and political acuity. She had the mixed fortune of being enshrined in posthumous volumes that both celebrated and misrepresented her achievement. Fortunately recent research has clarified our understanding of who Philips was and how she conducted her literary career.
Publisher: Routledge
ISBN: 1351924192
Category : Literary Criticism
Languages : en
Pages : 695
Book Description
Katherine Philips was a major seventeenth-century poet and playwright who became widely known for her innovative use of Donnean poetics to express passionate female friendship, her occasional verses on private friends and public figures, and her moral and political acuity. She had the mixed fortune of being enshrined in posthumous volumes that both celebrated and misrepresented her achievement. Fortunately recent research has clarified our understanding of who Philips was and how she conducted her literary career.
Texts from the Querelle, 1616-1640
Author: Pamela Joseph Benson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754631149
Category : Social Science
Languages : en
Pages : 598
Book Description
Misogyny and its opposite, philogyny, have been perennial topics in Western literature from its earliest days to the present day, but only at certain historic periods have pro-woman authors challenged fundamental negative assumptions about women by engaging in formal debate with misogynists and juxtaposing these two attitudes toward women in pairs or series of texts devoted exclusively to discussing womankind. This dialectic of attack on and defence of the female sex, known as the querelle des femmes (debate about women), was especially popular among authors and readers during the sixteenth and earlier seventeenth centuries in England. At least 36 texts exclusively devoted to attacking and/or defending women were published in the hundred years between 1540 and 1640. The works included in these two volumes exemplify the content and the methods of debate in England during those two centuries. Volume two includes texts from 1616 through to 1640.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754631149
Category : Social Science
Languages : en
Pages : 598
Book Description
Misogyny and its opposite, philogyny, have been perennial topics in Western literature from its earliest days to the present day, but only at certain historic periods have pro-woman authors challenged fundamental negative assumptions about women by engaging in formal debate with misogynists and juxtaposing these two attitudes toward women in pairs or series of texts devoted exclusively to discussing womankind. This dialectic of attack on and defence of the female sex, known as the querelle des femmes (debate about women), was especially popular among authors and readers during the sixteenth and earlier seventeenth centuries in England. At least 36 texts exclusively devoted to attacking and/or defending women were published in the hundred years between 1540 and 1640. The works included in these two volumes exemplify the content and the methods of debate in England during those two centuries. Volume two includes texts from 1616 through to 1640.
Printed Writings 1500-1640
Author: Betty S. Travitsky
Publisher: Ashgate Publishing Company
ISBN:
Category : Social Science
Languages : en
Pages :
Book Description
The three series of Printed Writings (1500-1640, 1641-1700, and 1701-1750) provide a comprehensive, if not entirely complete, collection of separately published writings by women. In reprinting these writings it is intended to remedy one of the major obstacles to the advancement of feminist criticism of the early modern period, namely the unavailability of the very texts upon which the field is based. The volumes in the facsimile library reproduce carefully chosen copies of these texts, incorporating a short introduction providing an overview of the life and work of a writer along with a survey of important scholarship. Printed Writings 1641-1700, Series II, Part One consists of seven volumes of writings grouped by genre. The set comprises the following titles: Volume 1: Life Writings I Volume 2: Life Writings II Volume 3: Mother's Advice Books Volume 4: Writings on Medicine Volume 5: Educational and Vocational Books Volume 6: Almanacs Volume 7: Miscellaneous Plays
Publisher: Ashgate Publishing Company
ISBN:
Category : Social Science
Languages : en
Pages :
Book Description
The three series of Printed Writings (1500-1640, 1641-1700, and 1701-1750) provide a comprehensive, if not entirely complete, collection of separately published writings by women. In reprinting these writings it is intended to remedy one of the major obstacles to the advancement of feminist criticism of the early modern period, namely the unavailability of the very texts upon which the field is based. The volumes in the facsimile library reproduce carefully chosen copies of these texts, incorporating a short introduction providing an overview of the life and work of a writer along with a survey of important scholarship. Printed Writings 1641-1700, Series II, Part One consists of seven volumes of writings grouped by genre. The set comprises the following titles: Volume 1: Life Writings I Volume 2: Life Writings II Volume 3: Mother's Advice Books Volume 4: Writings on Medicine Volume 5: Educational and Vocational Books Volume 6: Almanacs Volume 7: Miscellaneous Plays
Women's Writing in English
Author: Patricia Demers
Publisher: University of Toronto Press
ISBN: 144265810X
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
In this introduction to the diversity and scope of the writing by women in England from the beginning of the sixteenth century to the restoration of the monarchy in 1660, Patricia Demers discusses the creative realities of women writers' accomplishments and the cultural conditions under which they wrote. There were deep suspicions and restrictions surrounding the education of women during this period, and thus the contributions of women to literature, and to the print industry itself, are largely unknown. This wide-ranging examination of the genres of early modern women's writing embraces translation (from Latin, Greek, and French) in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics. A close study of six major authors – Mary Sidney, Aemilia Lanyer, Elizabeth Tanfield Cary, Lady Mary Wroth, Margaret Cavendish, and Katherine Philips – explores their work as poets, dramatists, and romantic fiction writers. Demers invites readers to savour the subtlety and daring with which these women authors made writing an expressly social craft.
Publisher: University of Toronto Press
ISBN: 144265810X
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
In this introduction to the diversity and scope of the writing by women in England from the beginning of the sixteenth century to the restoration of the monarchy in 1660, Patricia Demers discusses the creative realities of women writers' accomplishments and the cultural conditions under which they wrote. There were deep suspicions and restrictions surrounding the education of women during this period, and thus the contributions of women to literature, and to the print industry itself, are largely unknown. This wide-ranging examination of the genres of early modern women's writing embraces translation (from Latin, Greek, and French) in the fields of theological discourse, romance and classical tragedy, original meditations and prayers, letters and diaries, poetry, closet drama, advice manuals, and prophecies and polemics. A close study of six major authors – Mary Sidney, Aemilia Lanyer, Elizabeth Tanfield Cary, Lady Mary Wroth, Margaret Cavendish, and Katherine Philips – explores their work as poets, dramatists, and romantic fiction writers. Demers invites readers to savour the subtlety and daring with which these women authors made writing an expressly social craft.
The Monument of Matrones Volume 3 (Lamps 5–7)
Author: Colin B. Atkinson
Publisher: Routledge
ISBN: 1351885561
Category : Literary Criticism
Languages : en
Pages : 597
Book Description
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
Publisher: Routledge
ISBN: 1351885561
Category : Literary Criticism
Languages : en
Pages : 597
Book Description
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
The Monument of Matrones Volume 2 (Lamp 4)
Author: Colin B. Atkinson
Publisher: Routledge
ISBN: 1351885596
Category : Literary Criticism
Languages : en
Pages : 691
Book Description
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
Publisher: Routledge
ISBN: 1351885596
Category : Literary Criticism
Languages : en
Pages : 691
Book Description
As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a 'domesticall librarie plentifullie stored and replenished'. This 1500-page book is one of a long line of books of secular prayer reaching from the Middle Ages through the sixteenth-century English compilations of prayer and meditations that grew out of the English Reformation. It is unique because it is addressed specifically to women and contains prayers and meditations written by women as well as for them. The Monument helped define women's roles in the Anglican Church and is intertwined with the whole nature of the Protestant Reformation and the place of women in it. The work is divided into seven numbered parts which Bentley titles 'Lamps'. This structural theme is based on a fusion of the imagery of the wise and foolish virgins and their lamps in Matthew 25:1-13 with the vision of the seven lampstands (or seven-branched candlestick) in Rev.1:20-2:1. In this facsimile edition Volume 1 contains Lamps 1-3, Volume 2 contains Lamp 4, and Volume 3 contains Lamps 5-7. The Introductory Note that appears in each of the three volumes provides an overview of the contents of The Monument which will help the reader to appreciate the riches of this immense book. It is also significant in identifying, for the first time, the compiler Thomas Bentley as the churchwarden of St Andrew Holborn, City of London. The copy reproduced in this edition is the British Library copy; where necessary, pages from The Huntington Library copy have been substituted.
An Collins
Author: Robert C. Evans
Publisher: Routledge
ISBN: 1351959085
Category : Literary Criticism
Languages : en
Pages : 132
Book Description
An Collins' Divine Songs and Meditacions were first printed in a small octavo volume in London in 1653. The only extant copy is presently held at The Huntington Library and it is, therefore, this copy that is reproduced in this facsimile edition. It is an important text because it is one of the earliest volumes of collected poems by an English woman in the seventeenth century. The poems are especially intriguing because of the glimpses they provide into the life and mind of a woman writer during this period and because of the social, political, historical and religious contexts in which they are embedded. The precise identity of An Collins' remains a mystery, and scholars have had to rely on the Divine Songs and Meditacions for most of their understanding of its author, often drawing very different conclusions about her religious, social and political beliefs. To date critics have focused on the biographical and historical interest of the poems, but as Robert Evans highlights in his Introductory Note to the volume, these works also exhibit a rhetorical power and skill that merits further attention.
Publisher: Routledge
ISBN: 1351959085
Category : Literary Criticism
Languages : en
Pages : 132
Book Description
An Collins' Divine Songs and Meditacions were first printed in a small octavo volume in London in 1653. The only extant copy is presently held at The Huntington Library and it is, therefore, this copy that is reproduced in this facsimile edition. It is an important text because it is one of the earliest volumes of collected poems by an English woman in the seventeenth century. The poems are especially intriguing because of the glimpses they provide into the life and mind of a woman writer during this period and because of the social, political, historical and religious contexts in which they are embedded. The precise identity of An Collins' remains a mystery, and scholars have had to rely on the Divine Songs and Meditacions for most of their understanding of its author, often drawing very different conclusions about her religious, social and political beliefs. To date critics have focused on the biographical and historical interest of the poems, but as Robert Evans highlights in his Introductory Note to the volume, these works also exhibit a rhetorical power and skill that merits further attention.
Anne Killigrew
Author: Patricia Hoffmann
Publisher: Routledge
ISBN: 1351958097
Category : Literary Criticism
Languages : en
Pages : 140
Book Description
During Anne Killigrew's lifetime (1660-1685) most of her known living relatives were connected to the court, yet very little is known about Anne herself. The twenty-five complete poems and five fragments that were collected and published by her father soon after her death probably represent only a portion of her output. They are reproduced here from the copy held in the Folger Shakespeare Library. These works suggest a poet quite conversant with the period's propensity to comment and compliment in verse. They suggest a sometimes conventional, sometimes merely competent, but often quite promising writer. Moreover, unlike many of her contemporaries, Killigrew never uses Latin, or French, or Italian in her verse. From the evidence of the poems here there is good reason to think that Killigrew would have been a fine eighteenth-century poet.
Publisher: Routledge
ISBN: 1351958097
Category : Literary Criticism
Languages : en
Pages : 140
Book Description
During Anne Killigrew's lifetime (1660-1685) most of her known living relatives were connected to the court, yet very little is known about Anne herself. The twenty-five complete poems and five fragments that were collected and published by her father soon after her death probably represent only a portion of her output. They are reproduced here from the copy held in the Folger Shakespeare Library. These works suggest a poet quite conversant with the period's propensity to comment and compliment in verse. They suggest a sometimes conventional, sometimes merely competent, but often quite promising writer. Moreover, unlike many of her contemporaries, Killigrew never uses Latin, or French, or Italian in her verse. From the evidence of the poems here there is good reason to think that Killigrew would have been a fine eighteenth-century poet.