Collecting Printed Ephemera PDF Download

Author: Maurice Rickards
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 232

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Author: John Noel Claude Lewis
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 0

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Author: Michael Twyman
Publisher: Routledge
ISBN: 113678778X
Category : History
Languages : en
Pages : 1322

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Book Description
The joy of finding an old box in the attic filled with postcards, invitations, theater programs, laundry lists, and pay stubs is discovering the stories hidden within them. The paper trails of our lives -- or ephemera -- may hold sentimental value, reminding us of great grandparents. They chronicle social history. They can be valuable as collectibles or antiques. But the greatest pleasure is that these ordinary documents can reconstruct with uncanny immediacy the drama of day-to-day life. The Encyclopedia of Ephemera is the first work of its kind, providing an unparalleled sourcebook with over 400 entries that cover all aspects of everyday documents and artifacts, from bookmarks to birth certificates to lighthouse dues papers. Continuing a tradition that started in the Victorian era, when disposable paper items such as trade cards, die-cuts and greeting cards were accumulated to paste into scrap books, expert Maurice Rickards has compiled an enormous range of paper collectibles from the obscure to the commonplace. His artifacts come from around the world and include such throw-away items as cigarette packs and crate labels as well as the ubiquitous faxes, parking tickets, and phone cards of daily life. As this major new reference shows, simple slips of paper can speak volumes about status, taste, customs, and taboos, revealing the very roots of popular culture.

Author: Simon Eliot
Publisher: John Wiley & Sons
ISBN: 140519278X
Category : Literary Criticism
Languages : en
Pages : 617

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A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

Author: Gillian Russell
Publisher: Cambridge University Press
ISBN: 1108487580
Category : Literary Criticism
Languages : en
Pages : 325

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Book Description
This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.

Author: William H. Helfand
Publisher: Grolier, Incorporated
ISBN: 9780910672405
Category : Art
Languages : en
Pages : 252

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Book Description
"This catalog accompanies an exhibition on medical quackery, tracing its prevalence from the itinerant seller of nostrums four centuries ago to unsolicited spam on the Internet today. Prints by William Hogarth, Honore Daumier and others highlight the theatrics of the quack at work; posters by Jules Cheret, Maxfield Parrish and their contemporaries illustrate the remarkable artistry with which proprietary medicines were once advertised; and works by H.G. Wells, Weir Mitchell and other writers offer a delightful look at the elaborate language once used to promote the quack's wares." "The quack doctor's lavish pronouncements and excessive postures were matched only by similarly exalted promises of therapeutic cure. Quacks dressed elaborately, inflated their credentials, and embraced a particularly extravagant vocabulary to market their panaceas, at times claiming their pills and salves would cure all disease. Some wryly observed that the quacks' nomadic nature was necessary to enable them to avoid the inevitable reprisals of dissatisfied customers. They were later succeeded by the makers of proprietary medicines, many of whom adopted quackery's promotional methods while, at the same time, introducing new ones of their own. These vendors advertised widely (often with celebrity testimonials), publishing broadsides, posters, pamphlets and manifestoes to further amplify the popular reach of their product claims. Until the mid-nineteenth century, both physicians and quacks relied upon certain standard agents - including opium, quinine and antimony (which worked) and a great many others (which did not)."--BOOK JACKET.

Author: Richard H. Axsom
Publisher: Hudson Hills
ISBN: 9781555951238
Category : Antiques & Collectibles
Languages : en
Pages : 468

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Book Description
This magnificent volume documents the printmaking career of leading pop artist, influential creator of public monuments, and bravura draftsman Claes Oldenburg. Includes an important essay on Oldenburg's career and a catalogue of his entire printed oeuvre, from limited editions to ephemera. A must for scholars and collectors. 55 b&w illustrations, 52 duotones, 381 colorplates (including 2 gatefolds.

Author: Graham Spence Hudson
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168

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Book Description
This book is new in that it discusses ephemera as an aspect of design history, showing how function, process and period have affected the changing appearance of leaflets, tickets, posters, trade cards and other ephemera. The printing histories of Britain and America are closely woven. Colonial printers and engravers imported British type and equipment and took instruction from the same manuals, a relationship that continued through the first half of the nineteenth century. It was in the years following the Civil War that American and British graphic design and typography began to establish their own identities as developments in colour printing brought an explosion of colourful ephemera. Richly illustrated with letterforms, engravings, drawings and the reproduction in colour of 200 items of ephemera, this is a book for collectors, students, design historians and all those with an interest in the visual arts.

Author: Kevin Murphy
Publisher: Bucknell University Press
ISBN: 1611484952
Category : Literary Collections
Languages : en
Pages : 319

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Book Description
Studies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature. Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O’Driscoll, Ruth Perry

Author: Christopher Michlig
Publisher: Picturebox, Incorporated
ISBN: 9781939799036
Category : Art
Languages : en
Pages : 0

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Book Description
The Los Angeles-based Colby Poster Printing Company has been a friend to local artists ever since Ed Ruscha's seminal Colby-printed announcement for the 1962 Pasadena Art Museum exhibition New Paintings of Common Objects. Their fluorescent posters have been disseminated on every high-traffic surface across the city, and their collection of over 150 wood and metal typefaces have remained an integral part of Los Angeles' visual aesthetic. This book is a unique tribute to Colby and the visual and cultural impact it continues to hold today.