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Author: Arthur F. Marotti Publisher: Ohio State University Press ISBN: 9780814208458 Category : History Languages : en Pages : 338
Book Description
The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history.
Author: Arthur F. Marotti Publisher: Ohio State University Press ISBN: 9780814208458 Category : History Languages : en Pages : 338
Book Description
The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of various communications technologies. Although canonical literary writers such as Shakespeare, Jonson, and Rochester are discussed, the field of writing examined is a broad one, embracing political speeches, coterie manuscript poetry, popular pamphlets, parochially targeted martyrdom accounts, and news reports. Setting writers, audiences, and texts in their specific historical context, the contributors focus on a period in early modern England, from the late sixteenth through the late seventeenth century, when the shift from orality and manuscript communication to print was part of large-scale cultural change. Arthur F. Marotti's and Michael D. Bristol's introduction analyzes some of the sociocultural issues implicit in the collection and relates the essays to contemporary work in textual studies, bibliography, and publication history.
Author: Cynthia J. Brokaw Publisher: Univ of California Press ISBN: 0520927796 Category : History Languages : en Pages : 559
Book Description
Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.
Author: Erik Kwakkel Publisher: ISBN: 9781942401612 Category : Books Languages : en Pages : 0
Book Description
This beautifully illustrated book provides an accessible introduction to the medieval manuscript and explores how its materiality can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information.
Author: Derek Miller Publisher: Cambridge University Press ISBN: 1108584179 Category : Drama Languages : en Pages : 293
Book Description
In the nineteenth century, copyright law expanded to include performances of theatrical and musical works. These laws transformed how people made and consumed performances. Exploring precedent-setting litigation on both sides of the Atlantic, this book traces how courts developed definitions of theater and music to suit new performance rights laws. From Gilbert and Sullivan battling to protect The Mikado to Augustin Daly petitioning to control his spectacular 'railroad scene', artists worked with courts to refine vague legal language into clear, functional theories of drama, music, and performance. Through cases that ensnared figures including Lord Byron, Laura Keene, and Dion Boucicault, this book discovers how the law theorized central aspects of performance including embodiment, affect, audience response, and the relationship between scripts and performances. This history reveals how the advent of performance rights reshaped how we value performance both as an artistic medium and as property.
Author: The Multigraph Collective Publisher: University of Chicago Press ISBN: 022646914X Category : Design Languages : en Pages : 400
Book Description
A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arranged tour of key concepts for the study of print culture, from Anthologies and Binding to Publicity and Taste. Each entry builds on its term in order to resituate print and book history within a broader media ecology throughout the eighteenth and nineteenth centuries. The central theme is interactivity, in three senses: people interacting with print; print interacting with the non-print media that it has long been thought, erroneously, to have displaced; and people interacting with each other through print. The resulting book will introduce new energy to the field of print studies and lead to considerable new avenues of investigation.
Author: Lotte Hellinga Publisher: BRILL ISBN: 9004279008 Category : Literary Criticism Languages : en Pages : 466
Book Description
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
Author: Elizabeth Clarke Publisher: Manchester University Press ISBN: 1526150115 Category : Literary Criticism Languages : en Pages : 285
Book Description
This international and interdisciplinary volume investigates Protestant devotional identities in sixteenth- and seventeenth-century England. Divided into two sections, the book examines the ‘sites’ where these identities were forged – the academy, printing house, household, theatre and prison – and the ‘types’ of texts that expressed them – spiritual autobiographies, religious poetry and writings tied to the ars moriendi – providing a broad analysis of social, material and literary forms of devotion during England’s Long Reformation. Through archival and cutting-edge research, a detailed picture of ‘lived religion’ emerges, which re-evaluates the pietistic acts and attitudes of well-known and recently discovered figures. To those studying and teaching religion and identity in early modern England, and anyone interested in the history of religious self-expression, these chapters offer a rich and rewarding read.
Author: Peter K. Andersson Publisher: Princeton University Press ISBN: 0691250162 Category : Biography & Autobiography Languages : en Pages : 224
Book Description
The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor age In some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool. After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. Unearthing as many facts as possible, Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I. Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.
Author: Arthur F. Marotti
Author: Arthur F. Marotti
Author: Cynthia J. Brokaw
Author: Erik Kwakkel
Author: Derek Miller
Author: Stephen Karian
Author: The Multigraph Collective
Author: Lotte Hellinga
Author: Elizabeth Clarke
Author: 
Author: Peter K. Andersson