Author: Dennis Stock
Publisher:
ISBN: 9781944860264
Category : Photography
Languages : en
Pages : 0
Book Description
A reissue of Stock's 1970 release California Trip.
California Trip
Author: Dennis Stock
Publisher:
ISBN: 9781944860264
Category : Photography
Languages : en
Pages : 0
Book Description
A reissue of Stock's 1970 release California Trip.
Publisher:
ISBN: 9781944860264
Category : Photography
Languages : en
Pages : 0
Book Description
A reissue of Stock's 1970 release California Trip.
Motion Picture Herald
The Log
Exhibitors Daily Review
California Photographs
Author: Ansel Adams
Publisher: Ansel Adams
ISBN: 9780821224786
Category :
Languages : en
Pages : 64
Book Description
California is the theme of this postcard folio book. Photographer Ansel Adams lived in California for his whole life and this collection of his images of his homeland portrays ares including the Sierra Nevada, Yosemite National Park, the Pacific coast, San Francisco and the Monterey coast.
Publisher: Ansel Adams
ISBN: 9780821224786
Category :
Languages : en
Pages : 64
Book Description
California is the theme of this postcard folio book. Photographer Ansel Adams lived in California for his whole life and this collection of his images of his homeland portrays ares including the Sierra Nevada, Yosemite National Park, the Pacific coast, San Francisco and the Monterey coast.
A Gust of Photo-Philia
Author: Alexandra Moschovi
Publisher: Leuven University Press
ISBN: 946270242X
Category : Photography
Languages : en
Pages : 332
Book Description
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Publisher: Leuven University Press
ISBN: 946270242X
Category : Photography
Languages : en
Pages : 332
Book Description
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.