Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Canons, fugues, etc. (Piano), Arranged
Languages : en
Pages : 28
Book Description
Prelude and fugue in A minor for the organ
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Canons, fugues, etc. (Piano), Arranged
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Piano), Arranged
Languages : en
Pages : 28
Book Description
Prelude and Fugue
Prelude and fugue for organ
Author: Ronald Caltabiano
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 28
Book Description
PRELUDE & FUGUE in C Minor -BWV 549
Author: J.S. Bach
Publisher: Renato Tagliabue - Tagliabue Editore
ISBN:
Category : Music
Languages : en
Pages : 16
Book Description
PRELUDE & FUGUE in C Minor -BWV 549
Publisher: Renato Tagliabue - Tagliabue Editore
ISBN:
Category : Music
Languages : en
Pages : 16
Book Description
PRELUDE & FUGUE in C Minor -BWV 549
Prelude and fugue for organ
Prelude and fugue in A minor for the organ
Prelude and fugue for organ, op. 16, no. 3
Author: Clara Schumann
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 18
Book Description
Publisher:
ISBN:
Category : Canons, fugues, etc. (Organ)
Languages : en
Pages : 18
Book Description
The Organ Preludes of Johann Sebastian Bach
Author: George B. Stauffer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
Bach's preludes and fugues for organs have never suffered from neglect. While Bach's vocal works fell into eclipse soon after his death in 1750, his keyboard compositions continued to draw considerable approbation. The preludes and fugues, as part of this esteemed repertoire, remained in wide use throughout the eighteenth and nineteenth centuries. Consequently they number among the best-known and most-frequently discussed works of the baroque era. They were already available in several printed editions by the time the first volume of the BG appeared in 1851. They were treated at some length in the ground-breaking nineteenth-century biographies of Forkel, Hilgenfeldt, Bitter, and Spitta. Since then they have been discussed in general terms in the numerous monographs dealing with the organ repertoire or Bach's organ compositions in particular. Hence it is surprising that no one has singled out the preludes and fugues for a full-scale study, taking into consideration the sources, the style, the chronology, and other equally important aspects of the pieces. The present volume focuses on half of this task, the detailed investigation of the preludes. Included in this study will be all those compositions--called prelude, toccata, fantasia, or otherwise--which fulfill an introductory purpose. Thirty-three works fall into this category: nine single pieces and twenty-four preludes from prelude-fugue pairs.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 284
Book Description
Bach's preludes and fugues for organs have never suffered from neglect. While Bach's vocal works fell into eclipse soon after his death in 1750, his keyboard compositions continued to draw considerable approbation. The preludes and fugues, as part of this esteemed repertoire, remained in wide use throughout the eighteenth and nineteenth centuries. Consequently they number among the best-known and most-frequently discussed works of the baroque era. They were already available in several printed editions by the time the first volume of the BG appeared in 1851. They were treated at some length in the ground-breaking nineteenth-century biographies of Forkel, Hilgenfeldt, Bitter, and Spitta. Since then they have been discussed in general terms in the numerous monographs dealing with the organ repertoire or Bach's organ compositions in particular. Hence it is surprising that no one has singled out the preludes and fugues for a full-scale study, taking into consideration the sources, the style, the chronology, and other equally important aspects of the pieces. The present volume focuses on half of this task, the detailed investigation of the preludes. Included in this study will be all those compositions--called prelude, toccata, fantasia, or otherwise--which fulfill an introductory purpose. Thirty-three works fall into this category: nine single pieces and twenty-four preludes from prelude-fugue pairs.
A Prelude and Fugue for the Organ in C - Op.193
Author: Charles Villiers Stanford
Publisher:
ISBN: 9781528707282
Category : Music
Languages : en
Pages : 12
Book Description
This book contains the original music notation for "A Prelude and Fugue in C, Op. 193," a 1921 classical music composition for organ by Charles V. Stanford. Originally part of his "3 Preludes and Fugues, Op.193," this wonderful piece is highly recommended for students and musicians with an interest in playing classical English organ music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This fantastic composition will appeal to those with an interest in learning and playing classical music, and it is not to be missed by fans and collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
Publisher:
ISBN: 9781528707282
Category : Music
Languages : en
Pages : 12
Book Description
This book contains the original music notation for "A Prelude and Fugue in C, Op. 193," a 1921 classical music composition for organ by Charles V. Stanford. Originally part of his "3 Preludes and Fugues, Op.193," this wonderful piece is highly recommended for students and musicians with an interest in playing classical English organ music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. This fantastic composition will appeal to those with an interest in learning and playing classical music, and it is not to be missed by fans and collectors of Stanford's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.
Prelude and Fugue for Organ
Author: Nigel Eastgate
Publisher:
ISBN:
Category : Philip Neill memorial prize, 1954
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Philip Neill memorial prize, 1954
Languages : en
Pages : 36
Book Description