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Author: Peter Iver Kaufman Publisher: University of Illinois Press ISBN: 9780252022227 Category : Anglican Communion Languages : en Pages : 194
Book Description
Prayer, Despair, and Drama explores the godly sorrow of Elizabethan Calvinists and finds that what some have characterized as an evangelism of fear functioned more as a kind of religious therapy. In this major contribution to discussions of the relationship between religion and literature in Elizabethan England, Peter Iver Kaufman argues that the soul-searching and self-scourging typical of late Tudor Calvinism was reflected in the rhetoric of self-loathing then prevalent in sermons, sonnets, and soliloquys. Kaufman shows how this spiritual psychology informs major literary texts including Hamlet, The Faerie Queene, Donne's Holy Sonnets, and other works.
Author: Peter Iver Kaufman Publisher: University of Illinois Press ISBN: 9780252022227 Category : Anglican Communion Languages : en Pages : 194
Book Description
Prayer, Despair, and Drama explores the godly sorrow of Elizabethan Calvinists and finds that what some have characterized as an evangelism of fear functioned more as a kind of religious therapy. In this major contribution to discussions of the relationship between religion and literature in Elizabethan England, Peter Iver Kaufman argues that the soul-searching and self-scourging typical of late Tudor Calvinism was reflected in the rhetoric of self-loathing then prevalent in sermons, sonnets, and soliloquys. Kaufman shows how this spiritual psychology informs major literary texts including Hamlet, The Faerie Queene, Donne's Holy Sonnets, and other works.
Author: Elizabeth Williamson Publisher: Routledge ISBN: 1317068114 Category : Performing Arts Languages : en Pages : 296
Book Description
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Author: Heather Hirschfeld Publisher: Cornell University Press ISBN: 0801470633 Category : Drama Languages : en Pages : 255
Book Description
Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" as used in dramas of the sixteenth and early seventeenth centuries.
Author: D. Coleman Publisher: Springer ISBN: 0230589642 Category : Literary Criticism Languages : en Pages : 189
Book Description
This is the first book-length study of the relationship between early modern drama and sacramental ritual and theology. It examines dramatic forms, such as morality plays. Offering new insights into the religious practices on which early modern subjectivity is founded. Coleman offers radical new ways of reading canonical Renaissance plays.
Author: Kenneth L. Parker Publisher: Routledge ISBN: 1351963198 Category : History Languages : en Pages : 384
Book Description
Richard Greenham was one of the most important and respected figures among the Elizabethan clergy. His contemporaries described him as the founder of a previously unknown pastoral art: the cure of cases of conscience. Despite his fame in the Elizabethan period as a model pastor, pioneer in reformed casuistry, and founder of one of the first rectory seminaries, scholars have made little use of his life and works in their study of Elizabethan religious life. This study restores Richard Greenham to the central place he held in the development of Elizabethan Reformed parochial ministry. The monograph-length introduction includes a biography, an analysis of his pastoral style, and a study of his approach to curing cases of conscience. The transcription of Rylands English Manuscript 524, cross-referenced with the published editions of the sayings, offers a useful source to scholars who wish to study the collecting and ’framing’ process of the humanist pedagogical tradition. The selection of early published works includes Greenham’s (unfinished) catechism, treatises on the Sabbath and marriage, and advice on reading scripture and educating children.
Author: Timothy Scott McGinnis Publisher: Penn State Press ISBN: 1935503413 Category : Religion Languages : en Pages : 208
Book Description
This careful study explores puritan attitudes through the life and works of Elizabethan minister George Gifford. He was on the front lines of religious controversies in a time when the English church was being shaped by Protestant evangelicals who felt compelled to carry their understanding of “true religion” to all corners of England. Known among themselves as “the godly” or “gospellers” and to their enemies as “puritans” or “precisionists,” these ministers believed the Church of England was only partially reformed. Gifford tried to convert the many parishioners whom he believed to be Protestant in name only, or “men indifferent” due to their acceptance of whatever religion was thrust upon them. Using archival records and Gifford's large corpus of published treatises, dialogues, and sermons, McGinnis looks at Gifford’s support and opposition in his ministry at Maldon, and his recurring conflicts with ecclesiastical authorities. He explores Gifford's writings on Catholicism, separatism, and witchcraft, and considers how Gifford’s attention to practical ministry interacted with national debates. McGinnis also analyzes Gifford's attempt to translate Protestant doctrines into a language accessible to the average layperson in his sermons and catechism. Those interested in popular religion and culture, pastoral ministry, and puritanism on both sides of the Atlantic will benefit from this study of one on the front lines of religious controversies during the turbulent years of Elizabeth's reign.
Author: John E. Curran Publisher: Rutgers University Press ISBN: 1644530538 Category : Literary Criticism Languages : en Pages : 323
Book Description
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Ceri Sullivan Publisher: Oxford University Press ISBN: 0192599267 Category : Literary Criticism Languages : en Pages : 264
Book Description
Early modern private prayer is skilled at narrative and drama. In manuals and sermons on how to pray, collections of model prayers, scholarly treatises about biblical petitions, and popular tracts about life crises prompting calls to God, prayer is valued as a powerful agent of change. Model prayers create stories about people in distinct ranks and jobs, with concrete details about real-life situations. These characters may act in play-lets, or appear in the middle of difficulties, or voice a suite of petitions from all sides of a conflict. Thinking of early modern private prayers as dramatic dialogues rather than lyric monologues raises the question of whether play-going and praying were mutually reinforcing practices. Could dramatists deploying prayer on stage rely on having audience members who were already expert at making up roles for themselves in prayer, and who expected their petitions to have the power to intervene in major events? Does prayer's focus on cause and effect structure the historiography of Shakespeare's Henry VI, Richard III, Richard II, Henry V, and Henry VIII?
Author: Peter Iver Kaufman
Author: Peter Iver Kaufman
Author: Elizabeth Williamson
Author: Joseph Sterrett
Author: Heather Hirschfeld
Author: D. Coleman
Author: Kenneth L. Parker
Author: Timothy Scott McGinnis
Author: John E. Curran
Author: Lori Branch
Author: Ceri Sullivan