Practica Musicae PDF Download

Author: Franchinus Gaffurius
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258

View

Book Description

Author: Michael Chanan
Publisher: Verso
ISBN: 9781859840054
Category : Music
Languages : en
Pages : 324

View

Book Description
Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.

Author: Cristle Collins Judd
Publisher: Cambridge University Press
ISBN: 9780521771443
Category : Music
Languages : en
Pages : 370

View

Book Description
Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).

Author: Franchinus Gaffurius
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326

View

Book Description

Author: Bartolomeo Ramos de Pareja
Publisher: American Institute of Musicology Hanssler Verlag
ISBN:
Category : Music
Languages : en
Pages : 188

View

Book Description

Author: William Oliver Strunk
Publisher: W. W. Norton & Company
ISBN: 9780393037524
Category : Music
Languages : en
Pages : 1584

View

Book Description
The definitive collection of great writings on music from ancient Greece through the twentieth century.

Author: Francesco Galeazzi
Publisher: University of Illinois Press
ISBN: 0252037081
Category : Music
Languages : en
Pages : 434

View

Book Description
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.

Author: Nicola Vicentino
Publisher: Yale University Press
ISBN: 9780300066012
Category : Music
Languages : en
Pages : 562

View

Book Description
First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music. His best-known contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. But he also expressed the avant-garde's position on the relation between music and the subject matter and feelings of a secular or sacred text. He challenged the view that part writing always had to conform to the rules of counterpoint, asserting that license was permissible in order to express the feelings of a verbal text. In this he anticipated the manifestos of Vincenzo Galilei and Claudio Monteverdi. Maniates' introduction discusses Vicentino's life and work, the sources of his ideas in earlier theoretical literature, and the contemporary humanists from whom he may have learned.

Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 1107434092
Category : Music
Languages : en
Pages : 401

View

Book Description
This collection of essays investigates the work of Heinrich Glarean, one of the most influential humanists and music theorists of the sixteenth century. For the first time, Glarean's musical writings, including his masterwork the Dodekachordon, are considered in the wider context of his work in a variety of disciplines such as musicology, history, theology and geography. Contributors reference books from Glarean's private library, including rare and previously unseen material, to explore his strategies and impact as a humanist author and university teacher. The book also uses other newly discovered source material such as course notes written by students and Glarean's preparations for his own lectures to offer a fascinating picture of his reactions to contemporary debates. Providing a detailed analysis of Glarean's library as reconstructed from the surviving copies, Heinrich Glarean's Books offers new and exciting perspectives on the multidisciplinary work of an accomplished intellectual.

Author: Stefano Mengozzi
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305

View

Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.