Author: Michael Chanan
Publisher: Verso
ISBN: 9781859840054
Category : Music
Languages : en
Pages : 324
Book Description
Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
Musica Practica
Author: Michael Chanan
Publisher: Verso
ISBN: 9781859840054
Category : Music
Languages : en
Pages : 324
Book Description
Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
Publisher: Verso
ISBN: 9781859840054
Category : Music
Languages : en
Pages : 324
Book Description
Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
Teaching Music with Technology
Author: Thomas E. Rudolph
Publisher: GIA Publications
ISBN: 9781579993139
Category : Music
Languages : en
Pages : 480
Book Description
This text covers topics from MIDI and electronic keyboards to the Internet and the copyright law to most recent developments in hardware, software, and pedagogy. The accompanying CD-ROM provides end-of-chapter questions, activities and projects, lesson plans, web activities, demo programs and much more.
Publisher: GIA Publications
ISBN: 9781579993139
Category : Music
Languages : en
Pages : 480
Book Description
This text covers topics from MIDI and electronic keyboards to the Internet and the copyright law to most recent developments in hardware, software, and pedagogy. The accompanying CD-ROM provides end-of-chapter questions, activities and projects, lesson plans, web activities, demo programs and much more.
Windows on Music: Learning with Practica Musica
Exploring Theory with Practica Musica
Author: Jeffrey Evans
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 258
Book Description
Heinrich Schenker
Author:
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Publisher: Pendragon Press
ISBN: 9780918728999
Category : Music
Languages : en
Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Readings in the History of Music in Performance
Author: Carol MacClintock
Publisher: Indiana University Press
ISBN: 9780253144959
Category : Business & Economics
Languages : en
Pages : 456
Book Description
..". extremely useful... In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making."A -- Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.
Publisher: Indiana University Press
ISBN: 9780253144959
Category : Business & Economics
Languages : en
Pages : 456
Book Description
..". extremely useful... In MacClintock's selections, even when the source is primarily theoretical, she chooses passages that give a lively insight into actual music-making."A -- Continuo Readings on the performance of Western music from the late middle ages to the early nineteenth century describe the accepted conventions and actual practices of former times.
Windows on Music
Author: Jeffrey Evans
Publisher:
ISBN: 9780929444031
Category : Music
Languages : en
Pages : 220
Book Description
Publisher:
ISBN: 9780929444031
Category : Music
Languages : en
Pages : 220
Book Description
Composers at Work
Author: Jessie Ann Owens
Publisher: Oxford University Press
ISBN: 0195351665
Category : Music
Languages : en
Pages : 368
Book Description
How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony. Drawing on sources that include contemporary theoretical treatises, documents and letters, iconographical evidence, actual fragments of composing slates, and numerous sketches, drafts, and corrected autograph manuscripts, Owens carefully reconstructs the step-by-step process by which composers between 1450 and 1600 composed their music. The manuscript evidence--autographs of more than thirty composers--shows the stages of work on a wide variety of music--instrumental and vocal, sacred and secular--from across most of Renaissance Europe. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working with brief segments, according to a linear conception. The importance of this discovery on editorial interpretation and on performance cannot be overstated. The book opens with a broad picture of what has been known about Renaissance composition. From there, Owens examines the teaching of composition and the ways in which musicians and composers both read and wrote music. She also considers evidence for composition that occurred independent of writing, such as composing "in the mind" or composing with instruments. In chapters on the manuscript evidence, she establishes a typology both of the sources themselves and of their contents (sketches, drafts, fair copies). She concludes with case studies detailing the working methods of Francesco Corteccia, Henricus Isaac, Cipriano de Rore, and Giovanni Pierluigi da Palestrina. This book will change the way we analyze and understand early music. Clear, provocative, and painstakingly researched, Composers at Work: The Craft of Musical Composition 1450-1600 makes essential reading for scholars of Renaissance music as well as those working in related fields such as sketch studies and music theory.
Publisher: Oxford University Press
ISBN: 0195351665
Category : Music
Languages : en
Pages : 368
Book Description
How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony. Drawing on sources that include contemporary theoretical treatises, documents and letters, iconographical evidence, actual fragments of composing slates, and numerous sketches, drafts, and corrected autograph manuscripts, Owens carefully reconstructs the step-by-step process by which composers between 1450 and 1600 composed their music. The manuscript evidence--autographs of more than thirty composers--shows the stages of work on a wide variety of music--instrumental and vocal, sacred and secular--from across most of Renaissance Europe. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working with brief segments, according to a linear conception. The importance of this discovery on editorial interpretation and on performance cannot be overstated. The book opens with a broad picture of what has been known about Renaissance composition. From there, Owens examines the teaching of composition and the ways in which musicians and composers both read and wrote music. She also considers evidence for composition that occurred independent of writing, such as composing "in the mind" or composing with instruments. In chapters on the manuscript evidence, she establishes a typology both of the sources themselves and of their contents (sketches, drafts, fair copies). She concludes with case studies detailing the working methods of Francesco Corteccia, Henricus Isaac, Cipriano de Rore, and Giovanni Pierluigi da Palestrina. This book will change the way we analyze and understand early music. Clear, provocative, and painstakingly researched, Composers at Work: The Craft of Musical Composition 1450-1600 makes essential reading for scholars of Renaissance music as well as those working in related fields such as sketch studies and music theory.
Exploring Theory with Practica Musica
Author: Jeffrey Evans
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 143
Book Description
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 143
Book Description
The Renaissance Reform of Medieval Music Theory
Author: Stefano Mengozzi
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.