Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Poverty in American Popular Culture PDF full book. Access full book title Poverty in American Popular Culture by Wylie Lenz. Download full books in PDF and EPUB format.
Author: Wylie Lenz Publisher: McFarland ISBN: 1476664226 Category : Social Science Languages : en Pages : 283
Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.
Author: Wylie Lenz Publisher: McFarland ISBN: 1476664226 Category : Social Science Languages : en Pages : 283
Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.
Author: Stephen Pimpare Publisher: The New Press ISBN: 1595586962 Category : History Languages : en Pages : 336
Book Description
In this compulsively readable social history, political scientist Stephen Pimpare vividly describes poverty from the perspective of poor and welfare-reliant Americans from the big city to the rural countryside. He focuses on how the poor have created community, secured shelter, and found food and illuminates their battles for dignity and respect. Through prodigious archival research and lucid analysis, Pimpare details the ways in which charity and aid for the poor have been inseparable, more often than not, from the scorn and disapproval of those who would help them. In the rich and often surprising historical testimonies he has collected from the poor in America, Pimpare overturns any simple conclusions about how the poor see themselves or what it feels like to be poor—and he shows clearly that the poor are all too often aware that charity comes with a price. It is that price that Pimpare eloquently questions in this book, reminding us through powerful anecdotes, some heart-wrenching and some surprisingly humorous, that poverty is not simply a moral failure.
Author: Wylie Lenz Publisher: McFarland ISBN: 1476639035 Category : Social Science Languages : en Pages : 283
Book Description
In 1964, President Lyndon Johnson declared an "unconditional war" on poverty in the form of sweeping federal programs to assist millions of Americans. Two decades later, President Reagan drastically cut such programs, claiming that welfare encouraged dependency and famously quipping, "Some years ago, the federal government declared war on poverty, and poverty won." These opposing policy positions and the ideologies informing them have been well studied. Here, the focus turns to the influence of popular art and entertainment on beliefs about poverty's causes and potential cures. These new essays interrogate the representation of poverty in film, television, music, photography, painting, illustration and other art forms from the late 19th century to the present. They map when, how, and why producers of popular culture represent--or ignore--poverty, and what assumptions their works make and encourage.
Author: Eric Avila Publisher: Univ of California Press ISBN: 0520248112 Category : History Languages : en Pages : 328
Book Description
"In Popular Culture in the Age of White Flight, Eric Avila offers a unique argument about the restructuring of urban space in the two decades following World War II and the role played by new suburban spaces in dramatically transforming the political culture of the United States. Avila's work helps us see how and why the postwar suburb produced the political culture of 'balanced budget conservatism' that is now the dominant force in politics, how the eclipse of the New Deal since the 1970s represents not only a change of views but also an alteration of spaces."—George Lipsitz, author of The Possessive Investment in Whiteness
Author: Sieglinde Lemke Publisher: Springer ISBN: 1137597011 Category : Social Science Languages : en Pages : 176
Book Description
This book analyzes the discourse generated by pundits, politicians, and artists to examine how poverty and the income gap is framed through specific modes of representation. Set against the dichotomy of the structural narrative of poverty and the opportunity narrative, Lemke's modified concept of precarity reveals new insights into the American situation as well as into the textuality of contemporary demands for equity. Her acute study of a vast range of artistic and journalistic texts brings attention to a mode of representation that is itself precarious, both in the modern and etymological sense, denoting both insecurity and entreaty. With the keen eye of a cultural studies scholar her innovative book makes a necessary contribution to academic and popular critiques of the social effects of neoliberal capitalism.
Author: Diana Kendall Publisher: Rowman & Littlefield Publishers ISBN: 1442202254 Category : Social Science Languages : en Pages : 312
Book Description
Framing Class explores how the media, including television, film, and news, depict wealth and poverty in the United States. Fully updated and revised throughout, the second edition of this groundbreaking book now includes discussions of new media, updated media sources, and provocative new examples from movies and television, such as The Real Housewives series and media portrayals of the new poor and corporate executives in the recent recession. The book introduces the concepts of class and media framing to students and analyzes how the media portray various social classes, from the elite to the very poor. Its accessible writing and powerful examples make it an ideal text or supplement for courses in sociology, American studies, and communications.
Author: Karen Sternheimer Publisher: Hachette UK ISBN: 0813347246 Category : Social Science Languages : en Pages : 163
Book Description
Is violence on the streets caused by violence in video games? Does cyber-bullying lead to an increase in suicide rates? Are teens promiscuous because of Teen Mom? As Karen Sternheimer clearly demonstrates, popular culture is an easy scapegoat for many of society's problems, but it is almost always the wrong answer. Now in its second edition, Connecting Social Problems and Popular Culture goes beyond the news-grabbing headlines claiming that popular culture is public enemy number one to consider what really causes the social problems we are most concerned about. The sobering fact is that a "media made them do it" explanation fails to illuminate the roots of social problems like poverty, violence, and environmental degradation. Sternheimer's analysis deftly illustrates how welfare "reform," a two-tiered health care system, and other difficult systemic issues have far more to do with our contemporary social problems than Grand Theft Auto or Facebook. The fully-revised new edition features recent moral panics—think sexting and cyberbullying—and an entirely new chapter exploring social media. Expanded discussion of how we understand society's problems as social constructions without disregarding empirical evidence, as well as the cultural and structural issues underlying those ills, allows students to stretch their sociological imaginations.
Author: Robert Henke Publisher: University of Iowa Press ISBN: 1609383613 Category : Performing Arts Languages : en Pages : 217
Book Description
Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest. Close study of German and Latin beggar catalogues, popular songs performed in Italian piazzas, the Paduan actor-playwright Ruzante, the commedia dell’arte in both Italy and France, and Shakespeare demonstrate how early modern theatre and performance could reveal the gap between official policy and actual practices regarding the poor. The actor-based theatre and performance traditions examined in this study, which persistently explore felt connections between the itinerant actor and the vagabond beggar, evoke the poor through complex and variegated forms of imagination, thought, and feeling. Early modern theatre does not simply reflect the social ills of hunger, poverty, and degradation, but works them through the forms of poverty, involving displacement, condensation, exaggeration, projection, fictionalization, and marginalization. As the critical mass of medieval charity was put into question, the beggar-almsgiver encounter became more like a performance. But it was not a performance whose script was prewritten as the inevitable exposure of the dissembling beggar. Just as people’s attitudes toward the poor could rapidly change from skepticism to sympathy during famines and times of acute need, fictions of performance such as Edgar’s dazzling impersonation of a mad beggar in Shakespeare’s King Lear could prompt responses of sympathy and even radical calls for economic redistribution.
Author: Wylie Lenz
Author: Wylie Lenz
Author: Michael Harrington
Author: Stephen Pimpare
Author: Wylie Lenz
Author: Eric Avila
Author: Sieglinde Lemke
Author: Sasha Abramsky
Author: Diana Kendall
Author: Karen Sternheimer
Author: Robert Henke