Pour une histoire culturelle de l'art moderne PDF Download

Author: Pierre Daix
Publisher: Odile Jacob
ISBN: 9782738105592
Category : Art
Languages : fr
Pages : 388

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Book Description
Nous permet notamment de saisir pourquoi la France du XIXe siècle a incarné, seule en Europe, une nouvelle vision du monde.

Author: Pierre Daix
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0

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Book Description
Ce deuxième tome commence en 1900 et se poursuit jusqu'aux années 70 et montre combien l'art moderne trouve son unité dans le refus de l'académisme et se nourrit de ses innovations successives.

Author: Pierre Daix
Publisher: Odile Jacob
ISBN: 9782738106940
Category : Art
Languages : fr
Pages : 396

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Book Description
Importante synthèse documentée et érudite sur l'art français du 20e siècle. Cinq parties: 1. L'invasion industrielle du 20e siècle et le primitivisme. - 2. Le cubisme et l'émergence de la peinture abstraite. - 3. La guerre de 1914-1918 et l'ébranlement de la civilisation européenne. - 4. La crise de la civilisation moderne. - 5. La seconde guerre mondiale et le rôle de New York dans la seconde moitié du 20e siècle. [SDM].

Author: David Galenson
Publisher: Routledge
ISBN: 1134004028
Category : Business & Economics
Languages : en
Pages : 308

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Book Description
At what stage of their careers do great artists produce their most important work? In a series of studies that bring new insights and new dimensions to the study of artistic creativity, Galenson’s new book examines the careers of more than one hundred modern painters, poets and novelists to reveal a powerful relationship between age and artistic creativity. Analyzing the careers of major literary and artistic figures, such as Cézanne, van Gogh, Dickens, Hemingway and Plath, Galenson highlights the different methods by which artists have made innovations. Pointing to a new and richer history of the modern arts, this book is of interest, not only to humanists and social scientists, but to anyone interested in the nature of human creativity in general.

Author: Jean Davallon
Publisher: John Wiley & Sons
ISBN: 1786309440
Category : Science
Languages : en
Pages : 324

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Book Description
The world is full of traces of the past, ranging from things as different as monuments and factories to farms, eco-museums, landscapes, mountaineering and even woven-grass bridges. These traces must be protected and passed on to future generations. Communicational analysis shows that these traces have acquired the status of heritage by becoming communicative beings imbued with a new social life. Up until the 1970s and 1980s, granting this status was the prerogative of the state. New modes then emerged, increasingly involving social actors and the publicization of knowledge. Today, the heritage recognition of these traces also depends on interpretative schemes that circulate in society, notably through the media. Heritage Traces in the Making is aimed at anyone – researchers, professionals and students – who is interested in how heritage is created and how it evolves.

Author: Luc Boltanski
Publisher: John Wiley & Sons
ISBN: 1509528741
Category : Social Science
Languages : en
Pages : 507

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Book Description
This book offers a major new account of modern capitalism and of the ways in which value and wealth are created today. Boltanski and Esquerre argue that capitalism in the West has recently undergone a fundamental transformation characterized by de-industrialization, on the one hand, and, on the other, by the increased exploitation of certain resources that, while not entirely new, have taken on unprecedented importance. It is this new form of exploitation that has given rise to what they call the ‘enrichment economy’. The enrichment economy is based less on the production of new objects and more on the enrichment of things and places that already exist. It has grown out of a combination of many different activities and phenomena, all of which involve, in their varying ways, the exploitation of the past. The enrichment economy draws upon the trade in things that are intended above all for the wealthy, thus providing a supplementary source of enrichment for the wealthy people who deal in these things and exacerbating income inequality. As opportunities to profit from the exploitation of industrial labour began to diminish, capitalism shifted its focus to expand the range of things that could be exploited. This gave rise to a plurality of different forms for making things valuable – valuing objects in terms of their properties is only one such form. The form that plays a central role in the enrichment economy is what the authors call the ‘collection form’, which values objects based on the gap they fill in a collection. This valuation process relies on the creation of narratives which enrich commodities. This wide-ranging and highly original work makes a major contribution to our understanding of contemporary societies and of how capitalism is changing today. It will be of great value to students and scholars in sociology, political economy and cultural studies, as well as to anyone interested in the social and economic transformations shaping our world.

Author: Thomas DaCosta Kaufmann
Publisher: Routledge
ISBN: 1317166159
Category : Art
Languages : en
Pages : 262

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Book Description
The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.

Author: Association of Departments of Foreign Languages (U.S.)
Publisher:
ISBN:
Category : Language and education
Languages : en
Pages : 280

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Book Description

Author: Gavin Parkinson
Publisher: Bloomsbury Publishing USA
ISBN: 1501358286
Category : Art
Languages : en
Pages : 329

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Book Description
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.

Author: Kathryn Brown
Publisher: Reaktion Books
ISBN: 1789143829
Category : Biography & Autobiography
Languages : en
Pages : 224

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Book Description
Henri Matisse’s experiments with form and color revolutionized the twentieth-century art world. In this concise critical biography, Kathryn Brown explores Matisse’s long career, beginning with his struggles as a student in Paris and culminating in his celebrated use of paper cutouts and stained glass in the last decade of his life. The book challenges various myths about Matisse and offers a fresh perspective on his creativity and legacy. Chapters explore the artist’s enthusiasm for fashion and cinema, his travels, personal ties, interest in African art, love of literature, and willingness to challenge audience expectations. Through close readings of Matisse’s works, Brown offers new insight into the artist’s friendships and battles with dealers, critics, collectors, and fellow artists.