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Author: Laura E. Savu Publisher: Associated University Presse ISBN: 9780838641811 Category : Biography & Autobiography Languages : en Pages : 302
Book Description
This book scrutinizes the genre of the author-as-character with respect to three broad issues--authorship, the posthumous, and cultural revisionism--that arise in reading such works from a contemporary perspective. Late twentieth-century fiction "postmodernizes" romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. Penelope Fitzgerald's The Blue Flower, Peter Ackroyd's The Last Testament of Oscar Wilde and Chatterton, Peter Carey's Jack Maggs, Michael Cunningham's The Hours, Colm Toibin's The Master, and Geoff Dyer's Out of Sheer Rage: Wrestling with D. H. Lawrence--"the mighty dead" (Harold Bloom) are brought back to life, reanimated and bodied forth in new textual bodies that project a post-modern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. Laura E. Savu is a lecturer at the University of Bucharest.
Author: Laura E. Savu Publisher: Associated University Presse ISBN: 9780838641811 Category : Biography & Autobiography Languages : en Pages : 302
Book Description
This book scrutinizes the genre of the author-as-character with respect to three broad issues--authorship, the posthumous, and cultural revisionism--that arise in reading such works from a contemporary perspective. Late twentieth-century fiction "postmodernizes" romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. Penelope Fitzgerald's The Blue Flower, Peter Ackroyd's The Last Testament of Oscar Wilde and Chatterton, Peter Carey's Jack Maggs, Michael Cunningham's The Hours, Colm Toibin's The Master, and Geoff Dyer's Out of Sheer Rage: Wrestling with D. H. Lawrence--"the mighty dead" (Harold Bloom) are brought back to life, reanimated and bodied forth in new textual bodies that project a post-modern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. Laura E. Savu is a lecturer at the University of Bucharest.
Author: Dr David Bertolini Publisher: Ashgate Publishing, Ltd. ISBN: 1472407245 Category : Architecture Languages : en Pages : 267
Book Description
Architecture Post Mortem surveys architecture’s encounter with death, decline, and ruination following late capitalism. As the world moves closer to an economic abyss that many perceive to be the death of capital, contraction and crisis are no longer mere phases of normal market fluctuations, but rather the irruption of the unconscious of ideology itself. Post mortem is that historical moment wherein architecture’s symbolic contract with capital is put on stage, naked to all. Architecture is not irrelevant to fiscal and political contagion as is commonly believed; it is the victim and penetrating analytical agent of the current crisis. As the very apparatus for modernity’s guilt and unfulfilled drives-modernity’s debt-architecture is that ideological element that functions as a master signifier of its own destruction, ordering all other signifiers and modes of signification beneath it. It is under these conditions that architecture theory has retreated to an 'Alamo' of history, a final desert outpost where history has been asked to transcend itself. For architecture’s hoped-for utopia always involves an apocalypse. This timely collection of essays reformulates architecture’s relation to modernity via the operational death-drive: architecture is but a passage between life and death. This collection includes essays by Kazi K. Ashraf, David Bertolini, Simone Brott, Peggy Deamer, Didem Ekici, Paul Emmons, Donald Kunze, Todd McGowan, Gevork Hartoonian, Nadir Lahiji, Erika Naginski, and Dennis Maher.
Author: Jean-François Lyotard Publisher: U of Minnesota Press ISBN: 9780816611737 Category : Philosophy Languages : en Pages : 142
Book Description
In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
Author: Arthur Asa Berger Publisher: Rowman Altamira ISBN: 9780761989110 Category : Comics & Graphic Novels Languages : en Pages : 180
Book Description
You and your students are invited to join the detective, Solomon Hunter, in his hunt for knowledge and a killer. Ettore Gnocchi, the famed postmodern theorist, has been murdered at his own dinner party. Which of his guests could have poisoned, stabbed, and shot him? Was it Shoshana TelAviv, the wife he may have betrayed? Slavomir Propp, the Russian linguist who accused Gnocchi of stealing his ideas? Alain Fess, who may be sleeping with Shoshana? To find out which of these people killed Gnocchi, the detective Solomon Hunter must first explore postmodernism itself. What is it? Who are Baudrillard, Foucault, and Habermas, and what do they think? Why does any of this matter, anyway? Teach your students postmodern theory with this fun and enlightening text.
Author: Library of Congress. Cataloging Policy and Support Office Publisher: ISBN: Category : Subject headings, Library of Congress Languages : en Pages : 1596
Author: Eleftheria Thanouli Publisher: Bloomsbury Publishing USA ISBN: 1501393081 Category : Performing Arts Languages : en Pages : 289
Book Description
In A Guide to Post-classical Narration, Eleftheria Thanouli expands and substantially develops the innovative theoretical work of her previous publication, Post-classical Cinema: an International Poetics of Film Narration (2009). A Guide to Post-classical Narration: The Future of Film Storytelling presents a concise and comprehensive overview of the creative norms of the post-classical mode of narration. With dozens of cases studies and hundreds of color stills from films across the globe, this book provides the definitive account of post-classical storytelling and its techniques. After surfacing in auteur films in varied production milieus in the 1990s, the post-classical options continued to gain ground throughout the 2000s and 2010s, gradually fertilizing several mainstream productions in Hollywood. From Lars von Trier's Europa (1991) to Zack Snyder's Army of the Dead (2021) and Baz Luhrmann's Elvis (2022), the post-classical narration has shown not only impressive resilience but also tremendous creativity in transforming its key formal principles, such as fragmented and multi-thread plotlines, hypermediated realism, parody, graphic frame construction, complex chronology, and intense self-consciousness. Through the meticulous textual analysis of the post-classical works, Eleftheria Thanouli addresses head-on a series of methodological questions in narrative research and brings the tradition of historical poetics back into the limelight. By reinforcing her previous work with numerous new films as well as more nuanced narrative terms and concepts, she not only strengthens her position on post-classical cinema but also establishes the relevance of formalist analysis in the study of film today.
Author: Library of Congress. Office for Subject Cataloging Policy Publisher: ISBN: Category : Subject headings, Library of Congress Languages : en Pages : 1660
Author: Library of Congress. Office for Subject Cataloging Policy Publisher: ISBN: Category : Subject headings, Library of Congress Languages : en Pages : 1644
Author: Laura E. Savu
Author: Laura E. Savu
Author: Dr David Bertolini
Author: Jean-François Lyotard
Author: Arthur Asa Berger
Author: 
Author: Library of Congress
Author: Library of Congress. Cataloging Policy and Support Office
Author: Eleftheria Thanouli
Author: Library of Congress. Office for Subject Cataloging Policy
Author: Library of Congress. Office for Subject Cataloging Policy