Postmodern Filming of Literature PDF Download

Author: Joyce L. Arriola
Publisher:
ISBN:
Category : Film adaptations
Languages : en
Pages : 286

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Author: Pansy Duncan
Publisher: Routledge
ISBN: 1317355644
Category : Performing Arts
Languages : en
Pages : 255

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Book Description
Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.

Author: Cristina Degli-Esposti
Publisher: Berghahn Books
ISBN: 178920383X
Category : Performing Arts
Languages : en
Pages : 276

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Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about it Despite the fact that the concept can be traced back to Arnold Toynbee's 1939 edition of A Study of History, or even back into the nineteenth century, its amorphous nature continues to confound many scholars, not least because there are not one but several kinds of postmodernism, each one pointing to different states of questioning and to diverse ways of remembering, interpreting, and representing. This anthology makes a significant contribution to the current debate in that it offers sophisticated and multi-faceted discussions of a number of key issues in relation to cinema such as auteurism, national cinemas, metacinema, the parodic, history, and colonization.

Author: Sezen Kayhan
Publisher: Cambridge Scholars Publishing
ISBN: 1443869120
Category : Performing Arts
Languages : en
Pages : 130

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Despite the theories about the “death of tragedy”, this book explores fragments and reflections of tragedy in postmodern film. Tragedy has changed and evolved with human society, and its continuous chain from Ancient Greece to modern times has been broken by postmodernism. However, certain aspects of tragedy have continued to be used by literature and film: in particular, films with themes of chaos, violence, popular culture, paranoia, virtual reality and alienation often use aspects of tragedy. The focus of this study is on these facets adopted by postmodern film.

Author: Carl Boggs
Publisher: Rowman & Littlefield Publishers
ISBN: 1461636442
Category : Political Science
Languages : en
Pages : 331

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A World in Chaos: Social Crisis and the Rise of Postmodern Cinema traces the evolution of postmodern cinema through its multiple and overlapping expressions. Through an analysis of films such as American Beauty, Blade Runner, Natural Born Killers, and Thelma and Loiuse, Carl Boggs and Thomas Pollard explore the historical and theoretical shift from the long era of modernity to an emergent postmodernity and examine its intersection with film culture. Unlike most works on media studies, Boggs and Pollard bring together elements of sociology, history, economics, literature, communications, and pop culture to fully explore the complex developmental interaction between film and society. The resulting work illuminates the different, often conflicted and contradictory, currents at work in the film industry that long ago departed from the ritualized practices of the classical studio system. Engagingly and clearly written, A World in Chaos is perfect for film and pop culture enthusiasts as well as everyone interested in the role of film in American society.

Author: Tom McCarthy
Publisher: Vintage
ISBN: 0307279685
Category : Fiction
Languages : en
Pages : 322

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A man is severely injured in a mysterious accident, receives an outrageous sum in legal compensation, and has no idea what to do with it. Then, one night, an ordinary sight sets off a series of bizarre visions he can’t quite place. How he goes about bringing his visions to life–and what happens afterward–makes for one of the most riveting, complex, and unusual novels in recent memory. Remainder is about the secret world each of us harbors within, and what might happen if we were granted the power to make it real.

Author: M. Keith Booker
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 248

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Discussions of the phenomenon of postmodernism have established certain characteristics that are typical of postmodernist culture. This book presents a brief summary of the characteristics that have typically been associated with postmodernism, especially as they pertain to film.

Author: Gordon E. Slethaug
Publisher: Bloomsbury Publishing USA
ISBN: 1623562015
Category : Art
Languages : en
Pages : 289

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Book Description
Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film.

Author: Samir Mandal
Publisher:
ISBN: 9783668923652
Category :
Languages : en
Pages : 24

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Seminar paper from the year 2017 in the subject Film Science, grade: B, University of Burdwan (Golapbag Campus), course: MA, language: English, abstract: Film studies have faced a great change in this postmodern era. It has moved from reality to hyper-reality, text to hypertext, radio to television and modernity to postmodernity. Electronics and digital media have overtaken the print media and eclipsed it. Fredric Jameson in his book Postmodernism says, "the priority of film over literature in jolting us out of print culture and/ or logocentrism, it remained an essentially modernist formulation, locked in a set of cultural values and categories which are in full Postmodernism demonstrably antiquated and "historical." That film has today become postmodernist...". Postmodernism blurs the boundary between high and low. Linda Hutcheon opines that "An adaptation is not vampiric: it does not draw the life-blood from its source and leave it dying or dead, nor is it paler than the adapted work. It may, on the contrary, keep that prior work alive, giving it an afterlife it would never have had otherwise". It transposes one genre to another. Both the film and the literature are equally valuable.

Author: Ahmed Elbeshlawy
Publisher: Routledge
ISBN: 1317182359
Category : Performing Arts
Languages : en
Pages : 177

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Utilizing Lacan's psychoanalytic theory and Zizek's philosophical adaption of it, this book brings into dialogue a series of modernist and postmodernist literary works, films, and critical theory that are concerned with defining America. Ahmed Elbeshlawy demonstrates that how America is perceived in certain texts reveals not only the idealization or condemnation of it, but an imago, or constructed image of the perceiver as well. In turn, texts which particularly focus on demonstrating how other texts about America communicate an untrustworthy message themselves communicate an unreliable message, inventing and reinventing a series of imagos of America. These imagos refer to both idealized and deformed images of America constructed by the perceivers of America. The first part of this book is concerned with modernist perceptions of America, and includes discussion of Adorno, Benjamin, Kafka, D. H. Lawrence, as well as Emerson and Seymour Martin Lipset. The second part is dedicated to postmodernist representations of America, focusing on texts by Edward Said, Ihab Hassan, Susan Sontag, David Shambaugh and Charles W. Brooks, and films including Lars von Trier's Dogville and D.W. Griffith's Birth of a Nation.