Postfemininities in Popular Culture PDF Download

Author: Stéphanie Genz
Publisher: Palgrave MacMillan
ISBN:
Category : Social Science
Languages : en
Pages : 236

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Book Description
"Exploring the contradictions surrounding modern-day femininity and its complicated relationship with feminism and postfeminism, this book provides a history of femininity in popular culture since the 1960s, analysing its shifting relationship with (post)feminism and concepts of female victimization. Through an examination of a range of popular female and feminist icons and paradigms, the text offers an innovative and forward-looking perspective on femininity and the modern female self. The book marks an important cross-generational moment in feminist thinking that challenges us to re-think previous conceptions of femininity and debate critical issues that remain unresolved in contemporary culture: does femininity necessarily imply powerlessness and victimization? Can femininsm and femininity co-exist? What emerges between these previously opposed extremes?" -- Book cover.

Author: Stéphanie Genz
Publisher: Springer
ISBN: 0230234410
Category : Social Science
Languages : en
Pages : 223

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Book Description
Addressing the contradictions surrounding modern-day femininity and its complicated relationship with feminism and postfeminism, this book examines a range of popular female and feminist icons and paradigms. It offers an innovative and forward-looking perspective on femininity and the modern female self.

Author: Stéphanie Genz
Publisher:
ISBN: 9781474411233
Category : Feminist theory
Languages : en
Pages : 0

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Book Description
This text comprehensively surveys and critically positions the main issues, theories and contemporary debates surrounding postfeminism.

Author: Joanne Hollows
Publisher: Manchester University Press
ISBN: 1526183900
Category : Social Science
Languages : en
Pages : 238

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Book Description
Accessible, introductory student guide which identifies key feminist approaches to popular culture from the 1960s to the present.. The only introduction to both feminist cultural studies and feminism and popular culture published in the UK.. Presents its information in a reader friendly series of case studies on: women's film romantic fiction soap opera consumption and material culture fashion and beauty proactices youth culture and popular music. Will appeal to students across a wide range of disciplines as a variety of popular cultural forms are discussed.

Author: R. Gill
Publisher: Springer
ISBN: 0230294529
Category : Social Science
Languages : en
Pages : 349

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Book Description
This collection of original essays looks at the way in which experiences and representations of femininity are changing, and explores the possibilities for producing 'new' femininities in the twenty-first century. The volume includes a Preface by leading feminist scholar Angela McRobbie.

Author: Alison Horbury
Publisher: Springer
ISBN: 1137511370
Category : Social Science
Languages : en
Pages : 368

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Book Description
Alison Horbury investigates the reprisal of the myth of Persephone - a mother-daughter plot of separation and initiation - in post-feminist television cultures where, she argues, it functions as a symptom expressing a complex around the question of sexual difference - what Lacan calls 'sexuation', where this question has been otherwise foreclosed.

Author: Stacy Gillis
Publisher: Routledge
ISBN: 1135894272
Category : History
Languages : en
Pages : 186

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Book Description
This collection intervenes into the debates surrounding feminism’s contentious relationship with domesticity in popular culture. The contributors touch on topics ranging from reality television shows like How Clean is Your House? to the figure of the maid in contemporary American cinema.

Author: Katarzyna Paszkiewicz
Publisher: Springer Nature
ISBN: 3030315231
Category : Performing Arts
Languages : en
Pages : 281

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Book Description
This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.

Author: Olga Bezhanova
Publisher: Rowman & Littlefield
ISBN: 1793619441
Category : Social Science
Languages : en
Pages : 243

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Book Description
Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by María Dueñas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldúa. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

Author: Rebecca Munford
Publisher: Rutgers University Press
ISBN: 0813567424
Category : Social Science
Languages : en
Pages : 225

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Book Description
When the term “postfeminism” entered the media lexicon in the 1990s, it was often accompanied by breathless headlines about the “death of feminism.” Those reports of feminism’s death may have been greatly exaggerated, and yet contemporary popular culture often conjures up a world in which feminism had never even been born, a fictional universe filled with suburban Stepford wives, maniacal career women, alluring amnesiacs, and other specimens of retro femininity. In Feminism and Popular Culture, Rebecca Munford and Melanie Waters consider why the twenty-first century media landscape is so haunted by the ghosts of these traditional figures that feminism otherwise laid to rest. Why, over fifty years since Betty Friedan’s critique, does the feminine mystique exert such a strong spectral presence, and how has it been reimagined to speak to the concerns of a postfeminist audience? To answer these questions, Munford and Waters draw from a rich array of examples from contemporary film, fiction, music, and television, from the shadowy cityscapes of Homeland to the haunted houses of American Horror Story. Alongside this comprehensive analysis of today’s popular culture, they offer a vivid portrait of feminism’s social and intellectual history, as well as an innovative application of Jacques Derrida’s theories of “hauntology.” Feminism and Popular Culture thus not only considers how contemporary media is being visited by the ghosts of feminism’s past, it raises vital questions about what this means for feminism’s future.