Author: Loren Kruger
Publisher: Cambridge University Press
ISBN: 9780521817080
Category : Drama
Languages : en
Pages : 428
Book Description
Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.
Post-Imperial Brecht
Author: Loren Kruger
Publisher: Cambridge University Press
ISBN: 9780521817080
Category : Drama
Languages : en
Pages : 428
Book Description
Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.
Publisher: Cambridge University Press
ISBN: 9780521817080
Category : Drama
Languages : en
Pages : 428
Book Description
Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.
Philosophizing Brecht
Author:
Publisher: BRILL
ISBN: 9004404503
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
This anthology unites scholars from varied backgrounds with the notion that the theories and artistic productions of Bertolt Brecht are key missing links in bridging diverse discourses in social philosophy, theatre, consciousness studies, and aesthetics. It offers readers interdisciplinary perspectives that create unique dialogues between Brecht and important thinkers such as Althusser, Anders, Bakhtin, Benjamin, Godard, Marx, and Plato. While exploring salient topics such as consciousness, courage, ethics, political aesthetics, and representations of race and the body, it penetrates the philosophical Brecht seeing in him the never-ending dialectic—the idea, the theory, the narrative, the character that is never foreclosed. This book is an essential read for all those interested in Brecht as a socio-cultural theorist and for theatre practitioners. Contributors: Kevin S. Amidon, José María Durán, Felix J. Fuch, Philip Glahn, Jim Grilli, Wolfgang Fritz Haug, Norman Roessler, Jeremy Spencer, Anthony Squiers, Peter Zazzali.
Publisher: BRILL
ISBN: 9004404503
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
This anthology unites scholars from varied backgrounds with the notion that the theories and artistic productions of Bertolt Brecht are key missing links in bridging diverse discourses in social philosophy, theatre, consciousness studies, and aesthetics. It offers readers interdisciplinary perspectives that create unique dialogues between Brecht and important thinkers such as Althusser, Anders, Bakhtin, Benjamin, Godard, Marx, and Plato. While exploring salient topics such as consciousness, courage, ethics, political aesthetics, and representations of race and the body, it penetrates the philosophical Brecht seeing in him the never-ending dialectic—the idea, the theory, the narrative, the character that is never foreclosed. This book is an essential read for all those interested in Brecht as a socio-cultural theorist and for theatre practitioners. Contributors: Kevin S. Amidon, José María Durán, Felix J. Fuch, Philip Glahn, Jim Grilli, Wolfgang Fritz Haug, Norman Roessler, Jeremy Spencer, Anthony Squiers, Peter Zazzali.
Rainer Werner Fassbinder and the German Theatre
Author: David Barnett
Publisher: Cambridge University Press
ISBN: 9780521855143
Category : Drama
Languages : en
Pages : 324
Book Description
Publisher description
Publisher: Cambridge University Press
ISBN: 9780521855143
Category : Drama
Languages : en
Pages : 324
Book Description
Publisher description
Visualising Lost Theatres
Author: Joanne Tompkins
Publisher: Cambridge University Press
ISBN: 1108476759
Category : Architecture
Languages : en
Pages : 219
Book Description
Drawing on cutting-edge virtual reality, this book unearths the social-political histories and theatrical praxis of five 'lost' theatres.
Publisher: Cambridge University Press
ISBN: 1108476759
Category : Architecture
Languages : en
Pages : 219
Book Description
Drawing on cutting-edge virtual reality, this book unearths the social-political histories and theatrical praxis of five 'lost' theatres.
Imagining the Edgy City
Author: Loren Kruger
Publisher: Oxford University Press, USA
ISBN: 0199321906
Category : History
Languages : en
Pages : 303
Book Description
Drawing on over fifty years of writing, performance, film, architecture, photography, and culture more broadly, Imagining the Edgy City offers a compelling interdisciplinary study of South Africa's largest city.
Publisher: Oxford University Press, USA
ISBN: 0199321906
Category : History
Languages : en
Pages : 303
Book Description
Drawing on over fifty years of writing, performance, film, architecture, photography, and culture more broadly, Imagining the Edgy City offers a compelling interdisciplinary study of South Africa's largest city.
The Globalization of Theatre 18701930
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1108487890
Category : Biography & Autobiography
Languages : en
Pages : 291
Book Description
Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
Publisher: Cambridge University Press
ISBN: 1108487890
Category : Biography & Autobiography
Languages : en
Pages : 291
Book Description
Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
A History of the Berliner Ensemble
Author: David Barnett
Publisher: Cambridge University Press
ISBN: 1316240371
Category : Drama
Languages : en
Pages : 525
Book Description
The Berliner Ensemble was founded by Bertolt Brecht and his wife Helene Weigel in 1949. The company soon gained international prominence, and its productions and philosophy influenced the work of theatre-makers around the world. David Barnett's book is the first study of the company in any language. Based on extensive archival research, it uncovers Brecht's working methods and those of the company's most important directors after his death. The book considers the boon and burden of Brecht's legacy, and provides new insights into battles waged behind the scenes for the preservation of the Brechtian tradition. The Berliner Ensemble was also the German Democratic Republic's most prestigious cultural export, attracting attention from the highest circles of government, and from the Stasi, before it privatised itself after German reunification in 1990. Barnett pieces together a complex history that sheds light on both the company's groundbreaking productions and their turbulent times.
Publisher: Cambridge University Press
ISBN: 1316240371
Category : Drama
Languages : en
Pages : 525
Book Description
The Berliner Ensemble was founded by Bertolt Brecht and his wife Helene Weigel in 1949. The company soon gained international prominence, and its productions and philosophy influenced the work of theatre-makers around the world. David Barnett's book is the first study of the company in any language. Based on extensive archival research, it uncovers Brecht's working methods and those of the company's most important directors after his death. The book considers the boon and burden of Brecht's legacy, and provides new insights into battles waged behind the scenes for the preservation of the Brechtian tradition. The Berliner Ensemble was also the German Democratic Republic's most prestigious cultural export, attracting attention from the highest circles of government, and from the Stasi, before it privatised itself after German reunification in 1990. Barnett pieces together a complex history that sheds light on both the company's groundbreaking productions and their turbulent times.
The Performance of Nationalism
Author: Jisha Menon
Publisher: Cambridge University Press
ISBN: 1107000106
Category : Drama
Languages : en
Pages : 273
Book Description
Jisha Menon's book explores the mimetic relationships between history and political performance and between India and Pakistan.
Publisher: Cambridge University Press
ISBN: 1107000106
Category : Drama
Languages : en
Pages : 273
Book Description
Jisha Menon's book explores the mimetic relationships between history and political performance and between India and Pakistan.
Joan Littlewood's Theatre
Author: Nadine Holdsworth
Publisher: Cambridge University Press
ISBN: 052111960X
Category : Drama
Languages : en
Pages : 335
Book Description
This book investigates Joan Littlewood's theatre productions and her community-based projects and activism, drawing upon extensive primary archival material.
Publisher: Cambridge University Press
ISBN: 052111960X
Category : Drama
Languages : en
Pages : 335
Book Description
This book investigates Joan Littlewood's theatre productions and her community-based projects and activism, drawing upon extensive primary archival material.
Irony and the Modern Theatre
Author: William Storm
Publisher: Cambridge University Press
ISBN: 1139499424
Category : Drama
Languages : en
Pages : 267
Book Description
Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre.
Publisher: Cambridge University Press
ISBN: 1139499424
Category : Drama
Languages : en
Pages : 267
Book Description
Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre.