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Author: Carol Beckwith Publisher: National Geographic Books ISBN: 9781426204241 Category : Photography Languages : en Pages : 366
Book Description
Presents a selection of full-color photographs from across Africa, covering topics including sense of place, the joy of being, inner journeys, patterns of beauty, rhythm from within, and capacity to endure.
Author: Carol Beckwith Publisher: National Geographic Books ISBN: 9781426204241 Category : Photography Languages : en Pages : 366
Book Description
Presents a selection of full-color photographs from across Africa, covering topics including sense of place, the joy of being, inner journeys, patterns of beauty, rhythm from within, and capacity to endure.
Author: John Peffer Publisher: Indiana University Press ISBN: 0253008727 Category : Art Languages : en Pages : 472
Book Description
Beautifully illustrated, Portrait Photography in Africa offers new interpretations of the cultural and historical roles of photography in Africa. Twelve leading scholars look at early photographs, important photographers' studios, the uses of portraiture in the 19th century, and the current passion for portraits in Africa. They review a variety of topics, including what defines a common culture of photography, the social and political implications of changing technologies for portraiture, and the lasting effects of culture on the idea of the person depicted in the photographic image.
Author: Hector Acebes Publisher: University of Washington Press ISBN: Category : Architecture Languages : en Pages : 152
Book Description
"This book presents the exquisite work of Hector Acebes for the first time in monograph form. Over ninety striking images are richly reproduced in duotone. Ed Marquand, director of the Hector Acebes Archive, introduces Acebes in a brief biography. Isolde Brielmaier, a noted art historian of African photography, places Acebes's African work in the context of other photographers shooting in Africa at the time. She also discusses the qualities of Acebes's work that distinguish his photographs today." Google Books viewed 9/8/2020.
Author: Margie Orford Publisher: Juta and Company Ltd ISBN: 9781770130432 Category : Biography & Autobiography Languages : en Pages : 168
Book Description
This exquisite book by award-winning photographer Karina Turok presents a series of portraits of inspirational and iconic South African women
Author: Hans Silvester Publisher: National Geographic Books ISBN: 050051562X Category : Photography Languages : en Pages : 0
Book Description
A companion to Hans Silvester's Natural Fashion: a unique portrait of everyday life in a village in the Omo Valley. “My little red window has become almost a mirror image of the startling changes taking place today in Africa, where so many conflicts have arisen from the coming together of different peoples, creating a chaotic jumble of humanity that obliges vastly different cultures and languages to bond together to form some kind of community. My window has captured a moment in time, nothing more, nothing less, and in its endless stream of faces we can see the diversity of humankind, its customs and its religions, in a place that the old world now has to share with the new, with strangers who are here to stay.” —Hans Silvester The village of Kibish lies in the lower Omo Valley on the borders of Ethiopia, Kenya, and Sudan. Far from any city and with an unforgiving climate, it is nonetheless a place where traditional lifestyles meet the contemporary world. This book is a beguiling portrait of its people, seen through an unusual lens—that of a simple window frame. From painted, marked, and scarified tribesmen to tradesmen with their tools and farmers with their animals, this collection is a priceless record of a unique and increasingly fragile way of life, one threatened by conflict, tourism, and the rapidly encroaching twenty-first century.
Author: Gwendolyn DuBois Shaw Publisher: University of Washington Press ISBN: Category : Architecture Languages : en Pages : 188
Book Description
Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. Portraits of a People looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters. In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, c. 1805–10, or the silhouette inscribed "Mr. Shaw's blackman," cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, "I Sell the Shadow to Support the Substance." Portraits of a People features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.
Author: Carol Beckwith
Author: Carol Beckwith
Author: John Peffer
Author: Hector Acebes
Author: Margie Orford
Author: Jean Borgatti
Author: Hans Silvester
Author: Gwendolyn DuBois Shaw
Author: Daniel Lainé
Author: Cynthia Moss
Author: Jean Borgatti