Pop Art and the Critics PDF Download

Author: Carol Anne Mahsun
Publisher: Books on Demand
ISBN: 9780835719605
Category : Art criticism
Languages : en
Pages : 146

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Author: Alice Goldfarb Marquis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248

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"This book is a social history of Pop art, a group portrait of both the artists and the people who made some of them rich and famous in just a few years, while setting in motion the drastically altered way art has been marketed and appreciated--in the monetary and aesthetic sense--up to the present day." So begins Alice Goldfarb Marquis' lively, informative and entertaining account of one of the twentieth century's most flamboyant and influential art movements. Included in this group portrait are the famous: Roy Lichtenstein and his "Blam-Pow" comics panels, Andy Warhol, shy, shrewd and tough as nails, the power couple of Leo Castelli and Ileana Sonnabend; the infamous, such as the collector Robert Scull, who bought so heavily that his own dealer deemed him "vulgar"; and a variegated cast ranging from artists Jasper Johns, Robert Rauschenberg, Robert Indiana and James Rosenquist to pioneering dealer Ivan Karp, controversial curator Henry Geldzahler, media guru Marshall McLuhan, author Tom Wolfe and many, many others. While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century. As Marquis notes, the figures involved in creating and promoting the movement "set off the 'culture boom' of the 1960s, and were indispensable to the success, not only of Pop art, but of all the varied approaches to art that followed." Rich in historical insights and unpublished information, The Pop Revolution is an extremely readable account of one of art's liveliest chapters. Award-winning journalist and historian Alice Goldfarb Marquis, who died in 2009, was a visiting scholar at the University of California at San Diego. Her previous books include Art Czar: The Rise and Fall of Clement Greenberg, Marcel Duchamp: The Bachelor Stripped Bare, Alfred H. Barr, Jr: Missionary for the Modern and The Art Biz.

Author: Blake Gopnik
Publisher: HarperCollins
ISBN: 0062298402
Category : Biography & Autobiography
Languages : en
Pages : 1156

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The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almost any cultural figure,” from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the “performance” of being an artist, accompanied by global fame and stardom—and his attempted assassination. The extent and range of Warhol’s success, and his deliberate attempts to thwart his biographers, means that it hasn’t been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol’s archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions—he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today.

Author: Various
Publisher: Library of America
ISBN: 1598533673
Category : Art
Languages : en
Pages : 1184

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Experience the creative explosion that transformed American art—in the words of the artists, writers, and critics who were there In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor, art critic, and historian Jed Perl, “there has never been a period when the visual arts have been written about with more mongrel energy—with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy.” In this Library of America volume, Perl gathers for the first time the most vibrant contemporary accounts of this momentous period—by artists, critics, poets, gallery owners, and other observers—conveying the sweep and energy of a cultural scene dominated (in the poet James Schuyler’s words) by “the floods of paint in whose crashing surf we all scramble.” Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol; James Agee on Helen Levitt; James Baldwin on Beauford Delaney; Truman Capote on Richard Avedon; Tennessee Williams on Hans Hofmann; and Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.

Author: Lucy R. Lippard
Publisher: Thames & Hudson
ISBN:
Category : Art
Languages : en
Pages : 220

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Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic colour and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursors ranging from folk art, Surrealism and Dada, Stuart Davis and Léger, to the Reuben group, Assemblage, Rauschenberg and Jasper Johns, and discusses Pop Art in New York best known for Andy Warhol, Roy Lichtenstein, Tom Wesselmann, James Rosenquist and Claes Oldenburg.

Author: Sylvia Harrison
Publisher:
ISBN: 9780511481031
Category : Pop art
Languages : en
Pages : 280

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Author: Peter Stanfield
Publisher: Reaktion Books
ISBN: 9781789146462
Category : Music
Languages : en
Pages : 280

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Exploring the explosion of the Who onto the international music scene, this heavily illustrated book looks at this furious band as an embodiment of pop art. “Ours is music with built-in hatred,” said Pete Townshend. A Band with Built-In Hate pictures the Who from their inception as the Detours in the mid-sixties to the late-seventies, post-Quadrophenia. It is a story of ambition and anger, glamor and grime, viewed through the prism of pop art and the radical leveling of high and low culture that it brought about—a drama that was aggressively performed by the band. Peter Stanfield lays down a path through the British pop revolution, its attitude, and style, as it was uniquely embodied by the Who: first, under the mentorship of arch-mod Peter Meaden, as they learned their trade in the pubs and halls of suburban London; and then with Kit Lambert and Chris Stamp, two aspiring filmmakers, at the very center of things in Soho. Guided by contemporary commentators—among them, George Melly, Lawrence Alloway, and most conspicuously Nik Cohn—Stanfield describes a band driven by belligerence and delves into what happened when Townshend, Daltrey, Moon, and Entwistle moved from back-room stages to international arenas, from explosive 45s to expansive concept albums. Above all, he tells of how the Who confronted their lost youth as it was echoed in punk.

Author: Lawrence Alloway
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176

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"Catalog of the exhibition:" p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April 16. 1974, with support from the National Endowment for the Arts.

Author: Alan Pratt
Publisher: Greenwood
ISBN:
Category : Art
Languages : en
Pages : 352

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Book Description
More than sixty samples of criticism reprinted from a variety of sources offer insights about the most controversial artist of the century. The collection includes some of the most important and best examples of Warhol criticism and provides access to material that is no longer easily obtainable. Organized chronologically, the criticism has been selected on the basis of its value in interpreting Warhol's artistic legacy. The last section of the book contains five new essays which specifically address the artist's relationship with the critics. Valuable for scholars, students, and others interested in art and popular culture. More than sixty samples of criticism reprinted from a variety of sources offer insights about the most controversial artist of the century. The collection includes some of the most important and best examples of Warhol criticism and provides access to material that is no longer easily obtainable. Organized chronologically, the criticism has been selected on the basis of its value in interpreting Warhol's artistic legacy. Valuable for scholars, students, and others interested in art and popular culture. The diverse nature of the texts presented here enables readers to compare critical and popular reactions as well as to follow the evolution of the criticism. In addition, as unrevised art history, the material offers additional insight into issues related to art criticism, art history, and the machinery of culture. The work includes a chronology of the artist's life, a selected bibliography of over 100 entries, and a detailed subject index providing a complete, cross-referenced directory to the assembled criticism.

Author: Thomas E. Crow
Publisher:
ISBN: 9780300203974
Category : ART
Languages : en
Pages : 0

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An original and insightful new history of Pop Art from one of the most important art historians of our time Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book.