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Author: Jessica A. Maratsos Publisher: Cambridge University Press ISBN: 1009036947 Category : Art Languages : en Pages : 595
Book Description
Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art.
Author: Jessica A. Maratsos Publisher: Cambridge University Press ISBN: 1009036947 Category : Art Languages : en Pages : 595
Book Description
Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art.
Author: Katherine Renell Smith Abbott Publisher: Middlebury College Press ISBN: Category : Art Languages : en Pages : 120
Book Description
Generously illustrated exhibition catalogue explores the demand for and production of devotional works in early fifteenth-century Italy
Author: Elizabeth Pilliod Publisher: Studies in Medieval and Early Renaissance Art History ISBN: 9781909400948 Category : Languages : en Pages : 320
Book Description
Pontormo's frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo's Sistine frescoes. They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on the reception of this artist, but also of late Renaissance art in Florence. Based on careful archival and historical scholarship, this book determines a new date for the inception of the fresco cycle and reconstructs the day by day procedures through which the artist generated his creation. It establishes his working method, and what it produced. It creates a new visual order for the frescoes. It sets them into the artistic and architectural context of the church in which they were created, relating them to a complex liturgical and religious function.It establishes the intentions of the both the Medici and the canons of the church in having Pontormo paint the specific space in the church where he painted, and the specific subjects that were included.Finally, it reveals the hitherto unsuspected impact Pontormo's paintings had on other works of art.
Author: Professor Lisa M Rafanelli Publisher: Ashgate Publishing, Ltd. ISBN: 1472444736 Category : Art Languages : en Pages : 305
Book Description
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief.
Author: Publisher: ISBN: Category : Languages : en Pages :
Book Description
Taking its cue from Giorgio Vasari's 1568 edition of The Lives of the Artists, modern scholarship has tended to view much of the art from the early sixteenth century through a post-Tridentine lens; paintings are labeled controversial or heretical, when in fact such notions would not have been relevant in these earlier decades. Published five years after the conclusion of the Council of Trent, Vasari's Lives is predominantly characterized by the author's own attempts to codify artistic pedagogy and style in the service of the Medici Duchy, whose newly consolidated ties with the papacy were of primary importance. A further difficulty presented by following Vasari's example is the relatively narrow view of the artistic environment that his account affords. Aimed as it was towards the social elevation of the individual Renaissance artist, Vasari's narrative undervalues the importance of other genres and media--such as prints, Mystery plays, terracotta sculptures, and sacri monti--to the work of well-established painters like Pontormo.
Author: Jacopo da Pontormo Publisher: ABRAMS ISBN: Category : Art Languages : en Pages : 166
Book Description
Jacopo Carrucci (1494-1557), named Pontormo after his birthplace, was the main representative of Florentine Mannerism, the seventy-five-year period that links the High Renaissance and early Baroque eras. Following the success of Abrams' Pontormo Drawings, Pontormo Paintings and Frescoes presents in large format an overview of the artist's important works, most of which have been newly photographed for this volume. Influenced by Raphael's late works, Durer's graphics, and Michelangelo's monumental figural style, Pontormo's quest for new forms of expression resulted in some of his most spectacular and brilliantly executed paintings. His highly individual paintings are visions rather than representations of reality; his compositions often include exaggerated forms and unnatural colors. Salvatore S. Nigro, Professor of Italian Literature at the University of Catania, Sicily, has selected over seventy examples of Pontormo's paintings and frescoes. The book includes such masterpieces as the portrait of Cosimo I de Medici, the fresco cycle in the Santissima Annunziata, and the Deposition in Santa Felicita. Each work is presented in a full-page color reproduction, some with details, and is accompanied by a brief commentary. The introduction by Professor Nigro places Pontormo's work within the context of developments in art and literature, and is followed by biographical and bibliographical notes. This volume is particularly important to scholars and connoisseurs of sixteenth-century Italian art; together, the illustrations and text offer a fresh look at this Florentine master and will serve as a record for many years to come.
Author: Gabriele Neher Publisher: Routledge ISBN: 1351739727 Category : History Languages : en Pages : 185
Book Description
This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.
Author: Jessica A. Maratsos
Author: Jessica A. Maratsos
Author: Andrew Ladis
Author: Katherine Renell Smith Abbott
Author: Elizabeth Pilliod
Author: Doris Krystof
Author: Professor Lisa M Rafanelli
Author: 
Author: Jacopo da Pontormo
Author: Gabriele Neher
Author: Jacopo da Pontormo