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Polyphemus - The Giant Who Loved A Sea Nymph

Polyphemus - The Giant Who Loved A Sea Nymph PDF Author: Grace Harriet Kupfer
Publisher: Fabio Ardizzone
ISBN:
Category : Fiction
Languages : en
Pages :

Book Description
“The giant who loved a sea nymph” tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses. With notes.

Polyphemus - The Giant Who Loved A Sea Nymph

Polyphemus - The Giant Who Loved A Sea Nymph PDF Author: Grace Harriet Kupfer
Publisher: Fabio Ardizzone
ISBN:
Category : Fiction
Languages : en
Pages :

Book Description
“The giant who loved a sea nymph” tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses. With notes.

Polyphemus - The Giant Who Loved A Sea Nymph

Polyphemus - The Giant Who Loved A Sea Nymph PDF Author: Grace Harriet Kupfer
Publisher: Fabio Ardizzone
ISBN:
Category : Fiction
Languages : en
Pages : 13

Book Description
“The giant who loved a sea nymph” tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses. With notes

Polyphemus - The Giant Who Loved A Sea Nymph by Grace Harriet Kupfer

Polyphemus - The Giant Who Loved A Sea Nymph by Grace Harriet Kupfer PDF Author: Grace Harriet Kupfer
Publisher:
ISBN: 9781077971059
Category :
Languages : en
Pages : 32

Book Description
"The giant who loved a sea nymph" tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses.

Quoting Shakespeare

Quoting Shakespeare PDF Author: Douglas Bruster
Publisher: U of Nebraska Press
ISBN: 9780803213036
Category : Drama
Languages : en
Pages : 286

Book Description
William Shakespeare is perhaps the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. In this dynamic study of Shakespeare's plays, Douglas Bruster demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked, while also shedding light on later cultures that quote his plays. In contrast to the New Historicism's sometimes arbitrary linkage of literary works with elements drawn from the surrounding culture, Quoting Shakespeare focuses on the resources that writers used in making their works. Bruster shows how this borrowing can give us valuable insight into the cultural, historical, and political positions of writers and their works. Because Shakespeare's plays have often been quoted by other writers, this study also examines what subsequent uses of Shakespeare's plays reveal about the writers and cultures that use them. In this way, Quoting Shakespeare insists that literary production and reception are both integral to a historical approach to literature.

Greek and Roman Mythology A to Z

Greek and Roman Mythology A to Z PDF Author: Kathleen N. Daly
Publisher: Infobase Publishing
ISBN: 1438119925
Category : Mythology, Classical
Languages : en
Pages : 146

Book Description
Alphabetically listed entries identify and explain the characters, events, important places, and other aspects of Greek and Roman mythology.

Mythical Monsters in Classical Literature

Mythical Monsters in Classical Literature PDF Author: Paul Murgatroyd
Publisher: Bloomsbury Publishing
ISBN: 1472537629
Category : Literary Criticism
Languages : en
Pages : 217

Book Description
This engaging, readable yet impeccably scholarly investigation of monsters in Classical literature will entertain and stimulate as well as inform. It covers all the major mythical monsters mentioned by Greek and Roman authors (Medusa, Hydra, Polyphemus, the Minotaur, Sphinx, Harpies, Sirens, Cerberus, Chimaera, Centaurs, and many more) along with Classical precursors of vampires, werewolves and the living dead. Versions of these creatures that appear in later literature and film are also discussed. Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.

Collected in Himself

Collected in Himself PDF Author: Maynard Mack
Publisher: University of Delaware Press
ISBN: 9780874131826
Category : Poets, English
Languages : en
Pages : 584

Book Description
A collection of various essays about Pope and the eighteenth century written by Professor Mack during the past four decades. An appendix includes a finding list of books surviving from Pope's library and a selection of letters by, to, and about Pope, most of them unpublished.

Epigrams from the Anthologia Latina

Epigrams from the Anthologia Latina PDF Author:
Publisher: Bloomsbury Publishing
ISBN: 1849667837
Category : Foreign Language Study
Languages : en
Pages : 394

Book Description
This new scholarly edition consists of the Latin text, with translation and detailed commentary, of a sequence of epigrams from the Anthologia Latina (Shackleton Bailey 78-188). The introduction discusses whether these epigrams constitute a unified collection and are the work of a single author, examines their likely date and place of composition – which, it is argued, is North Africa under Vandal rule –, and sets them in their cultural context. The line-by-line commentary covers issues of literary, linguistic and historical significance. Although text and interpretation of these pieces present frequent difficulties, the author confirms that they make up a fascinating collection of considerable importance and merit, contrary to the low reputation generally associated with the Anthologia Latina. The book will be of great interest to students of Latin literature and language in general, the epigram tradition in particular, and the culture of Vandal Africa.

Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire

Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire PDF Author: Hérica Valladares
Publisher: Cambridge University Press
ISBN: 1108875556
Category : Art
Languages : en
Pages : 267

Book Description
Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.

Symbolism, Its Origins and Its Consequences

Symbolism, Its Origins and Its Consequences PDF Author: Rosina Neginsky
Publisher: Cambridge Scholars Publishing
ISBN: 1443824526
Category : Art
Languages : en
Pages : 665

Book Description
The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L’Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going from the abstract to the concrete (Venus, incarnated in the statue, represents love), it goes from the concrete to the abstract, from “what is seen, heard, felt, tasted, and sensed to the evocation of the idea.” This volume attempts to give a glimpse into the power of the Symbolist movement and the nature of its fundamental and interdisciplinary role in the evolution of art and literature of the twentieth century. It records the studies of a group of scholars, who met and discussed these topics together for the first time in 2009. While illuminating the specificity of Symbolism in art, architecture and literature in different European countries, these articles also demonstrate the crucial role of French Symbolism in the development of the international Symbolist movement. The authors hope that an expanding group, a society of Art, Literature and Music in Symbolism and Decadence (ALMSD), born out of the first meeting, will continue to further this discussion at future conferences and in the printed conference proceedings.