Poetical Chronology of Inventions, Discoveries, Battles and of Eminent Men, from the Conquest to the present time: exhibiting their effects on the history of Great Britain. Elucidated by a catechism in prose, etc PDF Download

Author: Ebenezer Cobham BREWER
Publisher:
ISBN:
Category :
Languages : en
Pages : 234

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Author: Ebenezer Cobham Brewer
Publisher:
ISBN:
Category :
Languages : en
Pages : 254

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Author: Adam Czerniawski
Publisher: Salt Pub
ISBN: 9781844710911
Category : Poetry
Languages : en
Pages : 147

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âe~Adam Czerniawskiâe(tm)s poetry springs from a conjunction of Polish and English (or perhaps European) culture. Deeply rooted in the Polish language, he is at the same time a poet of universal themes observed from a wide perspective of the Western world. I would even claim that this poetry springs from a different basis of culture and literary tradition, that he has managed to set himself free from many complexes of contemporary Polish poetry, to grasp and see them from a global perspective. Additionally, there is his special position as a poet standing outside the émigré cultural life, which gives him the advantage of distance, of reserve and of being above the current disputes and entanglements. The art which he practises enables us to count him among poets of culture full of erudition and various tropes which bear witness to his inheriting the great tradition of European culture.âe(tm)âe"Konstanty PieÅ,,kosz, Literary criticâe~My favourite poems by Adam Czerniawski include âeoeSeaside Holidayâe , âeoeInterior Topographyâe (one of his best poems), âeoeYou and Iâe , âeoeManâe , âeoeScience Fictionâe , âeoeListening to a Schubert Quartetâe , âeoeWorldâe , âeoeBridgeâe , âeoeFishâe , âeoeTriangleâe , âeoeA View of Delftâe , âeoeEvening, or a Field of Visionâe , âeoeToken of Remembranceâe and âeoeGolden Ageâe . These poems display a dialectical synthesis of feeling and awareness; without falling below the level of the authorâe(tm)s understanding âe" and letâe(tm)s note that it is a philosophical understanding rare among Polish poets (MiÅ,osz is a philosopher of a totally different kind) âe" these poems do not leave feelings behind, and this is precisely what works in their favour.âe(tm)âe"Bogdan Czaykowski, Poet and scholarâe~Consistently labelled in Polish criticism as a âeoepoet of culture,âe Czerniawski, like CzesÅ,aw MiÅ,osz, belongs to the category of writers who express their struggle with culture and history in profoundly personal terms. His poetry is marked by a return to mythological topoi (e.g., âeoeLoveâe ) and to such classical motifs as ars longa vita brevis (e.g., âeoeToken of Remembranceâe ). These returns, however, offer no consolation for the sense of historical and existential displacement; rather, culture tempts with the promise of aesthetic redemption (in this, Czerniawski also resembles Zbigniew Herbert) but ultimately agitates by bringing into the open that from which one longs to escape âe" the palpability of history, of âeoetoday, though somewhat far.âe Czerniawskiâe(tm)s sense of history reflects both the experience of his generation and his own âeoeobsessive memory [of an] annihilated childhood.âe He comments, for instance, on the traumatic divide in his biography, âeoefor those tainted with the consciousness of âe~other daysâe(tm) biography falls into before and after.âe He recalls the emotional impact of the outbreak of the war on the child that he was: âeoeSo not even a global picture of the September campaign, but simply stray scenes rooted in the memory of the child. They are enough. And who would have thought that already at that age it is possible to shoulder the humiliation of an entire people?âe (âeoeThe Ages Speak, or what''s new in Historyâe ).âe~Higgins strives to be faithful to Czerniawskiâe(tm)s style and tone (including the use of British English to reflect the author''s environment), and those able to follow both the Polish and English can appreciate the consistency of his renditions. Higginsâe(tm)s translations read smoothly and show respect for the original. Similar qualities come across in Higginsâe(tm)s sensitive introduction to this generally laudable volume.âe(tm)âe"Prof. Joanna NiÅ1⁄4yÅ,,skaâe~Thus the reader will find here not only the long and the short of him âe" as in the concise âeoeOxfordâe (an almost sentimental statement of the poet''s affection for a mythic England) and the extensive âeoeMirrors and Reflectionsâe (a moving meditation on being in the world) âe" but also the more familiar middle ground, Czerniawskiâe(tm)s preferred poetic dwelling-place, where the lyric readily admits other modes of writing without necessarily giving up its own character altogether. Here the reader will find poems as different from one another as âeoeYou and Iâe (an unsentimental celebration of childhood pleasure and friendship), âeoeCape of False Hopeâe (a striking portrait of life in an imaginary European colony), âeoetriangleâe (a brief parable on order and cruelty), âeoeTeatro della guerraâe (a dark look at the homologies of war, theatre, and children''s games), and the remarkable prose poems from the cycle âeoeCommentariesâe (essays on such matters as memory and oblivion, the poetâe(tm)s reading both early and late, and the nature of artistic perception). Indeed, there is nothing quite like these poems in English, although it is possible to gesture towards some analogies: the brilliantly opaque poems of John Ashbery, for instance, offer a partial analogy of their probing and self-undoing manner, if not of the sensibility they conjure up, while the wittily erudite poems of Derek Mahon and Paul Muldoon offer a partial analogy of their heterogeneous cultural and historical matter, if not of their tone and formal qualities. For Czerniawskiâe(tm)s poetics derives in part from a tradition little known outside Polish literature, the tradition established by Cyprian Norwid (1821âe"1883), who is a kind of combined Hopkins, Dickinson and Eliot-cum-Pound. In Norwidâe(tm)s view, âeoea perfect lyric should be like a plaster cast: those boundaries where forms miss each other and leave cracks ought to be preserved and not smoothed over with a knife.âe But where Norwid chose a sculptural analogy, strangely thinking of his own dynamic verse in spatial terms, Czerniawski would choose a musical one, thinking in terms of the temporal and the dramatic, as in Beethoven or Bartok, or even in some forms of jazz. Here the preserved cracks become dissonant notes deliberately exploited, and the plaster cast, the compositional whole that contains and attempts to govern them.âe(tm)âe"Iain Higgins, Introduction to The Invention of Poetry

Author: Hérica Valladares
Publisher: Cambridge University Press
ISBN: 1108875556
Category : Art
Languages : en
Pages : 267

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Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.

Author: Steele Nowlin
Publisher:
ISBN: 9780814213100
Category : Affect (Psychology) in literature
Languages : en
Pages : 234

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"Gooth yet alway under": invention as movement in The house of fame -- "Ryght swich as ye felten": aligning affect and invention in The legend of good women -- A thing so strange: macrocosmic emergence in the Confessio amantis -- "The cronique of this fable": transformative poetry and the chronicle form in the Confessio amantis -- Empty songs, mighty men, and a startled chicken: satirizing the affect of invention in fragment VII of the Canterbury tales -- From ashes ancient come: affective intertextuality in Chaucer, Gower, and Shakespeare

Author: Rayna Kalas
Publisher: Cornell University Press
ISBN: 1501732676
Category : Literary Criticism
Languages : en
Pages : 355

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In a book that draws attention to some of our most familiar and unquestioned habits of thought—from "framing" to "perspective" to "reflection"—Rayna Kalas suggests that metaphors of the poetic imagination were once distinctly material and technical in character. Kalas explores the visual culture of the English Renaissance by way of the poetic image, showing that English writers avoided charges of idolatry and fancy through conceits that were visual, but not pictorial. Frames, mirrors, and windows have been pervasive and enduring metaphors for texts from classical antiquity to modernity; as a result, those metaphors seem universally to emphasize the mimetic function of language, dividing reality from the text that represents it. This book dissociates those metaphors from their earlier and later formulations in order to demonstrate that figurative language was material in translating signs and images out of a sacred and iconic context and into an aesthetic and representational one. Reading specific poetic images—in works by Spenser, Shakespeare, Gascoigne, Bacon, and Nashe—together with material innovations in frames and glass, Kalas reveals both the immanence and the agency of figurative language in the early modern period. Frame, Glass, Verse shows, finally, how this earlier understanding of poetic language has been obscured by a modern idea of framing that has structured our apprehension of works of art, concepts, and even historical periods. Kalas presents archival research in the history of frames, mirrors, windows, lenses, and reliquaries that will be of interest to art historians, cultural theorists, historians of science, and literary critics alike. Throughout Frame, Glass, Verse, she challenges readers to rethink the relationship of poetry to technology.

Author: Hérica Valladares
Publisher: Cambridge University Press
ISBN: 1108835414
Category : Art
Languages : en
Pages : 267

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This book connects the emergence of Latin love elegy and a new, tender style in Roman wall painting.

Author: Claudio Majolino
Publisher: Springer Nature
ISBN: 3031341503
Category : Philosophy
Languages : en
Pages : 387

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This book covers Husserl’s stance on the philosopher and the history of philosophy, whether or not such a history is part of the philosophical attitude itself, and if so, how Husserl’s phenomenology might weigh in on such matters. Firstly, this text spells out some of the manifold ways in which the history of philosophy works its way in Husserl’s phenomenology, showing how concepts, methods and problems drawn from various Ancient and Modern philosophical traditions (Platonism, Aristotelianism, Sophistry, Stoicism, Scholasticism, Modern Rationalism) are transformed and embedded within transcendental phenomenology itself. Secondly, it shows how a better understanding of the distinctive patterns by means of which Husserl’s phenomenology confronts the history of philosophy could be extremely significant for historians of philosophy who are interested in learning something entirely new about the unexplored horizons of such concepts, methods and problems. Finally, based on such twofold historical and philosophical approach and thanks to a substantial reinterpretation of some key phenomenological concepts such as “multiplicity”, “constitution”, “attitude” and “variation”, this book provides a novel and original reading of Husserl’s overall philosophical project in its full meaning and scope. By doing so, this volume appeals to both students and researchers and critically engages in mainstream interpretations of phenomenology, suggesting a unique take on the idea of transcendental phenomenology as a whole.

Author: Simon Goldhill
Publisher: Cambridge University Press
ISBN: 1009080830
Category : Literary Criticism
Languages : en
Pages : 517

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Time is integral to human culture. Over the last two centuries people's relationship with time has been transformed through industrialisation, trade and technology. But the first such life-changing transformation – under Christianity's influence – happened in late antiquity. It was then that time began to be conceptualised in new ways, with discussion of eternity, life after death and the end of days. Individuals also began to experience time differently: from the seven-day week to the order of daily prayer and the festal calendar of Christmas and Easter. With trademark flair and versatility, world-renowned classicist Simon Goldhill uncovers this change in thinking. He explores how it took shape in the literary writing of late antiquity and how it resonates even today. His bold new cultural history will appeal to scholars and students of classics, cultural history, literary studies, and early Christianity alike.

Author: A. Ajens
Publisher: Springer
ISBN: 0230370675
Category : Literary Criticism
Languages : en
Pages : 293

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This collection of essays traces the emergence of the Western poem from the standpoint of its collision with "American" otherness, particularly, the Latin American tradition. Unlike works extending Western conceptions of writing or searching for an alleged American ethnopoetics, this book approaches literature as a Western invention and, in turn, seeks out correspondences between traditions