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Author: Percy Bysshe Shelley Publisher: JHU Press ISBN: 1421411083 Category : Literary Criticism Languages : en Pages : 917
Book Description
Winners of an Honorable Mention from the Modern Language Association's Prize for a Distinguished Scholarly Edition Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential—and pirated—poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.
Author: Percy Bysshe Shelley Publisher: JHU Press ISBN: 1421411083 Category : Literary Criticism Languages : en Pages : 917
Book Description
Winners of an Honorable Mention from the Modern Language Association's Prize for a Distinguished Scholarly Edition Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential—and pirated—poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.
Author: Percy Bysshe Shelley Publisher: Good Press ISBN: Category : Literary Collections Languages : en Pages : 1978
Book Description
The Complete Poetry of Percy Bysshe Shelley is a comprehensive collection of the illustrious poet's works, showcasing his unique style of romantic writing filled with vivid imagery and profound themes. Shelley's poetry often explores themes of nature, politics, and the human spirit, making him a key figure in the Romantic movement. This collection includes iconic poems such as 'Ode to the West Wind' and 'Ozymandias', showcasing Shelley's mastery of the craft and his ability to evoke powerful emotions in his readers. The collection also features lesser-known works that further highlight Shelley's versatility and literary genius. The lyrical beauty and timeless relevance of Shelley's poetry make this collection a must-read for any lover of literature and poetry. Percy Bysshe Shelley, a prominent Romantic poet, was known for his rebellious spirit and passionate advocacy for social justice. His personal experiences and political beliefs heavily influenced his poetry, as seen in works such as 'The Mask of Anarchy'. Through his writing, Shelley aimed to inspire social change and challenge societal norms, making him a revolutionary figure in the literary world. His dedication to his craft and his unwavering commitment to his ideals shine through in every line of his poetry. I highly recommend The Complete Poetry of Percy Bysshe Shelley to readers who appreciate lyrical poetry that delves into the complexities of human existence and society. Shelley's timeless words continue to resonate with readers today, offering profound insights and stirring emotions that are sure to leave a lasting impact.
Author: Percy Bysshe Shelley Publisher: Courier Corporation ISBN: 0486114147 Category : Poetry Languages : en Pages : 130
Book Description
Treasury of 37 well-known and representative poems by great Romantic poet includes "Ode to the West Wind," "To a Skylark," "Adonais," "Ozymandias," "Hymn to Intellectual Beauty," many more. Lists of titles and first lines.
Author: Percy Bysshe Shelley Publisher: Penguin UK ISBN: 0141395222 Category : Poetry Languages : en Pages : 1278
Book Description
A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.
Author: Percy Bysshe Shelley Publisher: DigiCat ISBN: Category : Poetry Languages : en Pages : 1975
Book Description
DigiCat presents to you this unique and meticulously edited Percy Bysshe Shelley collection: The Daemon of the World Alastor: or, the Spirit of Solitude. The Revolt of Islam Prince Athanase Rosalind and Helen Julian and Maddalo Prometheus Unbound The Cenci – A Tragedy in Five Acts The Mask of Anarchy Peter Bell the Third Letter to Maria Gisborne The Witch of Atlas Oedipus Tyrannus Epipsychidion Adonais Hellas Fragments of an Unfinished Drama Charles the First The Triumph of Life Early Poems (1814, 1815): Stanza, Written at Bracknell Stanzas — April, 1814 To Harriet To Mary Wollstonecraft Godwin Mutability On Death A Summer Evening Churchyard To Wordsworth Feelings of a Republican on the Fall of Bonaparte Lines... Poems Written in 1816-1822: The Sunset Hymn to Intellectual Beauty Mont Blanc Home Fragment of a Ghost Story Marianne's Dream To Constantia, Singing To Constantia To Music 'Mighty Eagle' To William Shelley On Fanny Godwin Death Otho A Hate-Song Lines to a Critic Ozymandias To the Nile Passage of the Apennines The Past To Mary On a Faded Violet October, 1818 Song for 'Tasso' Invocation to Misery The Woodman and the Nightingale Marenghi Sonnet To Byron Apostrophe to Silence The Lake's Margin The Vine-Shroud Song to the Men of England To the People of England 'What Men Gain Fairly' A New National Anthem Ode to Heaven Ode to the West Wind An Exhortation Love's Philosophy The Birth of Pleasure Rain A Tale Untold To Italy Wine of the Fairies A Roman's Chamber Rome and Nature The Sensitive Plant A Vision of the Sea The Cloud To a Skylark Ode to Liberty Dirge for the Year To Night Time The Fugitives The Zucca The Isle... Translations: Hymn to Mercury Homer's Hymns The Cyclops Epigrams from the Greek Pan, Echo, and the Satyr Ugolino.... Juvenilia: Queen Mab Verses on a Cat Omens Epitaphium In Horologium To the Moonbeam The Solitary Love's Rose The Devil's Walk To the Queen of My Heart... Poetical Essay on the Existing State of Things A Defence of Poetry – Essay by Shelley Shelley – Biography by John Addington Symonds
Author: Elizabeth Bishop Publisher: ISBN: 9780701178024 Category : English poetry Languages : en Pages : 287
Book Description
A comprehensive edition of one of America's greatest poets, this collection draws from her four published volumes, together with 50 uncollected works and translations of Octavio Paz, Max Jacob and others.
Author: Percy Bysshe Shelley Publisher: 谷月社 ISBN: Category : Poetry Languages : en Pages : 2604
Book Description
This edition of his "Poetical Works" contains all Shelley's ascertained poems and fragments of verse that have hitherto appeared in print. In preparing the volume I have worked as far as possible on the principle of recognizing the editio princeps as the primary textual authority. I have not been content to reprint Mrs. Shelley's recension of 1839, or that of any subsequent editor of the "Poems". The present text is the result of a fresh collation of the early editions; and in every material instance of departure from the wording of those originals the rejected reading has been subjoined in a footnote. Again, wherever—as in the case of "Julian and Maddalo"—there has appeared to be good reason for superseding the authority of the editio princeps, the fact is announced, and the substituted exemplar indicated, in the Prefatory Note. in the case of a few pieces extant in two or more versions of debatable authority the alternative text or texts will be found at the [end] of the [relevant work]; but it may be said once for all that this does not pretend to be a variorum edition, in the proper sense of the term—the textual apparatus does not claim to be exhaustive. Thus I have not thought it necessary to cumber the footnotes with every minute grammatical correction introduced by Mrs. Shelley, apparently on her own authority, into the texts of 1839; nor has it come within the scheme of this edition to record every conjectural emendation adopted or proposed by Rossetti and others in recent times. But it is hoped that, up to and including the editions of 1839 at least, no important variation of the text has been overlooked. Whenever a reading has been adopted on manuscript authority, a reference to the particular source has been added below. I have been chary of gratuitous interference with the punctuation of the manuscripts and early editions; in this direction, however, some revision was indispensable. Even in his most carefully finished "fair copy" Shelley under-punctuates (Thus in the exquisite autograph "Hunt MS." of "Julian and Maddalo", Mr. Buxton Forman, the most conservative of editors, finds it necessary to supplement Shelley's punctuation in no fewer than ninety-four places.), and sometimes punctuates capriciously. In the very act of transcribing his mind was apt to stray from the work in hand to higher things; he would lose himself in contemplating those airy abstractions and lofty visions of which alone he greatly cared to sing, to the neglect and detriment of the merely external and formal element of his song. Shelley recked little of the jots and tittles of literary craftsmanship; he committed many a small sin against the rules of grammar, and certainly paid but a halting attention to the nice distinctions of punctuation. Thus in the early editions a comma occasionally plays the part of a semicolon; colons and semicolons seem to be employed interchangeably; a semicolon almost invariably appears where nowadays we should employ the dash; and, lastly, the dash itself becomes a point of all work, replacing indifferently commas, colons, semicolons or periods. Inadequate and sometimes haphazard as it is, however, Shelley's punctuation, so far as it goes, is of great value as an index to his metrical, or at times, it may be, to his rhetorical intention—for, in Shelley's hands, punctuation serves rather to mark the rhythmical pause and onflow of the verse, or to secure some declamatory effect, than to indicate the structure or elucidate the sense. For this reason the original pointing has been retained, save where it tends to obscure or pervert the poet's meaning. Amongst the Editor's Notes at the end of the Volume 3 the reader will find lists of the punctual variations in the longer poems, by means of which the supplementary points now added may be identified, and the original points, which in this edition have been deleted or else replaced by others, ascertained, in the order of their occurrence. In the use of capitals Shelley's practice has been followed, while an attempt has been made to reduce the number of his inconsistencies in this regard.
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Percy Bysshe Shelley
Author: Elizabeth Bishop
Author: John Keats
Author: Percy Bysshe Shelley