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Author: William Carlos Williams Publisher: New Directions Publishing ISBN: 0811224597 Category : Poetry Languages : en Pages : 612
Book Description
Considered by many to be the most characteristically American of our twentieth-century poets, William Carlos Williams "wanted to write a poem / that you would understand / ,,,But you got to try hard—." So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.
Author: William Carlos Williams Publisher: New Directions Publishing ISBN: 0811224597 Category : Poetry Languages : en Pages : 612
Book Description
Considered by many to be the most characteristically American of our twentieth-century poets, William Carlos Williams "wanted to write a poem / that you would understand / ,,,But you got to try hard—." So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.
Author: John Malcolm Brinnin Publisher: U of Minnesota Press ISBN: 1452912017 Category : Biography & Autobiography Languages : en Pages : 49
Book Description
William Carlos Williams - American Writers 24 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Author: Milton A. Cohen Publisher: University of Alabama Press ISBN: 0817317139 Category : Literary Criticism Languages : en Pages : 278
Book Description
Different as they were as poets, Wallace Stevens, E. E. Cummings, Robert Frost, and Williams Carlos Williams grappled with the highly charged literary politics of the 1930s in comparable ways. All four poets saw their reputations critically challenged in these years and felt compelled to respond to the new politics, literary and national, in distinct ways, ranging from rejection to involvement. Beleaguered Poets and Leftist Critics closely examines the dynamics of their responses.
Author: Sheila Coghill Publisher: University of Iowa Press ISBN: 1587299860 Category : Poetry Languages : en Pages : 253
Book Description
Loved for his decidedly American voice, for his painterly rendering of modern urban settings, and for his ability to re-imagine a living language shaped by the philosophy of “no ideas but in things,” William Carlos Williams (1883-1963) left an indelible mark on modern poetry. As each successive generation of poets discovers the “new” that lives within his work, his durability and expansiveness make him an influential poet for the twenty-first century as well. The one hundred and two poems by one hundred and two poets collected in Visiting Dr. Williams demonstrate the range of his influence in ways that permanently echo and amplify the transcendent music of his language. Contributors include: Robert Creeley, David Wojahn, Maxine Kumin, James Laughlin, A. R. Ammons, Wendell Berry, Heid Erdrich, Frank O’Hara, Lyn Lifshin, Denise Levertov, Wallace Stevens, John Ashbery, Allen Ginsberg, and a host of others.
Author: Crane Doyle Publisher: Routledge ISBN: 1136213082 Category : Literary Criticism Languages : en Pages : 457
Book Description
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Author: Charles Reznikoff Publisher: David R. Godine Publisher ISBN: 9781574232035 Category : Poetry Languages : en Pages : 468
Book Description
Charles Reznikoff (1894-1976), the son of Russian garment workers, was an American original: a blood-and-bone New Yorker, a collector of images and stories who walked the city from the Bronx to the Battery and breathed the soul of the Jewish immigrant experience into a lifetime of poetry. He wrote narrative poems based on Old Testament sources. Above all, he wrote spare, intensely visual, epigrammatic poems, a kind of urban haiku. The language of these short poems is as plain as bread and salt, their imagery as crisp and unambiguous as a Charles Sheeler photograph. But their meaning is only hinted at: it is there in the selection of details, and in the music of the verse. Reznikoff was sincere and objective, a poet of great feeling who strove to honor the world by describing it precisely. He also strove to keep his feelings out of his poetry. He did not confess, he did not pose, he did not cultivate a myth of himself. Instead he created art-an unadorned art in praise of the world that God and men have made-and invited readers to bring their own feelings to it. In an age of ephemera, of first drafts rushed into print and soon forgotten, Reznikoff's poetry is a sturdy, well-wrought thing-"a girder, still itself / among the rubble." A timeless testament-impersonal, incorruptible, undeniably American-it will survive every change in literary fashion. Book jacket.
Author: Bernard I. Duffey Publisher: Univ of Wisconsin Press ISBN: 9780299104702 Category : Literary Criticism Languages : en Pages : 262
Book Description
William Carlos Williams was an inventive writer never confined by any static genre or aesthetic postulate. In this authoritative study, Bernard Duffey recognizes that literary dynamism as he approaches the full breadth of Williams's work--including his poetry, prose, fiction, and drama--as an interrelated and interdependent web of writing. The result, the first truly comprehensive examination of a major American author and his kinetic art, will interest students and scholars of Williams, American literature, and modern poetry and criticism. Central to Duffey's study is a critical framework based on Kenneth Burke's A Grammar of Motives and the perception of the poet as an agent working in relation to a "scene" and its content--in this case, the geographical and cultural locale that Williams clung to. Williams's work, Duffey argues, was informed by the dramatic sense of himself as a literary actor seeking embodiment of a dynamic, altering whole and his present condition of being. Ultimately, he stresses, the writer was more engaged in expressing literary action than in forging literary objects. Duffey amplifies this critical view through a close reading of specific works. Examining Williams's principal writings in the lights that seem most immediate to them, he tackles a variety of themes: the pervasiveness of scene in In the American Grain and the fiction; the role of agent or poetic person in Kora in Hell, A Voyage to Pagany, Paterson, and Pictures from Brueghel; the function of poetic agency in the short poems, and of poetic action in Williams's drama.
Author: William Carlos Williams
Author: William Carlos Williams
Author: William Carlos Williams
Author: Charles Doyle
Author: John Malcolm Brinnin
Author: Milton A. Cohen
Author: Sheila Coghill
Author: Charles Doyle
Author: Crane Doyle
Author: Charles Reznikoff
Author: Bernard I. Duffey